Abstract
Filler poems in Victorian periodical print represent perhaps the most read and most denigrated poetry of the era. Conventionally dismissed by critics as short, sentimental, worthless poetry, which filled in spare spaces on the periodical page, filler poetry has recently been reclaimed as in fact valuable poetry that is worthy of reconsideration. But what if this poetry was instead assessed on its own terms, as ephemeral second-rate work published in the many thousands? This chapter considers the importance of filler poems at scale, as a function of serial time, read by Victorians cumulatively, disrupting and de-familiarizing our conventional notions of Victorian poetry as a literary category.
Research for this chapter was possible thanks to generous funding from the Social Sciences and Humanities Research Council of Canada, as well as research conducted in the National Library of Scotland and the University of Victoria’s Special Collections. See Chapman for access to periodical poems discussed in this chapter.
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Notes
- 1.
See Hughes (2007) for an influential argument about the value of poetry to periodicals.
- 2.
- 3.
This was a much-reprinted poem, and set to music as a hymn, but its publication in Good Words symbolizes the power of the filler poem.
- 4.
This poem is unsigned; author attribution from Chapman.
- 5.
The poem is unsigned; author attribution from National Library of Scotland (Dep 341/370).
- 6.
See Chambers’s Journal ledger entry for the poem (National Library of Scotland, Dep 341/371).
- 7.
See the Authors’ Ledgers, National Library of Scotland (Dep 341/282–296).
- 8.
The poem is signed “H. K. W.”; authorship attribution from the National Library of Scotland (Dep 341/371).
- 9.
Other examples of extreme alternations between long and short lines are also poems about non-monetary worth: J. Williams’s “Love and Fame” (28 July 1883), the Scottish poet Marion Buchanan’s “Donald—A Pony” (1 March 1884; signed “K. T.”), and George Warrington’s “‘My Heroine’” (29 November 1879; signed “G. W.”) (Williams 1883; Buchanan 1884; Warrington 1879). Authorship attribution of Buchanan’s and Warrington’s poems from the National Library of Scotland (Dep 341/369, 371).
- 10.
See National Library of Scotland (Dep 341/371).
- 11.
See “queer, adj.1,” OED.
- 12.
- 13.
For more information about periodical poetry’s diverse contributors, see the Personography of Digital Victorian Periodical Poetry: https://dvpp.uvic.ca/persons.html.
- 14.
Poem signed “J. C. H.”; author attribution from National Library of Scotland (Dep 341/371, 341/294).
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Chapman, A. (2023). Filler Poems: Synecdoche and the Serial Rhythms of Victorian Poetry. In: Behlman, L., Loksing Moy, O. (eds) Victorian Verse. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-29696-3_3
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