Skip to main content

Introduction

  • Chapter
  • First Online:
Corpora, Corpses and Corps
  • 120 Accesses

Abstract

People may have a natural propensity to conceive it as a mutual exchange where the linguistic proficiency and effectiveness of the speaker’s oral capabilities are the only things that matter. The cooperative (or non-cooperative) receiver’s attitude would work for the essential information apprehension to exploit the interaction fully (Scott-Phillips, 2015). Nonetheless, fundamental studies on language systems strongly underpin the human codes’ more complex structure (ibid.).

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 119.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 159.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 159.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Listing a huge quantity of famous genre-related TV series and serials like Criminal Minds (USA: CBS, 2005–), CSI (USA and Canada: CBS, 2000–2015, and its related U.S. on-going spin-offs), NCIS (USA: CBS, 2003–), Dexter (USA: Showtime, 2006–2013), Castle (USA: ABC, 2009–2016), BlueBlood (USA: CBS, 2010–), TheMentalist (USA: CBS, 2008–2015), ColdCase (USA: CBS, 2003–2010), Numb3rs (USA: CBS, 2005–2010), and others.

  2. 2.

    Profile 2019—Economic Report on the Screen-Based Media Production Industry in Canada (n.d.). Canadian Media Producers Association, Department of Canadian Heritage, Telefilm Canada, Association québécoise de la production médiatique, Nordcity. p. 4. https://cmpa.ca/wp-content/uploads/2020/04/CMPA_2019_E_FINAL.pdf (accessed March 4, 2021).

References

  • Baldry, A., & Thibault, P. J. (2001). Towards Multimodal Corpora. In G. Aston & L. Burnard (Eds.), Corpora in the Description and Teaching of English-Papers from the 5th ESSE Conference (pp. 87–102). Cooperativa Libraria Universitaria Editrice Bologna.

    Google Scholar 

  • Baldry, A., & Thibault, P. J. (2006). Multimodal Transcription and Text Analysis: A Multimedia Toolkit and Course Book. Equinox.

    Google Scholar 

  • Bateman, J. A. (2008). Multimodality and Genre. Palgrave Macmillan.

    Book  Google Scholar 

  • Bateman, J. A., & Schmidt, K. H. (2012). Multimodal Film Analysis. How Films Mean. Routledge.

    Google Scholar 

  • Bednarek, M. (2010). Corpus Linguistics and Systemic Functional Linguistics: Interpersonal Meaning, Identity and Bonding In Popular Culture. In M. Bednarek & J. R. Martin (Eds.), New Disourse on Language: Functional Perspectives on Multimodality, Identity and Affiliation (pp. 237–266). Continuum.

    Google Scholar 

  • Bednarek, M. (2011). Expressivity and Television Characterisation. Language and Literature, 20(1), 3–21.

    Article  Google Scholar 

  • Bednarek, M. (2018). Language and Television Series. A Linguistic Approach to Television Dialogue. Cambridge University Press.

    Book  Google Scholar 

  • De Saint-Georges, I. (2004). Materiality in Discourse: The Influence of Space and Layout in Making Meaning. In P. LeVine & R. Scollon (Eds.), Discourse and Technology. Multimodal Discourse Analysis (pp. 71–87). Georgetown University Press.

    Google Scholar 

  • Fill, A., & Mühlhäusler, P. (Eds.). (2001). The Ecolinguistics Reader: Language, Ecology and Environment. Continuum.

    Google Scholar 

  • Granata, P. (2015). Ecologia dei media. Protagonisti, scuole, concetti chiave. Franco Angeli Editore.

    Google Scholar 

  • Halliday, M. A. K. (1978). Language as Social Semiotic: The Social Interpretation of Language and Meaning. Edward Arnold.

    Google Scholar 

  • Halliday, M. A. K. (1990 [2001]). New Ways of Meaning: The Challenge to Applied Linguistics. In A. Fill & P. Mühlhäusler (Eds.), The Ecolinguistics Reader: Language, Ecology and Environment (pp. 175–202). Continuum.

    Google Scholar 

  • Hardwick, C. (Ed.). (1977). Semiotics and Significs. Indiana University Press.

    Google Scholar 

  • Houser, N., et al. (Eds.). (1998). The Essential Peirce. Selected Philosophical Writings (Vol. 2). Indiana University Press.

    Google Scholar 

  • Jenner, M. (2016). American TV Detective Dramas: Serial Investigation. Palgrave Macmillan.

    Book  Google Scholar 

  • Jewitt, C. (Ed.). (2013). The Routledge Handbook of Multimodal Analysis. Routledge.

    Google Scholar 

  • Kracauer, S. (1974). Saggi di Sociologia Critica. Sociologia Come Scienza. Sociologia del Romanzo Poliziesco. Bari: De Donato Editore. [Original Title: Der DeEtektiv-Roman. Ein philosophischer Traktat, 1971].

