Skip to main content

Ideological Uses of the Western in Film Depictions of Post-war Polish Borderlands

  • 39 Accesses

Abstract

In the context of Polish cinema, the genre label of the Western has often been applied to a cycle of films produced in the 1960s and 1970s, portraying the unrest in post-war Polish borderlands both in the east and in the west. This article examines three such films with respect to the ideological implications of their uses of the Western: Prawo i pięść (The Law and the Fist, dir. Jerzy Hoffman and Edward Skórzewski, 1964), Wilcze echa (Wolves’ Echoes, dir. Aleksander Scibor-Rylski, 1967), and Południk zero (Meridian Zero, dir. Waldemar Podgórski, 1970). Prawo i pięść is set in the so-called Regained Territories in western Poland and it tells the story of a bunch of men who are sent to a former German town for reconnaissance before the establishment of a proper institutional organization. Wilcze echa tells about Polish soldiers in the Bieszczady mountains in the southeast of the country at the time of the fights with the partisan formations of Ukrainian nationalists. Południk zero is set in the Mazury region in the northeast and revolves around a confrontation between the newly arrived Polish soldiers and the bandits who have terrorized the local autochthonous people. The three films under discussion emphasize the great effort that the establishment of Polish statehood in these territories entailed. The envisaging of Polish borderlands as wilderness helped to define and justify the necessary course of development—and the virtual colonization of some of these territories—and to instill its proper understanding in collective consciousness. The efforts undertaken by the communist authorities were aimed at creating a vision of a homogeneous Polish nation. The employment of certain elements of the convention of the Western in the films that depicted the reality of post-war Polish borderlands foregrounds the exploits of heroic and upright men, glossing over a range of difficult historical issues, such as the enforced assimilation of ethnic minorities that had inhabited borderland territories.

This is a preview of subscription content, access via your institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   109.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD   139.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Filmography

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Marek Paryz .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and Permissions

Copyright information

© 2023 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Paryz, M. (2023). Ideological Uses of the Western in Film Depictions of Post-war Polish Borderlands. In: Picariello, D.K. (eds) The Western and Political Thought. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-27284-4_12

Download citation