Skip to main content

English Dandies and French Lions: Policing the Male Body in Popular Print and Visual Culture Between 1815 and 1848

  • Chapter
  • First Online:
The Male Body in Representation

Part of the book series: Palgrave Studies in (Re)Presenting Gender ((PSRG))

  • 352 Accesses

Abstract

John Finkelberg presents an in-depth examination of visual and textual representations of the dandy, and the ‘dandified’ body, and their contribution to particular manifestations of masculinity in France and England during the first half of the nineteenth century. Tracing the dandy’s function in consumer culture, Finkelberg shows how images of dandies encouraged viewers to participate in an expanding consumer economy between 1815 and 1848 while simultaneously warning about the dangers of over-styling and compromising the male body. A comparison of French and British images and texts produced by Charles Philipon, Cham (Charles Amadée de Noé), Isaac Robert Cruikshank, John Leech as well as the English author Percival Leigh suggests that the malleable body of the dandy was used to establish historically specific desirable ‘masculine behaviors’ in different socio-political contexts.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 19.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 29.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 24.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    I wish to acknowledge the assistance of several people including Dr. Jim Ravin, who invited me to work with his collection of rare French and British prints, Juli McLoone for her assistance with reproductions, and Meg Showalter for her photo editing skills. This contribution also benefitted from the insightful comments of Susan L. Siegfried and Dena Goodman as well as my colleagues David, Hayley, Matthew, Molly, Severina, and Taylor. Finally, the images included were obtained with funding from the Institute for the Humanities at the University of Michigan.

  2. 2.

    In Dandyism in the Age of Revolution, Elizabeth Amann has most recently explored the transnational politics of dress and dandyism in France, England, and Spain during the Revolutionary Era (2015).

  3. 3.

    Kate Nelson Best’s argument builds on Roland Barthes’s understanding of the semiotics of fashion imagery presented in The Fashion System (1983).

  4. 4.

    One example is Honoré de Balzac’s Ferragus, Chef des Dévorants (1833).

References

  • Amann, Elizabeth. Dandyism in the Age of Revolution: The Art of the Cut. Chicago: U of Chicago P, 2015.

    Google Scholar 

  • Balzac, Honoré de. Ferragus, Chef des Dévorants. Paris: Gallimard, 1833.

    Google Scholar 

  • Barbey d’Aurevilly, Jules. Du Dandysme et de George Brummell. Paris: Emile-Paule frères, 1918 [1845].

    Google Scholar 

  • Barthes, Roland. The Fashion System. Translated by Matthew Ward and Richard Howard. Los Angeles: U of California P, 1983.

    Google Scholar 

  • Best, Kate Nelson. The History of Fashion Journalism. London: Bloomsbury, 2017.

    Google Scholar 

  • Breward, Christopher. The Hidden Consumer: Masculinities, Fashion, and City Life 1860–1914. Manchester: Manchester UP, 1995.

    Google Scholar 

  • ———. “The Dandy Laid Bare: Embodying Practices and Fashions for Men.” In Fashion Cultures: Theories, Explorations and Analysis, edited by Stella Bruzzi and Pamela Church Gibson, 221–238. London: Routledge, 2000.

    Google Scholar 

  • ———. “Masculine Pleasures: Metropolitan Identities and the Commercial Sites of Dandyism, 1790–1840.” The London Journal 28, no. 1 (2003): 60–72.

    Article  Google Scholar 

  • Burns, Arthur, and Joanna Innes. Rethinking the Age of Reform: Britain 1780–1850. Cambridge: Cambridge UP, 2007.

    Google Scholar 

  • Carlyle, Thomas. Sartor Resartus. Philadelphia: The Rogers Co., 1890 [1833].

    Google Scholar 

  • Cham (Charles Amédée de Noé), illustrator. Nos Gentils Hommes à Goût, Tournure, Élégance, Moeurs et Plaisirs de la Jeunesse Dorée. Paris: Maison Aubert, 1846.

    Google Scholar 

  • ———. “Oh hé! Ce Cavalier! Ohè!” In Nos Gentiles Hommes à Goût, Plate 17, 1846. Lithograph, hand-colored, 33.6 × 25.0 cm. Private collection, Toledo, Ohio.

    Google Scholar 

  • Chenoune, Farid. A History of Men’s Fashion. Translated by Deke Dusinberre. Paris: Flammarion, 1993.

    Google Scholar 

  • Coignet, Jean-Roch. Les Cahiers du Capitaine Coignet. Paris: Hachette et Cie, 1883.

