Abstract
This chapter constructs the theoretical context for examining reviewing in different institutional and non-institutional environments, drawing on sociology of arts, media studies and consumer studies. The chapter presents the model of cultural mediation, elaborating it further into models of cultural intermediation, characteristic of institutional forms of reviewing, and cultural mediation, typical of non-institutional forms of reviewing. The chapter concludes by addressing platformized cultural production that illuminates the post-institutional condition of cultural production.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Alexander, V. C. (2003). Sociology of the arts: Exploring fine and popular forms. Blackwell Publishing.
Alexander, V. D. (2010). Public institutions of “high” culture. In J. R. Hall & L. Lo. M.-G. Grindstaff (Eds.), Handbook of cultural sociology (368–377). Routledge.
Anderson, C. W., Bell, E. J., & Shirky, C. (2017). Post-industrial journalism: Adapting to the present. Tow Center for Digital Journalism.
Appadurai, A. (1986). The social life of things: Commodities in cultural perspective. Cambridge University Press.
Arsel, Z. (2015). Assembling markets and value. In R. Canniford & D. Bajde (Eds.), Assembling consumption: Researching actors, networks and markets (pp. 32–41). Routledge.
Baym, N. K. (Ed.). (2021). Creator culture: An introduction to global social media entertainment. New York University Press.
Becker, H. S. (1982). Art worlds. University of California Press.
Blank, G. (2007). Critics, ratings, and society: The sociology of reviews. Rowman & Littlefield Publishers.
Bourdieu, P. (1984). Distinction: A social critique of the judgement of taste. Harvard University Press.
Carroll, N. (2009). On criticism: Thinking in action. Routledge.
Chong, P. K. (2020). Inside the critics’ circle: Book reviewing on uncertain times. Princeton University Press.
Cisco. (2017, March 28). Cisco visual networking index: Global mobile data traffic forecast update, 2016–2021. White paper. https://s3.amazonaws.com/media.mediapost.com/uploads/CiscoForecast.pdf
Couldry, N., & Mejias, U. A. (2019). The cost of connectivity. How data is colonizing human life and appropriating it for capitalism. Stanford University Press.
Cova, B., & Dalli, D. (2018). Prosumption tribes: How consumers collectively rework brands, products, services and markets. In O. Kravets, P. Maclaran, S. Miles, & A. Venkatesh (Eds.), The SAGE handbook of consumer culture (pp. 235–255). Sage.
Cramer, F. (2015). What is ‘post-digital’? In D. M. Berry & M. Dieter (Eds.), Postdigital aesthetics: Art, computation and design (pp. 12–26). Palgrave Macmillan.
Cramer, F. (2016). Post-digital literary studies. MATLIT: Materialidades da literatura, 4(1), 11–27. https://doi.org/10.14195/2182-8830_4-1_1
Crane, D. (1992). The production of culture: Media and the urban arts. Sage.
Cronin, A. M. (2004). Regimes of mediation: Advertising practitioners as cultural intermediaries? Consumption Markets & Culture, 7(4), 349–369. https://doi.org/10.1080/1025386042000316315
Crosbie, T., & Roberge, J. (2014). Critics as cultural intermediaries. In C. Fleck & A. Hess (Eds.), Knowledge for whom: Public sociology in the making (pp. 275–298). Routledge.
Cunningham, S., & Craig, D. (2017). Being ‘really real’ on YouTube: Authenticity, community and brand culture in social media entertainment. Media International Australia, 164(1), 71–81. https://doi.org/10.1177/1329878X17709098
Davis, A. (2006). Placing promotional culture. In J. Curran & D. Morley (Eds.), Media and cultural theory (pp. 149–163). Routledge.
Davis, A. (2013). Promotional cultures: The rise and spread of advertising, public relations, marketing and branding. Polity Press.
de Certeau, M. (1984). The practice of everyday life. University of California Press.
Deuze, M., & Witschge, T. (2020). Beyond journalism. Polity Press.
DiMaggio, P. (1977). Market structure, the creative process, and popular culture: Toward an organizational reinterpretation of mass-culture theory. Journal of Popular Culture, 11(2), 436–452.
DiMaggio, P., & Hirsch, P. M. (1976). Production organizations in the arts. In R. A. Peterson (Ed.), The production of culture (pp. 73–90). Sage.
Du Gay, P. (Ed.). (1997). Production of culture/cultures of production. Sage/Open University.
Duncan, H. D. (1953). Language and literature in society: A sociological essay on theory and method in the interpretation of linguistic symbols with a bibliographical guide to the sociology of literature. University of Chicago Press.
Einstein, M. (2016). Black ops advertising: Native ads, content marketing, and the covert world of the digital sell. OR Books.
