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Abstract

A more detailed overview of Fang Fang’s Wuhan Diary with special attention to how the book “went viral” and gained a massive readership in China of more than 50 million readers. This chapter asks the question: what was it that allowed Fang Fang’s voice to cut through all the noise and become, in the heart of so many readers, the voice of Wuhan? It also places the attacks against the book within a historical context that reaches back to Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art” and the long tradition of political attacks against writers and intellectuals who failed to fall in line with officially endorsed narratives. The author also draws comparisons between Wuhan Diary and Lu Xun’s iconic short story “A Madman’s Diary,” which was published almost exactly a century earlier. The chapter goes on to discuss the intellectual response to the diary from writers like Yan Lianke and Fang Fang’s brave cries for government accountability in the face of early missteps. The author also identifies several key pre-conditions that set the stage for the later campaign against Fang Fang; these include such factors as the robust Chinese readership following Wuhan Diary, the author’s calls for “accountability,” the “potentiality for amplification” (should her massive readership take up and amplify these calls), and a previous campaign that targeted Fang Fang’s 2016 novel Soft Burial.

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Notes

  1. 1.

    Lu Hsun. Selected Stories. New York: W.W. Norton, 2003. Pg. 5.

  2. 2.

    Fang Fang. Wuhan Diary: Dispatches from a Quarantined City. New York: HarperVia, 2020. Pg. 4.

  3. 3.

    Ibid.

  4. 4.

    For more on the intersection of mental health issues and the pandemic in China, see Vivian Wang and Javier C. Hernandez. “China Long Avoided Discussing Mental Health. The Pandemic Changed That.” New York Times, December 21, 2020. https://www.nytimes.com/2020/12/21/world/asia/china-covid-mental-health.html.

  5. 5.

    Yan Lianke. “What Happens After Coronavirus? On Community Memory and Repeating Our Own Mistakes” March 11, 2020 on Literary Hub. https://lithub.com/yan-lianke-what-happens-after-coronavirus/

  6. 6.

    Feng Yukan. “Check Out Which Specialists Support Fang Fang and Who is Against Her” (“Kankan zhichi he fandui Fang Fang de zhuanjia dou you shei? 看看支持和反對方方的專家都有誰?) https://zhuanlan.zhihu.com/p/133760882

  7. 7.

    Fedtke, Jana, Mohammed Ibahrine, and Yuting Wang. “Corona crisis chronicle: Fang Fang’s Wuhan Diary (2020) as an act of sousveillance” Online Information Review February 23, 2021. Pg. 800. https://www.emerald.com/insight/1468-4527.htm

  8. 8.

    These comments are drawn partially from interview statements given to Fedtke, Ibahrine, and Wang and quoted in their article: Fedtke, Jana, Mohammed Ibahrine, and Yuting Wang. “Corona crisis chronicle: Fang Fang’s Wuhan Diary (2020) as an act of sousveillance” Online Information Review February 23, 2021. Pg. 804. https://www.emerald.com/insight/1468-4527.htm.

  9. 9.

    Kevin Robins. “The Great City is Fragile: Fang Fang’s Wuhan Diary.Cultural Politics, Volume 17, Issue 1. Duke University Press, 2021. Pg. 74.

  10. 10.

    Davidson, H. (2020). Chinese writer faces online backlash over Wuhan lockdown diary. The Guardian, April 10, 2020. https://www.theguardian.com/world/2020/apr/10/chinese-writer-fang-fang-faces-online-backlashwuhan-lockdown-diary

  11. 11.

    Yang, Guobin. “In China, Pandemic Diaries Unite, and Divide, a Nation” in Social Science Research Council, Items, Insights from the Social Sciences, September 24, 2020. https://items.ssrc.org/covid-19-and-the-social-sciences/mediated-crisis/in-china-pandemic-diaries-unite-and-divide-a-nation/?fbclid=IwAR1HmfnaxGU2VLCxwhUc1lZ1pOhn7RDXdH2WLXrhKfLL6XR7lZQ6TNs0piQ

  12. 12.

    “Check Out Which Specialists Support Fang Fang and Who is Against Her” (“Kankan zhichi he fandui Fang Fang de zhuanjia dou you shei? 看看支持和反對方方的專家都有誰?) by Feng Yunkan https://zhuanlan.zhihu.com/p/133760882

  13. 13.

    Luo Siling 羅四鴒. “After Being Attacked by Leftists, Fang Fang Discussed the ‘Soft Burial’ of Soft Burial” (“Zaodao zuopai weigong zuojia Fang Fang tan ruanmai de ruanmai” 遭左派圍攻,作家方方談《軟埋》的“軟埋”) in The New York Times Chinese Edition. June 27, 2017. https://cn.nytimes.com/china/20170627/cc27fang-fang/

  14. 14.

    Zhao Keming 趙可銘. “Soft Burial is Vindictive Counterattack Against the Land Reform Movement” (“Ruanmai shi dui tugai de fangongdaosuan” 《軟埋》是對土改的反攻倒算) in Red Culture Online (Hongse wenhua wang紅色文化網), May 25, 2017. http://www.hswh.org.cn/wzzx/llyd/zz/2017-05-22/44243.html

  15. 15.

    Ibid.

  16. 16.

    Ibid.

  17. 17.

    McDougall, Bonnie S. Mao Zedong’s “Talks at the Yan’an Conference on Literature and Art: A Translation of the 1943 Text with Commentary.” University of Michigan, Center for Chinese Studies, 1980.

  18. 18.

    Wang, David Der-wei. Why Fiction Matters in Contemporary China. Waltham, MA: Brandeis University Press, 2020. Pg. 3.

  19. 19.

    Ibid. Pg. 5.

  20. 20.

    Fang Fang. Wuhan Diary: Dispatches from a Quarantined City. New York: HarperVia, 2020. Pg. 61. It should be noted that many of these passages that laud government policies appear in the diary immediately after passages in which she reports her online posts have been censored or removed. This puts those passages supporting the government in a more complex context, opening up multiple interpretive possibilities, that is, is this Fang Fang displaying a public show of “good behavior” after being “reprimanded” or, more plausibly, is there an implicit sarcasm in those passages?

  21. 21.

    Dai Qing 戴晴. Wang Shiwei and Wild Lilies: Rectification and Purges in the Chinese Communist Party 1942–1944. Routledge, 1993. Pg. ii.

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Berry, M. (2022). Viral Diary. In: Translation, Disinformation, and Wuhan Diary. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-16859-8_2

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  • DOI: https://doi.org/10.1007/978-3-031-16859-8_2

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