Abstract
This chapter contends with the vast body of literature that imbricates (often through negation) the figure of the witch and the maternal. This occurs within both feminist and anti-feminist paradigms, and the mnemonic afterlives of overlapping and paradoxical discourses of the witch mother generate a great deal of complexity and paradox within representations of the witch in popular culture texts. This chapter interrogates how the mother is approached within competing feminist discourses and politics and how this haunts popular culture representations of the witch as mother (or as anti-mother). Texts which reiterate the historic anti-maternity of the witch, that invoke the spectre of goddess feminism and the mother goddess, and that turn to a deathly model of witch-maternity are analysed.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Avedon, Barbara, writer. Bewitched. Season 1, episode 2, “Be It Ever So Mortgaged.” Directed by William Asher. Aired September 24, 1964, in broadcast syndication. Sony Pictures Home Entertainment, 2016, DVD.
Baer, Richard, writer. Bewitched. Season 6, episode 5, “…An Something Makes Four.” Directed by Richard Michaels. Aired October 16, 1969, in broadcast syndication. Sony Pictures Home Entertainment, 2016, DVD.
Cixous, Hélène. “The Laugh of the Medusa.” Translated by Keith Cohen and Paula Cohen. Signs 1, no. 4 (Summer 1976): 875–893.
Cixous, Hélène., and Catherine Clément. 1975. The Newly Born Woman. Translated by Betsy Wing. Minneapolis: University of Minnesota Press.
Cordova, Melanie J. ““Because I’m A Girl, I Suppose!”: Gender Lines and Narrative Perspective in Harry Potter.” Mythlore. 33, no. 2 (Spring/Summer 2015): 21–35.
Daly, Mary. 1978. Gyn/Ecology: The Metaethics of Radical Feminism. Boston: Beacon Press.
Devlin-Glass, Frances. 2005. Contesting Binarisms in Harry Potter: Creative Rejigging, or Gender Tokenism? English in Australia. 144: 50–63.
Donney, Laura, writer. WandaVision. Season 1, episode 8, “Previously On.” Directed by Matt Shakman. Aired February 26, 2021. Disney+. https://www.disneyplus.com/en-gb/video/ebaaf404-b012-4a35-a4bd-0d5d4f32ccd0.
Doran, Sarah. “8 questions and some answers we have after Harry Potter and the Cursed Child.” RadioTimes.com, August 2, 2016. https://www.radiotimes.com/going-out/8-questions-and-some-answers-we-have-after-harry-potter-and-the-cursed-child/
Dworkin, Andrea. 1974. Woman Hating. New York: E.P. Dutton.
Edelman, Lee. 2004. No Future: Queer Theory and the Death Drive. Durham and London: Duke University Press.
Engelbrecht, Janine. 2021. Magical Mothers: The Representation of Witches and Motherhood in Contemporary Fantasy Cinema. Communication, Cultural, Journalism, and Media Studies 47 (1): 20–41.
Fairfield-Artman, Patricia, Rodney E. Lippard, Adrienne Sansom, and “Bewitched… the,. 1960. Sitcom Revisited: A Queer Read”. Taboo. Fall-Winter 2005: 27–48.
Guadagnino, Luca. Suspiria. 2018; Sydney, AUS: Universal Sony Pictures Home Entertainment Australia, 2019. DVD.
Hand, David, William Cottrell, Wilfred Jackson, Larry Morey, Perce Pearce, Ben Sharpsteen, dirs. Snow White and the Seven Dwarfs. 1937; South Yarra, VIC: The Walt Disney Company (Australia), 2014. DVD.
Hedash, Kara. “How Voldemort’s Daughter Fits Into Harry Potter Canon.” ScreenRant, October 19, 2019. https://screenrant.com/harry-potter-voldemort-daughter-delphini-cursed-child-canon/.
Hirsch, Marianne. 1994. Maternity and Rememory: Toni Morrison’s Beloved. In Representations of Motherhood, ed. Donna Bassin, Margaret Honet, and Meryle Mahrer Kaplan, 92–110. New Haven and London: Yale University Press.
Hooks, bell. All About Love. New York: Harper Collins, 2001.
Irigaray, Luce. The Sex Which Is Not One. Translated by Catherine Porter with Carolyn Burke. Ithaca, New York: Cornell University Press, 1985.
Jones, Alan. “Killing the Mother: Luca Guadagnino Discusses ‘Suspiria.’” Mubi, November 16, 2018. https://mubi.com/notebook/posts/killing-the-mother-luca-guadagnino-discusses-suspiria.
Jung, Carl G. 1969. Four Archetypes. Princeton, New Jersey: Princeton University Press.
Kramer, Heinrich, James Sprenger, Malleus Maleficarum, and Translated by Montague Summers. 1928. Reissue, 1971. London: Arrow Books.
Kristeva, Julia. 1982. Powers of Horror: An Essay on Abjection. Translated by Leon S. Roudiez. New York: Columbia University Press.
Kristeva, Julia. 1985. Stabat Mater. Translated by Arthur Goldhammer. Poetics Today 6 (1/2): 133–152.
Mauk, Margaret S. “‘Your Mother Died to Save You’: The Influence of Mothers in Constructing Moral Frameworks for Violence in Harry Potter.” Mythlore 36, no. 1 (Fall/Winter 2007): 123–141.