Ettema, J. S., & Whitney, D. C. (Eds.). (1982). Individuals in mass media organizations: Creativity and constraint. Sage Publications.
Felski, R. (2008). Uses of literature. Blackwell Publishing.
Gerlitz, C., & Helmond, A. (2013). The like economy: Social buttons and the data intensive web. New Media & Society, 15(8), 1348–1365.
Gibson, J. J. (1979). The ecological approach to visual perception. Houghton Mifflin.
Gillespie, T. (2019). Custodians of the internet: Platforms, content moderation, and the decisions that shape social media. Yale University Press.
Glynn, M. A., & Lounsbury, M. (2005). From the critics’ corner: Logic blending, discursive change and authenticity in a cultural production system. Journal of Management Studies, 42(5), 1031–1055.
Harries, G., & Wahl-Jorgensen, K. (2007). The culture of arts journalists: Elitists, saviors or manic depressives? Journalism: Theory, Practice and Criticism, 8(6), 619–639.
Hartley, J. (Ed.). (2005). Creative industries. Blackwell Publishing.
Helmond, A. (2015). The platformization of the web: Making web data platform ready. Social Media + Society, 1(July–December), 1–11.
Hesmondhalgh, D. (2008). Cultural and creative industries. In T. Bennett & J. Frow (Eds.), The Sage handbook of cultural analysis (pp. 553–569). Sage Publications.
Hirsch, P. M. (1972). Processing fads and fashions: An organizational set analysis of cultural industry systems. American Journal of Sociology, 77(4), 639–659.
Hirsch, P. M. (1977). Occupational, organizational and institutional models in mass communication. In P. M. Hirsch, P. V. Miller, & F. G. Kline (Eds.), Strategies for communication research (pp. 13–42). Sage Publications.
Hirsch, P. M. (2000). Cultural industries revisited. Organization Science, 11(3), 356–361.
Hohendahl, P. U. (1982). Institution of criticism. Cornell University Press.
Hracs, B. J. (2015). Cultural intermediaries in the digital age: The case of independent musicians and managers in Toronto. Regional Studies, 49(3), 461–475. https://doi.org/10.1080/00343404.2012.750425
Hutchinson, J. (2017). Cultural intermediaries: Audience participation in media organizations. Palgrave Macmillan.
Johnson, R. (1986). The story so far and further transformations? In D. Punter (Ed.), Introduction to contemporary cultural studies (pp. 277–313). Longman.
Jones, P., Perry, B., & Long, P. (Eds.). (2019). Cultural intermediaries connecting communities: Revisiting approaches to cultural engagement. Policy Press.
Kammer, A. (2015). Post-industrial cultural criticism: The everyday amateur expert and the online cultural public sphere. Journalism Practice, 9(6), 872–889.
Kennedy, H. (2009). Going the extra mile: Emotional and commercial imperatives in new media work. Convergence, 15(2), 177–196. https://doi.org/10.1177/1354856508101582
Khamis, S., Ang, L., & Welling, R. (2017). Self-branding, ‘micro-celebrity’ and the rise of social media influencers. Celebrity Studies, 8(2), 191–208.
Klein, B. (2005). Dancing about architecture: Popular music criticism and the negotiation of authority. Popular Communication, 3(1), 1–20.
Kristensen, N. N., Hellman, H., & Riegert, K. (2019). Cultural mediators seduced by Mad Men: How cultural journalists legitimized a quality TV series in the Nordic region. Television & New Media, 20(3), 257–274. https://doi.org/10.1177/1527476417743574
Langley, P., & Leyshon, A. (2017). Platform capitalism: The intermediation and capitalization of digital economic circulation. Finance and Society, 3(1), 11–31.
Lee, H.-K. (2012). Cultural consumers as ‘new cultural intermediaries’: Manga scanlators. Arts Marketing: An International Journal, 2(2), 131–143.
McFall, L. (2010). What about the old cultural intermediaries? An historical review of advertising producers. Cultural Studies, 16(4), 532–552.
McGuinness, P. (2016). The people formerly known as the audience: Power shifts in the digital age. Communication Research and Practice, 2(4), 520–527. https://doi.org/10.1080/22041451.2016.1259974
McQuail, D. (1992). Media performance: Mass communication and the public interest. Sage Publications.
