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Phobiarama—Dries Verhoeven

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Doing Dramaturgy

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Abstract

Phobiarama by Dries Verhoeven (Chap. 13) is a performance-installation that looks like a haunted house in which audiences take a 45-minute ride. The title Phobiarama serves as an indication of how this haunted house approaches fears as phobia as anxiety disorders that are not justified by, or in proportion to, actual threats. Phobiarama is exemplary for how many of Verhoeven’s creations are constructed to evoke reflection about looking as a social and cultural phenomenon. Instead of setting the stage for the appearance of human actors, these material compositions are performers themselves. They draw attention to how our modes of looking are shaped and affected by assumptions, presuppositions, desires, and fears, and how these are part of the cultural and historical moment that we share with others. This chapter presents a close reading of Phobiarama from the perspective of the dramaturgical mode of looking introduced in Chap. 3 and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.

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Notes

  1. 1.

    This chapter is informed by a conversation with Verhoeven and Staal on March 25, 2019. Unless indicated otherwise, quotes are from this conversation.

  2. 2.

    For more about Verhoeven’s work as thought-apparatuses, see Bleeker (2020).

References

  • Adorno, Theodor W. 1992. Benjamin’s One Way-Street. In: Notes to Literature, vol. 2, New York: Columbia University Press.

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  • Bleeker, Maaike. 2020. Machines to get Thought Moving. Dries Verhoeven’s Thought-Apparatuses. In: In Doubt. Studio Dries Verhoeven, 136–138. Bielefeld: Kerber Verlag.

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  • Lacan, Jacques. 1981. The Four Fundamental Concepts of Psychoanalysis, trans. A. Sheridan, New York and London: W. W. Norton & Company.

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Correspondence to Maaike Bleeker .

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Bleeker, M. (2023). Phobiarama—Dries Verhoeven. In: Doing Dramaturgy. New Dramaturgies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-08303-7_13

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