Abstract
This chapter introduces the world of the fashionable newspaper of the eighteenth century. It argues that in a number of important respects, fashionable West End newspapers like the World and the Oracle occupied a similar space in the landscape of eighteenth-century London to the pleasure garden. By the latter decades of the eighteenth century, pleasure gardens such as London’s Vauxhall and Ranelagh had become relatively democratic leisure spaces, open to anyone who could afford a ticket. Similarly, in the poetry pages of the daily papers, a commoner might find herself sharing the same rarified airspace as the haut ton. It can be no mistake that the poetry section of the World and the Oracle—which welcomed anonymous effusions from writers of all backgrounds—was often positioned next to, or directly following, news of the fashionable set. This chapter suggest that the democratization of poetic culture heralded in fashionable newspapers like the World and the Oracle had the capacity to trouble categories of class, taste and propriety (in particular, feminine propriety). Nonetheless, it offered women writers, in particular, a popular and accessible vehicle for the publication of their poetry.
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Notes
- 1.
Boaden also wrote Della Cruscan poetry under the name “Arno.”
- 2.
See Jon Mee’s Print, Publicity and Radicalism in the 1790s: The Laurel of Liberty and ‘“Reciprocal expression of kindness”: Robert Merry, Della Cruscanism and the limits of sociability,” and Amy Garnai’s “An Exile on the Coast: Robert Merry’s Transatlantic Journey.”
- 3.
For example, Jan Fergus and Janice Farrar Thaddeus note that “[Mary] Robinson’s books were never printed in editions larger than 1500, and sold even less,” 200. Given that even popular volumes of poetry rarely sold over 1500 in the 1790s, Byron’s selling of “10,000 copies of the Corsair in a day” in 1814, was nothing short of phenomenal. See Ghislaine McDayter, “Conjuring Byron: Byromania, Literary Commodification and the Birth of Celebrity,” 46.
- 4.
For a further investigation of the links between fashionable life and the theatre in this period see Gillian Russell, Women, Sociability and Theatre in Georgian England.
- 5.
In some respects, it is surprising to see that Merry has been anthologized in this volume given Southey’s stated views of his poetry. It is an honour that is denied many of his contemporaries, particularly popular female poets such as Charlotte Smith and his one-time colleague at the Morning Post, Mary Robinson.
Works Cited
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Knowles, C. (2023). Introduction: Poetry and the Rise of the Fashionable Newspaper. In: Della Cruscan Poetry, Women and the Fashionable Newspaper. Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-37267-4_1
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