Abstract
This introductory chapter addresses the historical, conceptual, and methodological contributions of our book and synthesizes the specific arguments of each chapter. In the overview of the structure of the book, we compare the findings and link the analyses of chapters focusing on nationality, country, or language and those focusing on individual authors. We give an overview of the collections not addressed in separate chapters, which typically represented their countries by one to a few titles. Thus, we offer a comprehensive overview and comparisons across all 23 countries’ collections displayed at the 1893 Exposition in the Woman’s Building Library other than the United States. We consider how our work collectively adds to an understanding of international women’s culture, activism, modernism, and globalism at the end of the nineteenth century: a historical moment coinciding with the height of industrial optimism and characterized by shifting ideas around gender roles and the changing status of women in society. We recognize the differences and similarities in women’s networks and in a global context. We also address the methodological frameworks used by the chapters’ authors, and their engagement with the historiography of women’s movements, and give an overview of prior scholarship and a note on how this collection of essays came about.
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Notes
- 1.
Biographical information is from The Database of Canada’s Early Women’s Writers (DoCEWW).
- 2.
Clarke’s bibliography is replicated in A Celebration of Women Writers digital resource at the University of Pennsylvania.
- 3.
These items have an enduring circulation and value in the used-books market and maintain a vivid connection to the Fair, as exemplified by the four-page menu for the Woman’s Building’s Garden Café for Chicago Day on October 9, 1893 (Dybwad & Bliss, 1997, 1; 48).
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- 5.
Adams, K., & Howard, J.T. This Beautiful Sisterhood of Books: A Digital Recreation of the Women’s Literary Department from the 1884 New Orleans World’s Fair.
References
Works in the Woman’s Building Library
Ephemeris ton Kyrion. (n.d.).
Knight, D. W. (1893). Verse. Brockville, ON.
Moderno, A. (1886). Aspirações, primeiros versos, 1883–1886.
Moderno, A. (1888). Trillos, 1886–1888. Tip. Popular.
Moderno, A. (1892). O Dr. Luiz Sandoval: Romance. Typo-Lyth. Minerva.
Moore Sites, S. (1873). The Children’s Bible Picture Book: In Foochow Colloquial.
Sesselberg, M. F. (1893). In Amazon Land: Adaptations from Brazilian Writers, with Original Selections. Putnam.
Skimmings, E. A., & Skimings, R. (1890). Golden Leaves. Star. Retrieved November 4, 2022, from https://www.canadiana.ca/view/oocihm.12983/1
Tucker, S. (2021). Julia Ward Howe, Maud Howe, and an Archival Legacy: Recordkeeping and the Library of Women’s Books at the 1884 Cotton Centennial. Libraries: Culture, History & Society, 5(1), 1–23.
Other Works Cited
1893.rutgers.edu. Retrieved November 20, 2022, from https://web.archive.org/web/20220000000000*/ http://1893.rutgers.edu/2011/06/15/explore-the-archive
A Celebration of Women Writers. Retrieved November 8, 2022, from https://digital.library.upenn.edu/women/_collections/exposition/exposition.html
Adams, K., & Howard, J. T. (n.d.). This Beautiful Sisterhood of Books: A Digital Recreation of the Women’s Literary Department from the 1884 New Orleans World’s Fair. Retrieved October 9, 2023, from https://thisbeautifulsisterhood.org
Applebaum, S. (1980). The Chicago World’s Fair of 1893: A Photographic Record. Dover Publications.
Boisseau, T. J., & Markwyn, A. M. (Eds.). (2010). Gendering the Fair: Histories of Women and Gender at World’s Fairs. University of Illinois Press.
Boone, M. E. (2019 [2020]). “The Spanish Element in Our Nationality”: Spain and America at the World’s Fairs and Centennial Celebrations, 1876–1915. Pennsylvania State University Press.
Centro de documentação e arquivo feminista Elina Guimarães. Duarte, C. L. Alice Moderno. 2010. Retrieved November 5, 2022, from https://www.cdocfeminista.org/alice-moderno-1867-1946-2
CLARIN:EL portal. Ephemeris ton Kyrion – Abstracts. Retrieved November 5, 2022, from https://inventory.clarin.gr/corpus/984
Clarke, E. E. (1893). List of Books Sent by Home and Foreign Committees to the Library of the Woman’s Building. World’s Columbian Exposition.
Corn, W. M. (2011). Women Building History: Public Art at the 1893 Columbian Exposition. University of California Press.
Dybwad, G. L., & Bliss, J. V. (1992). Annotated Bibliography: World’s Columbian Exposition, Chicago 1893. The Book Stops Here.
Dybwad, G. L., & Bliss, J. V. (1997). Chicago Day at the World’s Columbian Exposition: Illustrated with Candid Photographs. The Book Stops Here.
Dybwad, G. L., & Bliss, J. V. (1999). Annotated Bibliography: World’s Columbian Exposition, Chicago 1893: Supplement. The Book Stops Here.
Eagle, M. K. O. (Ed.). (1893). The Congress of Women: Held in the Woman’s Building, World’s Columbian Exposition, Chicago, 1893.
Erlin, M., & Tatlock, L. (Eds.). (2014). Distant Readings: Topologies of German Culture in the Long Nineteenth Century. Camden House.
