Abstract
John Finkelberg presents an in-depth examination of visual and textual representations of the dandy, and the ‘dandified’ body, and their contribution to particular manifestations of masculinity in France and England during the first half of the nineteenth century. Tracing the dandy’s function in consumer culture, Finkelberg shows how images of dandies encouraged viewers to participate in an expanding consumer economy between 1815 and 1848 while simultaneously warning about the dangers of over-styling and compromising the male body. A comparison of French and British images and texts produced by Charles Philipon, Cham (Charles Amadée de Noé), Isaac Robert Cruikshank, John Leech as well as the English author Percival Leigh suggests that the malleable body of the dandy was used to establish historically specific desirable ‘masculine behaviors’ in different socio-political contexts.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
I wish to acknowledge the assistance of several people including Dr. Jim Ravin, who invited me to work with his collection of rare French and British prints, Juli McLoone for her assistance with reproductions, and Meg Showalter for her photo editing skills. This contribution also benefitted from the insightful comments of Susan L. Siegfried and Dena Goodman as well as my colleagues David, Hayley, Matthew, Molly, Severina, and Taylor. Finally, the images included were obtained with funding from the Institute for the Humanities at the University of Michigan.
- 2.
In Dandyism in the Age of Revolution, Elizabeth Amann has most recently explored the transnational politics of dress and dandyism in France, England, and Spain during the Revolutionary Era (2015).
- 3.
Kate Nelson Best’s argument builds on Roland Barthes’s understanding of the semiotics of fashion imagery presented in The Fashion System (1983).
- 4.
One example is Honoré de Balzac’s Ferragus, Chef des Dévorants (1833).
References
Amann, Elizabeth. Dandyism in the Age of Revolution: The Art of the Cut. Chicago: U of Chicago P, 2015.
Balzac, Honoré de. Ferragus, Chef des Dévorants. Paris: Gallimard, 1833.
Barbey d’Aurevilly, Jules. Du Dandysme et de George Brummell. Paris: Emile-Paule frères, 1918 [1845].
Barthes, Roland. The Fashion System. Translated by Matthew Ward and Richard Howard. Los Angeles: U of California P, 1983.
Best, Kate Nelson. The History of Fashion Journalism. London: Bloomsbury, 2017.
Breward, Christopher. The Hidden Consumer: Masculinities, Fashion, and City Life 1860–1914. Manchester: Manchester UP, 1995.
———. “The Dandy Laid Bare: Embodying Practices and Fashions for Men.” In Fashion Cultures: Theories, Explorations and Analysis, edited by Stella Bruzzi and Pamela Church Gibson, 221–238. London: Routledge, 2000.
———. “Masculine Pleasures: Metropolitan Identities and the Commercial Sites of Dandyism, 1790–1840.” The London Journal 28, no. 1 (2003): 60–72.
Burns, Arthur, and Joanna Innes. Rethinking the Age of Reform: Britain 1780–1850. Cambridge: Cambridge UP, 2007.
Carlyle, Thomas. Sartor Resartus. Philadelphia: The Rogers Co., 1890 [1833].
Cham (Charles Amédée de Noé), illustrator. Nos Gentils Hommes à Goût, Tournure, Élégance, Moeurs et Plaisirs de la Jeunesse Dorée. Paris: Maison Aubert, 1846.
———. “Oh hé! Ce Cavalier! Ohè!” In Nos Gentiles Hommes à Goût, Plate 17, 1846. Lithograph, hand-colored, 33.6 × 25.0 cm. Private collection, Toledo, Ohio.
Chenoune, Farid. A History of Men’s Fashion. Translated by Deke Dusinberre. Paris: Flammarion, 1993.
Coignet, Jean-Roch. Les Cahiers du Capitaine Coignet. Paris: Hachette et Cie, 1883.
Colley, Linda. “Britishness and Otherness: An Argument.” Journal of British Studies 31, no. 4 (1992): 309–329.
Collingham, H. A. C. The July Monarchy: A Political History of France, 1830–1848. London: Longman, 1988.
Cropper, Corry. Playing at Monarchy: Sport as Metaphor in Nineteenth-Century France. Omaha: U of Nebraska P, 2008.
Cruikshank, Isaac Robert, draftsman. “Dandies Dressing.” Woodcut, hand-colored, 23.3 × 32 cm. London: T. Tegg, 1818. Private collection, Toledo, Ohio.
———. “The Dandy Pickpockets Diving.” Woodcut, hand-colored, 23.3 × 32 cm. London: T. Tegg, 1818. Private collection, Toledo, Ohio.
Cuno, James. “Charles Philipon, La Maison Aubert, and the Business of Caricature in Paris, 1829–1841.” Art Journal 43, no. 4 (1983): 347–354.
Davidson, Denise Z. “Making Society ‘Legible’: People-Watching in Paris After the Revolution.” French Historical Studies 28, no. 2 (2005): 265–296.
Davidson, Hilary. Dress in the Age of Jane Austen: Regency Fashion. New Haven: Yale UP, 2019.
Estève, Christian. “Le Droit de Chasse en France de 1789 à 1914. Conflits d’Usage et Impasses Juridiques.” Histoire & Sociétés Rurales 21 (2004): 73–114.
Evancie, Angela. “The Surprising Sartorial Culture of Congolese ‘Sapeurs’.” The Daily Picture Show, National Public Radio, May 7, 2013. https://www.npr.org/section/pictureshow/2013/05/07/181704510/the-surprising-sartorial-culture-of-congoloes-sapeaurs. Accessed October 1, 2020.
Flügel, J. C. The Psychology of Clothes. New York: International UP, 1971 [1930].
Garelick, Rhonda. Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle. Princeton: Princeton UP, 1998.
