Abstract
In “Romantic Love across Borders: Marriage Migration in Popular Romance Fiction,” Amy Burge focuses on two romance novels published in 2019 to explore how they combine migration, intimacy, and romantic love. Helen Hoang’s The Bride Test tells the story of Esme/Mỹ Tran, a Vietnamese American single mother, who is invited by the hero’s mother, Cô Nga, to travel to the USA from Vietnam to seduce him. Although Esme and the hero, Khải, eventually fall in love, at the end of the novel, she is naturalised through her relationship with her newly found father rather than through marriage. Bautista’s You, Me, U.S. features Filipina Liza, who is pursuing a green-card marriage with her American fiancé, Christopher. However, Liza breaks up with Christopher and stays in Manila to pursue a relationship with her best friend Jo. In these novels, migration via marriage is clearly shown as a possible route out of precarity and poverty, but it is not a route that either character chooses. However, the insistence that marriage migration must be directed by romantic love represents a mainstream yet conservative view of marriage migration, which frames a notion of authentic romantic love in accordance with western cultural convention.
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Notes
- 1.
Derived from ‘end-of-contract’, endo “is a form of contractualization [in the Philippines] which involves companies giving workers temporary employment that lasts them less than six months and then terminating their employment just short of being regularized in order to skirt on the fees which come with regularization” (‘Endo Contractualization’ 2022).
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Burge, A. (2023). Romantic Love across Borders: Marriage Migration in Popular Romance Fiction. In: Grobbelaar, M., Reid Boyd, E., Dudek, D. (eds) Contemporary Love Studies in the Arts and Humanities. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-26055-1_4
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