McVeigh-Schultz, J., & Baym, N. K. (2015). Thinking of you: Vernacular affordance in the context of the microsocial relationship app, Couple. Social Media + Society, 1(July). https://doi.org/10.1177/2056305115604649
Mellor, N. (2008). Arab journalists as cultural intermediaries. The International Journal of Press/Politics, 13(4), 465–483. https://doi.org/10.1177/1940161208322873
Moor, L. (2008). Branding consultants as cultural intermediaries. The Sociological Review, 56(3), 408–428. https://doi.org/10.1111/j.1467-954X.2008.00797.x
Muñiz, A. M., Jr., & O’Guinn, T. C. (2001). Brand community. Journal of Consumer Research, 27(4), 412–432.
Negus, K. (2002). The work of cultural intermediaries and the enduring distance between production and consumption. Cultural Studies, 16(4), 501–515.
Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media & Society, 20(11), 4275–4292. https://doi.org/10.1177/1461444818769694
Nixon, S., & du Gay, P. (2002). Who needs cultural intermediaries? Cultural Studies, 16(4), 495–500.
Norman, D. A. (1999). Affordance, conventions, and design. Interactions, 6(3), 38–42.
Orlik, P. B. (2016). Media criticism in a digital age: Professional and consumer considerations. Taylor & Francis.
Poell, T., Nieborg, D. B., & Duffy, B. E. (2021). Platforms and cultural production. Polity.
Postigo, H. (2016). The socio-technical architecture of digital labour: Converting play into YouTube money. New Media & Society, 18(2), 332–349.
Rosen, J. (2006). The people formerly known as the audience. http://archive.pressthink.org/2006/06/27/ppl_frmr.html
Sandvik, K., Thorhauge, A. M., & Valtysson, B. (Eds.). (2016). The media and the mundane: Communication across media in everyday life. Nordicom.
Schwarzkopf, S. (2015). Cultural economy, capitalism and the logic of the public sphere. Journal of Cultural Economy, 8(6), 721–729. https://doi.org/10.1080/17530350.2014.949285
Simon, J. (2010). Critical proximity. Cultural Studies Review, 16(2), 4–23.
Smith Maguire, J. (2008). Leisure and the obligation of self-work: An examination of the fitness field. Leisure Studies, 27(1), 59–75. https://doi.org/10.1080/02614360701605729
Smith Maguire, J. (2010). Provenance and the liminality of production and consumption: The case of wine promoters. Marketing Theory, 10(3), 269–282. https://doi.org/10.1177/1470593110373190
Smith Maguire, J., & Matthews, J. (2012). Are we all cultural intermediari- es now? An introduction to cultural intermediaries in context. European Journal of Cultural Studies, 15(5), 551–562.
Smith Maguire, J., & Matthews, J. (Eds.). (2014). The cultural intermediaries reader. Sage Publications.
Srnicek, N. (2016). Platform capitalism. Polity Press.
Taylor, K., & Silver, L. (2019). Smartphone ownership is growing rapidly around the world, but not always equally. Pew Research Center. https://www.pewresearch.org/global/wp-content/uploads/sites/2/2019/02/Pew-Research-Center_Global-Technology-Use-2018_2019-02-05.pdf
Thoburn, N. (2020). Twitter, book, riot: Post-Digital publishing against race. Theory, Culture & Society, 37(3), 97–121. https://doi.org/10.1177/0263276419891573
Torjesen, A. (2021). The genre repertoires of Norwegian beauty and lifestyle influencers on YouTube. Nordicom Review, 42(2), 168–184. https://doi.org/10.2478/nor-2021-0036
van Dijck, J., & Poell, T. (2018). The platform society: Public values in a connective world. Oxford University Press.
Verboord, M. N. M. (2012). Exploring authority in the film blogosphere: Differences between male and female bloggers regarding blog content and structure. Interactions: Studies in Communication & Culture, 2(3), 243–259. https://doi.org/10.1386/iscc.2.3.243_1
Verboord, M., Kuipers, G. M. M., & Janssen, J. (2015). Institutional recognition in the transnational literary field, 1955-2005. Cultural Sociology, 9(3), 447–465. https://doi.org/10.1177/1749975515576939
Wenger, E. (1998). Communities of practice: Learning, meaning, and identity. Cambridge University Press.
Wilke, J. (2014). Art: Multiplied mediatization. In K. Lundby (Ed.), Mediatization of communication (Handbooks of communication science) (Vol. 21, pp. 465–482). Walter de Gruyter.
Woo, B. (2012). Alpha nerds: Cultural intermediaries in a subcultural scene. European Journal of Cultural Studies, 15(5), 659–676. https://doi.org/10.1177/1367549412445758
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2022 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Jaakkola, M. (2022). Reviewing as Post-Institutional Cultural Production. In: Reviewing Culture Online. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-84848-4_3
Download citation
DOI: https://doi.org/10.1007/978-3-030-84848-4_3
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-84847-7
Online ISBN: 978-3-030-84848-4
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)