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Mothering the Protest: Gender Performativity as a Communication Mechanism in the Iraqi Protest Movement

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The Palgrave Handbook of Gender, Media and Communication in the Middle East and North Africa

Abstract

The chapter focuses on an unprecedented approach of protesting in Iraq which is mothering the protest. It argues that traditional gender performance, including mothering, has identified an original form of women’s activism post 2003. While the main line of argument expands on the available literature on the politics of motherhood, it also builds on the ‘performance turn’ in gender communication studies. The body of the female protester, the mother, will be focused on as the locus of the intersection of gender and political discourses. The chapter employs a multiplicity of feminist, political, and critical theories in analysis to read the Iraqi October protests as primarily a socially transformative revolution. The first section provides a contextual reading of the Iraqi October 2019 protests to show how gender and agency are expressed in this social movement and overlap with the communicative and political acts performed by female activists like Um Muhanned, an Iraqi bereaved mother who lost her only son during the protests. The second section illustrates how women redefined the protest’s narrative and language, nurturing a communicative climate where the public is engaged. Finally, the chapter provides a linguistic and cultural analysis of Um Muhanned’s activism in mothering the protest by drawing on her gender performance and communicative acts.

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Notes

  1. 1.

    The intended meaning in this traditional gesture is that there are no real men around (especially among those that she addressees) so she does not need to wear her headscarf anymore, not before those men step up to do their duties. The expected masculine response for this move is for those who assume real masculine power to re-veil the women (or ask her to do so herself) promising to fulfill her demands. See: Salaam Smeisim, “Sirr al-Sheila al-Iraqiyah (the Secret of the Iraqi Traditional Headscarf). AsraarMedia. 9 Feb. 2019. Web. سر “الشيلة” العراقية (asrarmedia.com)

  2. 2.

    This term should be reconsidered when analyzing the social movements that took place in MENA during the second decade of the twenty-first century. When thinking about intersectionality, the reference to the Arab Spring/Uprising as being exclusively “Arabic” excludes the indigenous people such as Amazigh and other nationalities such as Kurds. It is understandable that Arabs are the socio-political denominator in MENA, however there are other ethnicities, and minorities that took part in the uprising.

  3. 3.

    It is important to clarify the term “public” which will be currently used in this chapter. The “public” is often used as a descriptor for numerous articulations of the term in different contexts. In this chapter, it could refer to a place—physical, virtual, and heterotopic (domestic)—to population and public opinion, and to political affairs and issues.

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Correspondence to Hadeel Abdelhameed .

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Abdelhameed, H., Alkinani, G. (2023). Mothering the Protest: Gender Performativity as a Communication Mechanism in the Iraqi Protest Movement. In: Skalli, L.H., Eltantawy, N. (eds) The Palgrave Handbook of Gender, Media and Communication in the Middle East and North Africa. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-11980-4_6

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