Metz, Walter. 2007. Bewitched. Michigan: Wayne State University Press.
Moi, Toril. 1985. Sexual/Textual Politics: Feminist Literary Theory. London and New York: Routledge.
Neumann, Erich. The Great Mother: An Analysis of the Archetype. Translated by Ralph Manheim. 2nd edition. London: Routledge, 1996.
Perry-Samaniego, Lenora. 2012. Other Mothers: Looking at Maternal Desire in The L Word. In Mediating Moms: Mothers in Popular Culture, ed. Elizabeth Podnieks, 358–375. Montreal and Kingston, London, Ithaca: McGill-Queen’s University Press.
Pinsent, Pat. 2002. The Education of a Wizard: Harry Potter and His Predecessors. In The Ivory Tower and Harry Potter, ed. Lana A. Whited, 27–50. Columbia and London: University of Missouri Press.
Podnieks, Elizabeth. 2012. Introduction: Popular Culture’s Maternal Embrace. In Mediating Moms: Mothers in Popular Culture, ed. Elizabeth Podnieks, 3–32. Montreal and Kingston, London, Ithaca: McGill-Queen’s University Press.
Pullman, Philip, and The Amber Spyglass. 2000. Reissue, 2007. London: Scholastic.
———. The Northern Lights. 1995. Reissue, 2007. London: Scholastic.
Raimi, Sam, dir. Doctor Strange and the Multiverse of Madness. 2022; Los Angeles, CA: Walt Disney Studios Motion Pictures, 2022. Disney+. https://www.disneyplus.com/en-gb/video/4925d08a-32c3-44b9-829b-e1624dc3b6f0
Rich, Adrienne. Of Woman Born: Motherhood as Experience and Institution. Tenth Anniversary Edition. New York and London: W.W. Norton and Company, 1986.
Rowling, J.K. 1998. Harry Potter and the Chamber of Secrets. London: Bloomsbury.
———. 2007. Harry Potter and the Deathly Hallows. London: Bloomsbury.
———. 2000. Harry Potter and the Goblet of Fire. London: Bloomsbury.
———. 2003. Harry Potter and the Order of the Phoenix. London: Bloomsbury.
———. 1997. Harry Potter and the Philosopher’s Stone. London: Bloomsbury.
———. 1999. Harry Potter and the Prisoner of Azkaban. London: Bloomsbury.
Rowling, J.K., Jack Thorne, and John Tiffany. Harry Potter and the Cursed Child: Parts One and Two. London: Little Brown, 2016.
Russell, Mary Harris. “‘Eve, Again! Mother Eve!’: Pullman’s Eve Variation.” In His Dark Materials Illuminated: Critical Essays on Philip Pullman’s Trilogy, edited by Millicent Lenz with Carole Scott, 212–222. Detroit: Wayne State University Press, 2005.
Rutledge, Amelia A. “Reconfiguring Nurture in Philip Pullman’s His Dark Materials.” Children’s Literature Association Quarterly 33, no. 3 (Summer 2008): 119–134.
Schwartz, Adria. 1994. Taking the Nature Out of Mother. In Representations of Motherhood, ed. Donna Bassin, Margaret Honey, and Meryle Mahrer Kaplan, 240–255. New Haven and London: Yale University Press.
Simpson, George. “‘Horrible fan fiction’: Fans HATE Harry Potter and the Cursed Child and Here’s Why.” The Express, August 3, 2016. https://www.express.co.uk/entertainment/books/696259/Harry-Potter-Cursed-Child-script-book-JK-Rowling-fan-fiction.
Slade, Bernard, writer. Bewitched. Season 2, episode 18, “…And Then There Were Three.” Directed by William Asher. Aired January 13, 1966, in broadcast syndication. Sony Pictures Home Entertainment, 2016, DVD.
Stiegman, Kelsey. “After Reading the ‘Harry Potter’ Series 20 Times, Here’s Why I’ll Never Touch ‘Cursed Child’ Again.” Seventeen, October 26, 2016. https://www.seventeen.com/celebrity/a43367/harry-potter-and-the-cursed-child-review/.
Thomson, Stephen. “The Child, The Family, The Relationship. Familiar Stories: Family, Storytelling, and Ideology in Philip Pullman’s His Dark Materials.” In Children’s Literature: New Approaches, edited by Karín Lesnik-Oberstein, 144–167. Hampshire, U.K.: Palgrave Macmillan, 2004.
Thurer, Shari L. The Myths of Motherhood: How Culture Reinvents the Good Mother. Boston and New York: Houghton Miffler Company, 1994.
Wandinger, Nikolaus. “‘Sacrifice’ in the Harry Potter Series from a Girardian Perspective.” Contagion: Journal of Violence, Mimesis, and Culture 17 (2010): 27–51.
Weiss, Meri. 2013. The Role of Maternal Females in Harry Potter’s Journey. In Legilimens!: Perspectives in Harry Potter Studies, ed. Christopher E. Ball, 19–31. Newcastle Upon Tyne: Cambridge Scholars Publishing.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2023 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Kosmina, B. (2023). Witches as Mothers. In: Feminist Afterlives of the Witch. Palgrave Studies in (Re)Presenting Gender. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-25292-1_6
Download citation
DOI: https://doi.org/10.1007/978-3-031-25292-1_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-031-25291-4
Online ISBN: 978-3-031-25292-1
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)