    Google Scholar 

  • Colley, Linda. “Britishness and Otherness: An Argument.” Journal of British Studies 31, no. 4 (1992): 309–329.

    Article  Google Scholar 

  • Collingham, H. A. C. The July Monarchy: A Political History of France, 1830–1848. London: Longman, 1988.

    Google Scholar 

  • Cropper, Corry. Playing at Monarchy: Sport as Metaphor in Nineteenth-Century France. Omaha: U of Nebraska P, 2008.

    Google Scholar 

  • Cruikshank, Isaac Robert, draftsman. “Dandies Dressing.” Woodcut, hand-colored, 23.3 × 32 cm. London: T. Tegg, 1818. Private collection, Toledo, Ohio.

    Google Scholar 

  • ———. “The Dandy Pickpockets Diving.” Woodcut, hand-colored, 23.3 × 32 cm. London: T. Tegg, 1818. Private collection, Toledo, Ohio.

    Google Scholar 

  • Cuno, James. “Charles Philipon, La Maison Aubert, and the Business of Caricature in Paris, 1829–1841.” Art Journal 43, no. 4 (1983): 347–354.

    Google Scholar 

  • Davidson, Denise Z. “Making Society ‘Legible’: People-Watching in Paris After the Revolution.” French Historical Studies 28, no. 2 (2005): 265–296.

    Article  Google Scholar 

  • Davidson, Hilary. Dress in the Age of Jane Austen: Regency Fashion. New Haven: Yale UP, 2019.

    Google Scholar 

  • Estève, Christian. “Le Droit de Chasse en France de 1789 à 1914. Conflits d’Usage et Impasses Juridiques.” Histoire & Sociétés Rurales 21 (2004): 73–114.

    Google Scholar 

  • Evancie, Angela. “The Surprising Sartorial Culture of Congolese ‘Sapeurs’.” The Daily Picture Show, National Public Radio, May 7, 2013. https://www.npr.org/section/pictureshow/2013/05/07/181704510/the-surprising-sartorial-culture-of-congoloes-sapeaurs. Accessed October 1, 2020.

  • Flügel, J. C. The Psychology of Clothes. New York: International UP, 1971 [1930].

    Google Scholar 

  • Garelick, Rhonda. Rising Star: Dandyism, Gender, and Performance in the Fin de Siècle. Princeton: Princeton UP, 1998.

    Google Scholar 

  • Greenhalgh, Paul. Ephemeral Vistas: The Expositions Universelles, Great Exhibitions and World’s Fairs, 1851–1939. Manchester: Manchester UP, 1991.

    Google Scholar 

  • Hahn, Hazel. Scenes of Parisian Modernity: Culture and Consumption in the Nineteenth Century. New York: Palgrave Macmillan, 2009.

    Book  Google Scholar 

  • Harrison, Carol E. The Bourgeois Citizen in Nineteenth-Century France: Gender, Sociability, and the Uses of Emulation. London: Oxford UP, 1999.

    Book  Google Scholar 

  • Leigh, Percival. “Remarks.” In The Fiddle-Faddle Fashion Book and Beau Monde à la Française, Enriched with Highly-Coloured Figures of Lady-Like Gentlemen, written by Percival Leigh and illustrated by John Leech, 8–9. London: Chapman and Hall, 1840.

    Google Scholar 

  • Leigh, Percival, and John Leech, illustrator. The Fiddle-Faddle Fashion Book and Beau Monde à la Française, Enriched with Highly-Coloured Figures of Lady-Like Gentlemen. London: Chapman and Hall, 1840.

    Google Scholar 

  • Lerner, Jillian. Graphic Culture: Illustration and Artistic Enterprise in Paris, 1830–1848. London: McGill-Queen’s UP, 2018.

    Google Scholar 

  • Martin-Fugier, Anne. La Vie Élégante, Ou, La Formation Du Tout-Paris, 1815–1848. Paris: Fayard, 1990.

    Google Scholar 

  • McNeil, Peter. “Macaroni Masculinities.” Fashion Theory 4, no. 4 (2000): 373–403.

    Article  Google Scholar 

  • Miller, Henry J. “John Leech and the Shaping of the Victorian Cartoon: The Context of Respectability.” Victorian Periodicals Review 42, no. 3 (2009): 267–291.

    Article  Google Scholar 

  • Mrázek, Rudolf. Engineers of Happy Land: Technology and Nationalism in a Colony. Princeton: Princeton UP, 2002.

    Book  Google Scholar 

  • Murray, Venetia. High Society: A Social History of the Regency Period, 1788–1830. London: Viking, 1998.