Heliodromion. (2004). The Sensible Apostle of Woman [sic] Emancipation: Callirhoe Parren: Life and Works. Retrieved November 5, 2022, from https://www.heliodromion.gr/palaio/e-parren.htm
Howe Elliott, M. (Ed.). (1893). Art and Handicraft in the Woman’s Building of the World’s Columbian Exposition, Chicago 1893. Goupil & Co., Bousson, Valadon & Co.
Lockwood, M. (1893). Work of the Board of Lady Managers. Woman’s Tribune, 28 January, p. 25.
Maddux, K. (2019). Practicing Citizenship: Women’s Rhetoric at the 1893 Chicago World’s Fair. Pennsylvania State University Press.
McFadden, M. H. (1999). Golden Cables of Sympathy: The Transatlantic Sources of Nineteenth-Century Feminism. The University Press of Kentucky.
Moretti, F. (2013). Distant Reading. Verso.
Offen, K. (2018). Rendezvous at the Expo: Building a Franco-American Women’s Network, 1889-1893-1900. In R. Rogers & M. Boussahba-Bravard (Eds.), Women in International and Universal Exhibitions, 1876-1937 (pp. 15–33). Routledge.
Publications of the Modern Language Association of America (PMLA). (2017). Theories and Methodologies, 132(3), 613–689.
Sewall, M. W. (Ed.). (1893). The World’s Congress of Representative Women: A Historical Résumé for Popular Circulation of the World’s Congress of Representative Women, Convened in Chicago on May 15, and Adjourned on May 22, 1893, under the Auspices of the Women’s Branch of the World’s Congress Auxiliary. Rand, McNally.
The Database of Canada’s Early Women Writers (DoCEWW). Retrieved November 5, 2022., from https://dhil.lib.sfu.ca/doceww/. Dorothy Wolters Knight. https://dhil.lib.sfu.ca/doceww/person/2471. Eloise Ann Skimmings. https://dhil.lib.sfu.ca/doceww/person/4031
Valis, N. (2000). Women’s Culture in 1893: Spanish Nationalism and the Chicago World’s Fair. Letras Peninsulares, 13(2–3), 633–664.
Valisa, S. (2018). Cosa scrivevano le donne di fine Ottocento? Il contributo italiano alla Woman’s Building Library della World Fair di Chicago (1893). G/S/I Gender Sexuality Italy 5. Retrieved November 18, 2022, from https://www.gendersexualityitaly.com/15-cosa-scrivevano-le-donne-di-fine-ottocento-il-contributo-italiano-alla-womans-building-library-della-world-fair-di-chicago-1893
Vallejo, C. (2012). Seeing ‘Spain’ at the 1893 Chicago World (Columbian) Exhibition. In D. R. Castillo et al. (Eds.), Spectacle and Topophilia: Reading Early Modern and Postmodern Hispanic Cultures (pp. 155–172). Vanderbilt University Press.
Vilella, O. (2004). An Exotic Abroad: Manuel Serafín Pichardo and the Chicago Columbian Exhibition of 1893. Latin American Literary Review, 32(63), 81–98.
Wadsworth, S. (Ed.), (2006). The Woman’s Building Library of the World’s Columbian Exposition. Special issue of Libraries and Culture, 41(1).
Wadsworth, S., & Wiegand, W. A. (2012). Right Here I See My Own Books: The Woman’s Building Library at the World’s Columbian Exposition. University of Massachusetts Press.
Weimann, J. M. (1981). The Fair Women: The Story of the Woman’s Building, World’s Columbian Exposition, Chicago 1893. Academy Chicago.
Wikiwand. Alice Moderno. Retrieved November 5, 2022, from https://www.wikiwand.com/en/Alice_Moderno
Acknowledgments
This book has been long in the making after Wayne A. Wiegand approached Marija Dalbello to organize a book on the foreign titles around 2008. She immediately invited Sarah Wadsworth, who had previously collaborated with Wayne, as co-editor. Our project was rebooted during the pandemic closures in 2020 with the support of a Women’s Leadership Interdisciplinary Summer Pilot Grant from the Institute for Women’s Leadership at Marquette University received by Sarah Wadsworth. The book is the result of that effort, with many of the originally invited authors contributing to this volume. The history of this edited collection is also linked to other scholarly artifacts, including a digital humanities project inspired by “distant reading” approaches (Moretti, 2013) to enable a comparatist search, of which an online demo was realized by Marija Dalbello in collaboration with Nathan Graham, with research support by Elizabeth Taylor and Laura Helton. This digital artifact, 1893.rutgers.edu (2011–2016), is preserved in digital fragments and offline. The snapshots from three captures are accessible at the Internet Archive. The initial analyses led to conference presentations, posters, invited talks, and research data shared with some of the collaborators in preparation of their chapters, as acknowledged in each chapter. Others built or combined these analyses with their own data sets, some of which will be preserved in institutional repositories. Also leading to the current collection was a symposium co-organized by Wayne A. Wiegand and Sarah Buck Kachaluba, The Woman’s Building Library at the 1893 World’s Fair: A Cameo in History, held at Florida State University, on March 23, 2012, which included the two presentations on the international collections by Silvia Valisa and Marija Dalbello.
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Dalbello, M., Wadsworth, S. (2023). Global Voices from the Women’s Library at the World’s Columbian Exposition: Feminisms, Transnationalism and the Archive. In: Dalbello, M., Wadsworth, S. (eds) Global Voices from the Women’s Library at the World’s Columbian Exposition. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-42490-8_1
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