Greenhalgh, Paul. Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World’s Fairs, 1851–1939. Manchester: Manchester UP, 1991.
Hahn, Hazel. Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century. New York: Palgrave Macmillan, 2009.
Harrison, Carol E. The Bourgeois Citizen in Nineteenth-Century France: Gender, Sociability, and the Uses of Emulation. London: Oxford UP, 1999.
Leigh, Percival. “Remarks.” In The Fiddle-Faddle Fashion Book and Beau Monde à la Française, Enriched with Highly-Coloured Figures of Lady-Like Gentlemen, written by Percival Leigh and illustrated by John Leech, 8–9. London: Chapman and Hall, 1840.
Leigh, Percival, and John Leech, illustrator. The Fiddle-Faddle Fashion Book and Beau Monde à la Française, Enriched with Highly-Coloured Figures of Lady-Like Gentlemen. London: Chapman and Hall, 1840.
Lerner, Jillian. Graphic Culture: Illustration and Artistic Enterprise in Paris, 1830–1848. London: McGill-Queen’s UP, 2018.
Martin-Fugier, Anne. La Vie Élégante, Ou, La Formation Du Tout-Paris, 1815–1848. Paris: Fayard, 1990.
McNeil, Peter. “Macaroni Masculinities.” Fashion Theory 4, no. 4 (2000): 373–403.
Miller, Henry J. “John Leech and the Shaping of the Victorian Cartoon: The Context of Respectability.” Victorian Periodicals Review 42, no. 3 (2009): 267–291.
Mrázek, Rudolf. Engineers of Happy Land: Technology and Nationalism in a Colony. Princeton: Princeton UP, 2002.
Murray, Venetia. High Society: A Social History of the Regency Period, 1788–1830. London: Viking, 1998.
N. N. “Avant-Propos.” Le Lion, Journal des Nouveautés et des Modes d’Hommes 20 (1842): 3–4.
Pascoe, C. J., and Tristan Bridges. “Introduction.” In Exploring Masculinities: Identity, Inequality, Continuity, and Change, edited by C. J. Pascoe and Tristan Bridges, 1–37. Oxford: Oxford UP, 2016.
Philipon, Charles, draftsman. “As Tu Frisé mon Toupet?” Les Ridicules, Plate 1,010, c.1824–1825. Lithograph, 34.4 × 26 cm. Bibliothèque Nationale de France, Paris, France.
Philipon, Charles, draftsman, and Victor Ratier, printer. “Longchamps / Des Poupées sur des Chaises.” LaSilhouette 1–2l (1829–1830): 29. Lithograph, hand-colored, 20.9 × 21.1 cm. The British Museum, London.
Raisson, Horace. Code de la Toilette, Manuel Complet d’Elégance et d’Hygiène. Contenant les Lois, Règles, Applications et Exemples de l’Art de Soigner sa Personne, et de s’Habiller avec Gout et Méthode. Vol. 4. Paris: J.P. Roret, 1829.
Reports by the Juries on the Subjects in the Thirty Classes into Which the Exhibition Was Divided: Reports, Classes XVII to XXVIII. London: Spricer Brothers, 1852.
Roche, Daniel. “Equestrian Culture in France from the Sixteenth to the Nineteenth Century.” Past & Present 199 (2008): 113–145.
Ross, Marlon B. “Scandalous Reading: The Political Use of Scandal in and Around Regency Britain.” The Wordsworth Circle 27, no. 2 (1996): 103–112.
Sedgwick, Eve Kosofsky. “Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction Is About You.” In Novel Gazing: Queer Readings in Fiction, edited by Eve Kosofsky Sedgwick, 1–37. Durham and London: Duke UP, 1997.
Sessions, Jennifer E. By Sword and the Plow: France and the Conquest of Algeria. Ithaca: Cornell UP, 2011.
Sramek, Joseph. “‘Face Him Like a Briton’: Tiger Hunting, Imperialism, and British Masculinity in Colonial India, 1800–1875.” Victorian Studies 48, no. 4 (2006): 659–680.
Surkis, Judith. “Carnival Balls and Penal Codes: Body Politics in July Monarchy France.” History of the Present 1, no. 1 (2011): 59–83.
Ten-Doesschate, Chu, and Gabriel P. Weisberg. “Introduction.” In The Popularization of Images: Visual Culture Under the July Monarchy, 1–9. Princeton: Princeton UP, 1994.
Tosh, John. A Man’s Place: Masculinity and the Middle-Class Home in Victorian England. New Haven: Yale UP, 2007 [1999].
Vanier, Henriette. La Mode et ses Métiers, Frivolités et Luttes des Classes, 1830–1870. Paris: Armand Colin, 1960.
Vigarello, Georges. Historie de la Beauté: Le Corps et l’Art d’Embellir de la Renaissance à nos Jours. Paris: Seuil, 2004.
———. Le Corps Redressé: Histoire d’un Pouvoir Pédagogique. Paris: Édition du Félin, 2018 [1978].
Whitlock, Tammy C. Crime, Gender, and Consumer Culture in Nineteenth-Century England. London: Routledge, 2005.
Willet Cunnington, Cecil, and Phillis Cunnington. The History of Underclothes. New York: Dover Publications, 1992.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Finkelberg, J. (2022). English Dandies and French Lions: Policing the Male Body in Popular Print and Visual Culture Between 1815 and 1848. In: Dexl, C., Gerlsbeck, S. (eds) The Male Body in Representation. Palgrave Studies in (Re)Presenting Gender. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-88604-2_6
Download citation
DOI: https://doi.org/10.1007/978-3-030-88604-2_6
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-88603-5
Online ISBN: 978-3-030-88604-2
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)