    Google Scholar 

  • N. N. “Avant-Propos.” Le Lion, Journal des Nouveautés et des Modes d’Hommes 20 (1842): 3–4.

    Google Scholar 

  • Pascoe, C. J., and Tristan Bridges. “Introduction.” In Exploring Masculinities: Identity, Inequality, Continuity, and Change, edited by C. J. Pascoe and Tristan Bridges, 1–37. Oxford: Oxford UP, 2016.

    Google Scholar 

  • Philipon, Charles, draftsman. “As Tu Frisé mon Toupet?” Les Ridicules, Plate 1,010, c.1824–1825. Lithograph, 34.4 × 26 cm. Bibliothèque Nationale de France, Paris, France.

    Google Scholar 

  • Philipon, Charles, draftsman, and Victor Ratier, printer. “Longchamps / Des Poupées sur des Chaises.” LaSilhouette 1–2l (1829–1830): 29. Lithograph, hand-colored, 20.9 × 21.1 cm. The British Museum, London.

    Google Scholar 

  • Raisson, Horace. Code de la Toilette, Manuel Complet d’Elégance et d’Hygiène. Contenant les Lois, Règles, Applications et Exemples de l’Art de Soigner sa Personne, et de s’Habiller avec Gout et Méthode. Vol. 4. Paris: J.P. Roret, 1829.

    Google Scholar 

  • Reports by the Juries on the Subjects in the Thirty Classes into Which the Exhibition Was Divided: Reports, Classes XVII to XXVIII. London: Spricer Brothers, 1852.

    Google Scholar 

  • Roche, Daniel. “Equestrian Culture in France from the Sixteenth to the Nineteenth Century.” Past & Present 199 (2008): 113–145.

    Article  Google Scholar 

  • Ross, Marlon B. “Scandalous Reading: The Political Use of Scandal in and Around Regency Britain.” The Wordsworth Circle 27, no. 2 (1996): 103–112.

    Article  Google Scholar 

  • Sedgwick, Eve Kosofsky. “Paranoid Reading and Reparative Reading; or, You’re So Paranoid, You Probably Think This Introduction Is About You.” In Novel Gazing: Queer Readings in Fiction, edited by Eve Kosofsky Sedgwick, 1–37. Durham and London: Duke UP, 1997.

    Google Scholar 

  • Sessions, Jennifer E. By Sword and the Plow: France and the Conquest of Algeria. Ithaca: Cornell UP, 2011.

    Google Scholar 

  • Sramek, Joseph. “‘Face Him Like a Briton’: Tiger Hunting, Imperialism, and British Masculinity in Colonial India, 1800–1875.” Victorian Studies 48, no. 4 (2006): 659–680.

    Article  Google Scholar 

  • Surkis, Judith. “Carnival Balls and Penal Codes: Body Politics in July Monarchy France.” History of the Present 1, no. 1 (2011): 59–83.

    Article  Google Scholar 

  • Ten-Doesschate, Chu, and Gabriel P. Weisberg. “Introduction.” In The Popularization of Images: Visual Culture Under the July Monarchy, 1–9. Princeton: Princeton UP, 1994.

    Google Scholar 

  • Tosh, John. A Man’s Place: Masculinity and the Middle-Class Home in Victorian England. New Haven: Yale UP, 2007 [1999].

    Google Scholar 

  • Vanier, Henriette. La Mode et ses Métiers, Frivolités et Luttes des Classes, 1830–1870. Paris: Armand Colin, 1960.

    Google Scholar 

  • Vigarello, Georges. Historie de la Beauté: Le Corps et l’Art d’Embellir de la Renaissance à nos Jours. Paris: Seuil, 2004.

    Google Scholar 

  • ———. Le Corps Redressé: Histoire d’un Pouvoir Pédagogique. Paris: Édition du Félin, 2018 [1978].

    Google Scholar 

  • Whitlock, Tammy C. Crime, Gender, and Consumer Culture in Nineteenth-Century England. London: Routledge, 2005.

    Google Scholar 

  • Willet Cunnington, Cecil, and Phillis Cunnington. The History of Underclothes. New York: Dover Publications, 1992.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to John Finkelberg .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Finkelberg, J. (2022). English Dandies and French Lions: Policing the Male Body in Popular Print and Visual Culture Between 1815 and 1848. In: Dexl, C., Gerlsbeck, S. (eds) The Male Body in Representation. Palgrave Studies in (Re)Presenting Gender. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-88604-2_6

Download citation

Publish with us

Policies and ethics