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Post-World War II, Changing Dress in America, and Moscow Fashion Show

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Abstract

Prior to the war, it was mostly European designers who ruled the fashion world. Most designers were trained in Paris, and it is difficult to overestimate the city’s influence. Yet, by the summer of 1940, German soldiers occupied the city, and Paris was cut off from the rest of the world. It meant an opening for American designers that led to an erosion of European fashion dominance. It was during this time period that, “As fashion became news, fashion journalism came of age.” Suddenly, there was a marked increase in journalists, publicists, and photographers. Designers were also adjusting to changes in the rationing of materials. New York Times fashion editor Virginia Pope noted that the easing of restrictions instead of an immediate removal of them prevented designers from going to style extremes. It was the destruction and rationing in Europe following the war that allowed American fashion to develop.

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Notes

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  2. 2.

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  3. 3.

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  4. 4.

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  5. 5.

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  6. 6.

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  8. 8.

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  9. 9.

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  10. 10.

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  11. 11.

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  12. 12.

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  13. 13.

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  18. 18.

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  19. 19.

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  20. 20.

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  21. 21.

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  22. 22.

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  23. 23.

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  24. 24.

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  25. 25.

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  26. 26.

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  27. 27.

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  28. 28.

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  29. 29.

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  30. 30.

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  31. 31.

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  32. 32.

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  33. 33.

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  34. 34.

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  35. 35.

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  36. 36.

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  37. 37.

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  38. 38.

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  39. 39.

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  40. 40.

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  41. 41.

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  42. 42.

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  43. 43.

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  44. 44.

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  45. 45.

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  46. 46.

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  47. 47.

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  48. 48.

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  49. 49.

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  50. 50.

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  51. 51.

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  52. 52.

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  53. 53.

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  54. 54.

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  55. 55.

    Petrie, Penney-Missouri Awards, 6.

  56. 56.

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  57. 57.

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  58. 58.

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  59. 59.

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  60. 60.

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  61. 61.

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  62. 62.

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  63. 63.

    Dorothy Hawkins, “Cotton Lines,” New York Times, March 21, 1954.

  64. 64.

    Dorothy Hawkins, “Borrowed: Men’s Fabrics,” New York Times, February 6, 1955.

  65. 65.

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  66. 66.

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  67. 67.

    Virginia Pope, “Pattern of the Times: Denim Goes High-Fashion,” New York Times, April 28, 1952.

  68. 68.

    Virginia Pope, “Sophisticated Demin,” New York Times, March 30, 1952.

  69. 69.

    Patricia Peterson, “Denim Comes to Town,” New York Times, January 17, 1971.

  70. 70.

    Angela Taylor, “Paper Expands Its Domain: Wedding Dresses, Shoes and Bikinis,” New York Times, March 8, 1967.

  71. 71.

    Angela Taylor, “The Dress for Dancing – Not Sitting,” New York Times, March 29, 1966.

  72. 72.

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  73. 73.

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  74. 74.

    Phyllis Levin, “Tall Girls Find Their Fashions Short in Price,” New York Times, August 21, 1956.

  75. 75.

    Agnes Ash, “Carven Has the Answers for the Diminutive Woman Caught Short on Style,” New York Times, October 3, 1958.

  76. 76.

    Agnes Ash, “Recognition To Be Given Petite Sizes,” New York Times, May 15, 1958.

  77. 77.

    Judy Klemesrud, “The Forgotten Woman in the ‘Skinny Revolution,’” New York Times, December 1, 1969.

  78. 78.

    Judy Klemesrud, “A Day for Plump, Motherly Models,” New York Times, July 17, 1968.

  79. 79.

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  80. 80.

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  81. 81.

    “U.S. Asks Change in Fashion Show,” New York Times, July 16, 1959.

  82. 82.

    “Racial Mixing Assailed in Fashion Show for Moscow,” New York Time, July 15, 1959.

  83. 83.

    Gerri Major, “U.S. to Show USSR Bias Side, Say Integration Not Typical,” Jet, July 30, 1959, 42.

  84. 84.

    Gerri Major, “U.S. to Show USSR Bias Side, Say Integration Not Typical,” Jet, July 30, 1959, 42–3.

  85. 85.

    “Racial Mixing Assailed in Fashion Show for Moscow,” New York Times, July 15, 1959.

  86. 86.

    Gerri Major, “U.S. to Show USSR Bias Side, Say Integration Not Typical,” Jet, July 30, 1959, 44.

  87. 87.

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  88. 88.

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  89. 89.

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Voss, K.W. (2021). Post-World War II, Changing Dress in America, and Moscow Fashion Show. In: Newspaper Fashion Editors in the 1950s and 60s. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-73624-8_3

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