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HEM 26: Youth Representations and Cultural Production Against Stigmatization

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Exploring Ibero-American Youth Cultures in the 21st Century
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Abstract

This research work proposes to create a broader and less prejudicial visualization of some social groups of young people, in this specifically case of the HEM 26 gang, located in the neighborhood of San Felipe Hueyotlipan, Puebla, Mexico, which have been categorized in concepts that are not so favorable and that they have been stigmatized for most of their lives, without giving them the opportunity to demonstrate that their brotherhood goes beyond any preconceived concept of them. This research seeks to give them the space and everything that is within this group and the various forms of expression they represent to be made known in order to generate a new conceptualization of what the HEM 26 gang represents. From their graphic expressions to the most artistic ones, such as the music and their clothes, in this chapter the members of this gang and everything they represent will be better known and in that way be less stigmatized by the society around them.

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Notes

  1. 1.

    With this we are not trying to minimize the set of practices carried out by gangs; it would be a serious mistake to minimize violence in every sense, but when talking about these groups, it is common to place violence on one side. In other words, it is not to make an apology for violence, but neither to minimize it, the idea would be to understand the mechanisms of action to know the ways in which it is produced and reproduced.

  2. 2.

    The complex issue of gangs undoubtedly requires a look at the different perspectives built in the United States. Indeed, in the last decades of the last century, and so far this century, the study of gangs has become an important topic within the social sciences, the importance of the works that have been carried out in that country. The importance is given by the set of empirical studies, but above all the attempt to theorize about the problem and offer, from this, perspectives and possibilities of comparison to pose new questions.

  3. 3.

    Expressions:

    • “cholos”: Mexican expression that refers to a person of mixed race;

    • “mal viviente”: Mexican expression that refers to a person who lives badly, in poverty or miserably

    • low life; “montoneros”: Expression that refers to a group acting together for the same objective;

    • “huevones”: Mexican expression that refers to a lazy person or who does not like working.

  4. 4.

    Mexican expression to assign the importance or to say: “I am the best,” “I am the boss,” “I am the most important member of the group or gang.”

  5. 5.

    Another axis of exploration for the case of graffiti in different contexts is the one presented by Steven T. Olberg, regarding graffiti and urban art has to do with the use of these forms of communication as tools of resistance. In accordance with this idea, expressions serve both as a technique to resist and as one of identity conformation, which in the case of the subject under study helps us to understand both the meaning and the symbolic issue of appropriation of urban spaces.

  6. 6.

    Interested readers can find Turek HEM material on Spotify and Youtube at the following links:

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Correspondence to Rodrigo Sánchez Torres .

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Torres, R.S. (2021). HEM 26: Youth Representations and Cultural Production Against Stigmatization. In: Campos, R., Nofre, J. (eds) Exploring Ibero-American Youth Cultures in the 21st Century. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-83541-5_10

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  • DOI: https://doi.org/10.1007/978-3-030-83541-5_10

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