Abstract
This book has examined the “hidden history” of how approaches drawn from Art History shaped early comics scholarship and indicated how those art-historical methodologies might be applied to the present-day study of comics in light of the shifts and debates that have occurred within Art History in the intervening period. Its aim has been to provide, through a series of suggestive case studies, alternative models for thinking about comics that open up avenues for future research.
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References
Miers, John. 2022. Psychologies of Perception: Stories of Depiction. In Seeing Comics Through Art History: Alternative Approaches to the Form, eds. Maggie Gray and Ian Horton, pp. 53–71. Cham: Springer International Publishing (Palgrave Studies in Comics and Graphic Novels).
Mutard, Bruce. 2022. From Giotto to Drnaso: The Common Well of Pictorial Schema in ‘High’ Art and ‘Low’ Comics. In Seeing Comics Through Art History: Alternative Approaches to the Form, eds. Maggie Gray and Ian Horton, pp. 269–88. Cham: Springer International Publishing (Palgrave Studies in Comics and Graphic Novels).
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Horton, I., Gray, M. (2022). Conclusion: Future Directions. In: Art History for Comics. Palgrave Studies in Comics and Graphic Novels. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-07353-3_12
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DOI: https://doi.org/10.1007/978-3-031-07353-3_12
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Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-031-07352-6
Online ISBN: 978-3-031-07353-3
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