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The Tombstones that Cried the Night Away: An Allegory

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Abstract

In this chapter we present an ethnographic allegory. We define an ethnographic allegory as a literary device meant to share a moral, insight, or lesson by way of replacing a subject of ethnographic research with a different subject without revealing who or what the original subject is, why the replacement took place, and what the “true” connection with ethnological reality is. The purpose of an ethnographic allegory is to mean one thing but say another. The point in doing so is to present a complex reality, allow the readers to more closely relate to ethnographic subjects, and lead readers to re-envision a reality they previously took for granted. Drawing from fieldwork conducted in Los Glaciares National Park, Argentina, we make glaciers and their visitors the subject of our allegory. In light of this, we view the literary genre of allegories as an experiment intended to enliven our data, to emplace ethnographic material, and to inspirit more-than-human geosocial assemblages. An allegory is a simple and well-recognized literary trope that allows non-human characters to speak, act, and feel in human-like ways. In this sense an allegory is a simple way to enliven more-than-human lives, to present an alternate and subjunctive reality. Allegories are unique affective “experiments” whose genesis is characterized by a recognition of failure. Allegories, in fact, are narratives driven not so much by the will to explain, but rather by a will to leave something unexplained. So, whereas a conventional scientific report conceptualizes, interprets, and explains, an allegory metaphorizes, leaves open to interpretation, and reveals the limits of explanation. In this sense an allegory is not so much a transgression, but a regression to a world self-conscious of its limitations, and a regression to a world unafraid of consuming knowledge not so much to satisfy its quest for certainty (the “what is”), but rather to satisfy its pursuit of possibility (the “what if”).

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Correspondence to Phillip Vannini .

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Vannini, P., Vannini, A. (2022). The Tombstones that Cried the Night Away: An Allegory. In: Timm Knudsen, B., Krogh, M., Stage, C. (eds) Methodologies of Affective Experimentation. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-96272-2_13

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