    Google Scholar 

  • Kress, G. (2010). Multimodality. A Social Semantic Approach to Contemporary Communication. Routledge.

    Google Scholar 

  • Kress, G., & van Leeuwen, T. (1996). Reading Images: The Grammar of Visual Design. Routledge.

    Google Scholar 

  • Kress, G., & van Leeuwen, T. (2011). Multimodal Discourse. The Modes and Media of Contemporary Communication. Bloomsbury Academic.

    Google Scholar 

  • Lamberti, E. (2012). Marshall McLuhan’s Mosaic: Probing the Literary Origins of Media Studies. University of Toronto Press.

    Book  Google Scholar 

  • Longworth, J. L. (2000). TV Creations: Conversations with America’s Top Producers of Television Drama. Syracuse University Press.

    Google Scholar 

  • McLuhan, M. (1964). Understanding Media. The Extensions of Man. McGraw-Hill. Retrieved October 4, 2018, from http://robynbacken.com/text/nw_research.pdf

  • McLuhan, M. (1967 [2001]). Medium Is the Massage: An Inventory on Effects. Gingko Press Inc.

    Google Scholar 

  • Mehrabian, A. (1972). Nonverbal Communication. Aldeine-Atherton.

    Google Scholar 

  • Mehrabian, A. (1981). Silent Messages: Implicit Communication of Emotions and Attitude. Wardsworth Pub Co.

    Google Scholar 

  • Messaris, P. (1994). Visual Literacy. Westview Press.

    Google Scholar 

  • Metz, C. (1966). La grande syntagmatique du film narratif. Communications. Recherches Sémiologique: L’Analyse Stucturale du Récit, 8, 120–124.

    Google Scholar 

  • Metz, C. (1974). Film Language: A Semiotics of the Cinema (M. Taylor, Trans.). Oxford and Chicago: Oxford University Press and Chicago University Press. [Original Title: Essays sur la Signification au Cinéma, 1968].

    Google Scholar 

  • Miller, T., & Stam, R. (2004). A Companion to Film Theory. Blackwell.

    Google Scholar 

  • Monaco, J. (2009). How to Read a Film: Movies, Media and Beyond. Oxford University Press.

    Google Scholar 

  • Moorti, S., & Cuklaz, J. (2017). All-American TV Crime Drama: Feminism and Identity Policy in Law&Order—Special Victims Unit. I.B. Tauris.

    Book  Google Scholar 

  • Nelson, R. (2007). State of Play: Contemporary ‘High-End’ TV Drama’. Manchester University Press.

    Book  Google Scholar 

  • O’Halloran, K. L. (Ed.). (2004). Multimodal Discourse Analysis. Systemic Functional Perspectives. Continuum.

    Google Scholar 

  • O’Toole, M. (1994). The Language of Displayed Art. Leicester University Press.

    Google Scholar 

  • Piazza, R., Bednarek, M., & Rossi, F. (Eds.). (2011). Telecinematic Discourse. Approaches to the Language of Films and Television Series. John Benjamins Publishing Company.

    Google Scholar 

  • Postman, N. (1970). The Reformed English Curriculum. In A. C. Eurich (Ed.), High-School 1980: The Shape of the Future in American Secondary Education (pp. 160–168). Pitman.

    Google Scholar 

  • Postman, N. (1979). Teaching as a Conversing Activity. Delacorte Press.

    Google Scholar 

  • Profile 2018—Economic Report on the Screen-Based Media Production Industry in Canada. (n.d.). Canadian Media Producers Association, Department of Canadian Heritage, Telefilm Canada, Association québécoise de la production médiatique, Nordcity. [22nd ed.]. Retrieved June, 6, 2019, from https://cmpa.ca/wp-content/uploads/2019/03/Profile-2018.pdf

  • Profile 2019—Economic Report on the Screen-Based Media Production Industry in Canada. (n.d.). Canadian Media Producers Association, Department of Canadian Heritage, Telefilm Canada, Association québécoise de la production médiatique, Nordcity. p. 4. Retrieved March 4, 2021, from https://cmpa.ca/wp-content/uploads/2020/04/CMPA_2019_E_FINAL.pdf

  • Richardson, K. (2010). Television Dramatic Dialogue. A Sociolinguistic Study. Oxford University Press.

    Book  Google Scholar 

  • Scott-Phillips, T. (2015). Speaking Our Minds: Why Human Communication is Different, and How Language Evolved to Make It Special. Palgrave Macmillan.

    Book  Google Scholar 

  • Sikov, E. (2000). Film Studies. An Introduction. Columbia University Press.

    Google Scholar 

  • Wildfeuer, J. (2016 [2014]). Film Discourse Interpretation. Towards a New Paradigm for Multimodal Film Analysis. Routledge.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Gentile, F.P. (2021). Introduction. In: Corpora, Corpses and Corps. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-78276-4_1

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-78276-4_1

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-030-78275-7

  • Online ISBN: 978-3-030-78276-4

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics