Skip to main content

Part of the book series: Springer Series on Cultural Computing ((SSCC))

  • 477 Accesses

Abstract

In future worlds, robots will participate and collaborate in human activities, and deeply interact with humans through personal, intimate and immediate actions around and even on the human body. Taking feminine rituals of grooming the body and highlighting body attributes as a focus, we investigate the intersection of biological and machine moving bodies, exploring vulnerable moments of touch. Introducing a robot into an entrenched cultural act that references the universal female is a disruptive, critical tactic for rethinking dominant approaches to human–robot collaboration. Through a Deleuzian analysis of our video artwork code_red (2021), we propose an alternative theoretical interpretation of the interaction between an industrial robotic arm and a female figure. We then turn to a broader consideration of how this particular analysis ties back into current thinking in collaborative, industrial and social robotics, through a discussion of concepts of breaching the intimate zone, resonance, and micro-gestures in human–robot relations.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 149.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 199.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Free shipping worldwide - see info
Hardcover Book
USD 199.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Code_red video viewable at https://vimeo.com/636034376.

  2. 2.

    Francis Bacon, Three Studies of Lucian Freud (1969), https://www.francisbacon.com/artworks/paintings/three-studies-lucian-freud.

  3. 3.

    Francis Bacon, Study for Bullfight No. 1 (1969), https://www.francisbacon.com/artworks/paintings/study-bullfight-no-1.

  4. 4.

    Francis Bacon, Three Studies of Figures on Beds (1972), https://www.francisbacon.com/artworks/paintings/three-studies-figures-beds.

  5. 5.

    Francis Bacon, Three Studies of Henrietta Moraes (1969), https://www.francisbacon.com/artworks/paintings/three-studies-henrietta-moraes-1.

  6. 6.

    https://awards.mediaarchitecture.org/mab/project/338.

  7. 7.

    https://stacygreene.com/home/projects/lipstick/

References

  • Burgoon JK (2018) Microexpressions are not the best way to catch a liar. Front Psychol 9:1672. https://doi.org/10.3389/fpsyg.2018.01672

    Article  Google Scholar 

  • ÄŚapek K (1920) R. U. R.: Rossum’s universal robots. Aventinum

    Google Scholar 

  • Chartier G, Berthoz A, Brian E, Jaisson M (2017) Violence and uncertainty: interactional sketches for a cognitive analysis of violent actions. Soc Sci Inf 56(2):198–219. https://doi.org/10.1177/0539018417694772

    Article  Google Scholar 

  • Chen H, Liu X, Li X, Shi H, Zhao G (2019) Analyze spontaneous gestures for emotional stress state recognition: a micro-gesture dataset and analysis with deep learning. In: 2019 14th IEEE international conference on automatic face gesture recognition (FG 2019), pp 1–8. https://doi.org/10.1109/FG.2019.8756513

  • Colgate J, Wannasuphoprasit W, Peshkin M (1996) Cobots: robots for collaboration with human operators. In: Proceedings of the 1996 ASME international mechanical engineering congress and exposition; conference. pp 433–439, 17–22 Nov

    Google Scholar 

  • Deleuze G (1981/2003) Francis Bacon: the logic of sensation. Continuum

    Google Scholar 

  • Despret V (2013) Responding bodies and partial affinities in human–animal worlds. Theory Cult Soc 30(7–8):51–76. https://doi.org/10.1177/0263276413496852

    Article  Google Scholar 

  • Ekman P, Friesen WV (1969) Nonverbal leakage and clues to deception. Psychiatry 32:85–105

    Article  Google Scholar 

  • Foster S (2010) Choreographing empathy: Kinesthesia in performance. Routledge, London. https://doi.org/10.4324/9780203840702

  • Gallese V, Fadiga L, Fogassi L, Rizzolatti G (1996) Action recognition in the premotor cortex. Brain 119:593–609

    Article  Google Scholar 

  • Gemeinboeck P (2017) Creative robotics: Rethinking human machine configurations introduction (editorial). Fibreculture J 28:1–7. https://doi.org/10.15307/fcj.28.203.2017

  • Gemeinboeck P (2021) The aesthetics of encounter: a relational-performative design approach to human-robot interaction. Front Robot AI 7:217. https://doi.org/10.3389/frobt.2020.577900

    Article  Google Scholar 

  • Granjon P (2017) This machine could bite: On the role of non-benign art robots. Fibreculture J 28. https://doi.org/10.15307/fcj.28.208.2017

  • Haggard E, Isaacs K (1966) Micro-momentary facial expressions as indicators of ego mechanisms in psychotherapy. Appleton-Century-Crofts, pp 154–165

    Google Scholar 

  • Kerruish E (2017) Affective touch in social robots. Transformations J 116–135

    Google Scholar 

  • Martinetti A, Chemweno PK, Nizamis K, Fosch-Villaronga E (2021) Redefining safety in light of human-robot interaction: a critical review of current standards and regulations. Front Chem Eng 3:32. https://doi.org/10.3389/fceng.2021.666237

    Article  Google Scholar 

  • Miyoshi K (2019) What allows us to kinesthetically empathize with motions of non-anthropomorphic objects? 4:52. https://doi.org/10.5278/ojs.jos.v4i2.2447

  • Saerbeck M, Bartneck C (2010) Perception of affect elicited by robot motion. In: Proceedings of the 5th ACM/IEEE international conference on human-robot interaction, HRI ’10. IEEE Press, pp 53–60

    Google Scholar 

  • Sheets-Johnstone M (1999) The primacy of movement. John Benjamins Publishing Company

    Google Scholar 

  • Venture G, Kulić D (2019) Robot expressive motions: a survey of generation and evaluation methods. J Hum -Robot Interact 8(4). https://doi.org/10.1145/3344286

Download references

Acknowledgements

We are grateful for the contributions and collaborations to produce the code_red film and project by Paul Warren (cinematography, videography), Lindsay Webb (sound design), Susana Alarcon (model and DMAF technician), Lynn Masuda (robot programmer), and the support of DMAF, Sydney School of Architecture, Design and Planning, University of Sydney.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Lian Loke .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2023 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Loke, L., Reinhardt, D. (2023). Rouge and Robot: The Disruptive Feminine. In: Dunstan, B.J., Koh, J.T.K.V., Turnbull Tillman, D., Brown, S.A. (eds) Cultural Robotics: Social Robots and Their Emergent Cultural Ecologies. Springer Series on Cultural Computing. Springer, Cham. https://doi.org/10.1007/978-3-031-28138-9_15

Download citation

  • DOI: https://doi.org/10.1007/978-3-031-28138-9_15

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-031-28137-2

  • Online ISBN: 978-3-031-28138-9

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics