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“Strange Kinship”: Romantic-era Women Writers and the Posthuman

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Posthumanism and Phenomenology

Part of the book series: Analecta Husserliana ((ANHU,volume 125))

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Abstract

Numerous encounters of sense perception and materiality, which decenter the human and open up experience to radical alterity, permeate Romantic-era texts. Through various encounters with the nonhuman, Anna Letitia Barbauld, Mary Robinson, and Charlotte Smith take the human out of isolation and speculate on why it wasn’t always already embedded in an ecological continuum of existence. Their poetry reveals a sensitivity to the limits of humanism by investigating uncanny entanglements with nonhuman beings. These encounters invoke a pre-reflective engagement with the world. Drawing upon Merleau-Ponty’s phenomenology of embodiment and posthumanist understandings of ecomaterialism, this essay explores the “strange kinship” between the human poet and nonhuman poetic subject. Barbauld, Robinson, and Smith critique dichotomous rationale, deconstruct species supremacy, and challenge human essentialism. By invoking the primacy of embodiment, these Romantic-era women writers offer shared corporeal investigations that move toward a posthuman ethos.

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Notes

  1. 1.

    For Braidotti, zoe is the mindless vitality of life carrying on, everywhere. Braidotti writes, “for me there is a necessary link between critical posthumanism and the move beyond anthropocentrism. I refer to this move as expanding the notion of Life towards the non-human or zoe” (50).

  2. 2.

    While outlining the limitations of strong emergence and panpsychism, cognitive scientist Michael Silberstein encourages us to think of matter as contextual, not the sum of its computations or as intrinsically mental. Contextual emergence looks at how “things emerge from the web of relations in certain contexts” (36:45). Contextual emergence, in other terms, is cultural, environmental, and mental; it is a relational story of mind and matter. See also Braidotti 26, 52, 59.

  3. 3.

    Den Otter makes a strong case for how Barbauld was most likely referring to the tent caterpillar (214).

  4. 4.

    Isobel Grundy notes how the multiplicity of Barbauld’s literary voices “resist dichotomy, encompassing both poetry and prose, and within each mode embracing public oratory and domestic chat, intense seriousness and sly humour, the self-deprecating, the professionally confident, and the overtly ambitious” (23-24). Louise Economides shares how Barbauld “raise[s] serious questions” beneath her “playful veneer” (84).

  5. 5.

    The Age of Empathy (2010).

  6. 6.

    “The Linnet’s Petition” is also a mimetic response to “The Mouse’s Petition.” Robinson began writing poetry in her early teens, but in her Memoirs, she recounts how much Barbauld’s poetry influenced her: “I thought them the most beautiful Poems I had ever seen, and considered the woman who could invent such poetry, as the most to be envied of human creatures” (qtd. in Feldman 590).

  7. 7.

    Diprose’s comment here refers to a passage in “An Unpublished Text by Merleau-Ponty: A Prospectus of His Work” (15, note 54).

  8. 8.

    The eighteenth-century term for people who collected rare specimens on a fairly wide scale is “curiosi” (sg. curioso).

  9. 9.

    Smith carefully footnotes the Latin names. The asterisks denote Smith’s footnoted terms, which I have not included in quotation marks so as not to confuse citations from the verse.

  10. 10.

    In The Structure of Behavior, Merleau-Ponty writes, “[e]very organism,” said Uexküll “is a melody that sings unto itself” (159).

  11. 11.

    For example, Theresa M. Kelley notes how Smith incorporates and challenges Linnaean nomenclature by disabling its “rigid binomialism” with common names (239). Mary Ellen Bellanca notes how Dorothy Wordsworth, “[l]ike other women writers” “used anthropomorphism to imagine feeling for, and confer subjectivity on, other living things” (134). Furthering Lawrence Buell’s concept of “dual accountability,” Bellanca notes how nature journals constituted “an intricate triangle of observers’ perceptions, cultural beliefs, and reference to material reality” (41).

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Correspondence to Calley A. Hornbuckle .

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Hornbuckle, C.A. (2023). “Strange Kinship”: Romantic-era Women Writers and the Posthuman. In: Hornbuckle, C.A., Smith, J.S., Smith, W.S. (eds) Posthumanism and Phenomenology. Analecta Husserliana, vol 125. Springer, Cham. https://doi.org/10.1007/978-3-031-10414-5_8

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