Abstract
Roland Barthes argues that some photos prick the viewer. He calls this punctum. He thinks this is not an effect of the subject-matter, but of some accident in the picture. For instance, a woman’s necklace in an old photograph brings back memories from his own past. The problem with Barthes’ punctum is that it is so personal: who else gets these associations? He does not write about film, though. I do. In films, particularly in documentaries, we sometimes see someone, not an actor, do something that betrays what he is really feeling, irrespective of the things he is talking about. I suggest we call this a punctum scene. In such a scene we experience an element of self-betrayal that pricks us. But such moments of self-betrayal can be seen by everyone capable of empathy. Just watch the film and notice the extraordinary in this person’s movements.
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References
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Filmography
Lanzmann, C. (Director). (1985b). Shoah [Film]. British Broadcasting Corporation (BBC); Historia; Les Films Aleph; Ministère de la Culture de la Republique Française.
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van Gerwen, R. (2023). A Punctum Scene in Shoah. In: Fox, C., Harrison, B. (eds) Philosophy of Film Without Theory. Palgrave Film Studies and Philosophy. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-13654-2_14
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