Skip to main content

Ethnographic Images of the Plague: Outbreak and the Landscape of Memory in Madagascar

  • Chapter
  • First Online:
Plague Image and Imagination from Medieval to Modern Times

Abstract

This chapter will examine how plague survivors visualise the landscape of the plague in the rural central highlands of Madagascar, where outbreaks recur annually. In August 2015, over the course of several days, a middle-aged couple lost eight family members to bubonic and pneumonic plague, four of whom died in hospital. As per official policy, hospital personnel disinfected, bagged and transported the bodies to a potter’s field. The victims were unceremoniously buried in a pit, from which they may not be transferred for at least seven years to safeguard people against re-infection. For Malagasy, state prohibitions against burying plague victims in the familial tomb and performing the ritual exhumation of remains when the bones are dry induce profound guilt and anxiety. A year after the outbreak, the couple guided the authors to the pit, pointing out the isolated location and neglected condition, and the lack of any offerings for the ancestors. The combination of ethnographic interviews and photographs offers insight into emic perspectives of plague imagery in Madagascar, where the plague pit is especially fraught. Plague pits represent haunts, sites of unresolved emotion and immanent risk to the living. They are also sites from which deceased ancestors steal away at night to admonish relatives in dreams. Photographs of the gravesite two years after the outbreak depict the family’s effort to soothe offended ancestors by improving the gravesite and leaving offerings.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 139.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 179.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 179.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Christos Lynteris, ‘The Prophetic Faculty of Epidemic Photography: Chinese Wet Markets and the Imagination of the Next Pandemic’, Visual Anthropology 29, no. 2 (2016): 118–132.

  2. 2.

    Christos Lynteris and Ruth J. Prince, ‘Anthropology and Medical Photography: Ethnographic, Critical and Comparative Perspectives’, Visual Anthropology 29, no. 2 (2016): 101–117, p. 106.

  3. 3.

    Elizabeth Edwards, ‘Photographs and the Sound of History’, Visual Anthropology Review 21, no. 1–2 (2015): 27–46; Annabelle Wienand, ‘Santu Mofokeng: Alternative Ways of Seeing (1996–2013)’, Safundi: The Journal of South Africa and American Studies 15, no. 2–3 (2014): 307–328.

  4. 4.

    By 1935, scientists in Antananarivo had developed an effective vaccine against the plague, called the E.V. vaccine (from a family name, Evesque, but known familiarly by Malagasy as ‘Enfant Vazaha’, or ‘white people’s child’): P. Coulanges, ‘Cinquantenaire du vaccin antipesteux EV. (Girard et Robica)’, Archives Institut Pasteur Madagascar 50, no. 1(1982): 169–184.

  5. 5.

    Branwyn Poleykett, ‘Ethnohistory and the Dead: Cultures of Colonial Epidemiology’, Medical Anthropology 37, no. 6 (2018): 472–485, https://doi.org/https://doi.org/10.1080/01459740.2018.1453507; Faranirina Esoavelomandroso, ‘Résistance à la médecine en situation coloniale: la peste à Madagascar’, Annales 36, no. 2 (1981): 168–190.

  6. 6.

    Deborah Poole, ‘An Excess of Description: Ethnography, Race, and Visual Technologies’, Annual Review of Anthropology 34 (2005): 159–179, p. 168.

  7. 7.

    Lukas Engelmann, ‘The Burial Pit as Bio-historical Archive’. In Christos Lynteris and Nicholas H.A. Evans (eds.) Histories of Post Mortem Contagion: Infectious Corpses and Contested Burials, pp. 189–211, (London: Palgrave Macmillan, 2018), p. 190.

  8. 8.

    Keith Basso argues that place-making, including naming features of the landscape, is a means of inventing history and constructing personal and social identities: Keith H. Basso, Wisdom Sites in Places: Landscape and Language Among the Eastern Apache (Albuquerque, NM: University of New Mexico Press, 1996).

  9. 9.

    Lynteris and Prince, ‘Anthropology and Medical Photography’, p. 102.

  10. 10.

    Christos Lynteris, ‘Plague Masks: The Visual Emergence of Anti-Epidemic Personal Protection Equipment’, Medical Anthropology 37, no. 6 (2018): 442–457, p. 443.

  11. 11.

    G. Girard, ‘Dépistage Post Mortem de la Peste par Ponctions d’Organes’, Bulletin World Health Organization 5 (1952): 109–116, p. 110.

  12. 12.

    Geoffrey Batchen, Each Wild Idea: Writing, Photography, History (Cambridge, MA: The MIT Press, 2001); Pamila Gupta and Tamsyn Adams, ‘(Vernacular) Photography from Africa: Collections, preservation, dialogue’, Critical Arts 32, no. 1 (2018): 1–12.

  13. 13.

    In other French colonial cities, officials actively suppressed public information about plague outbreaks: Branwyn Poleykett, ‘Public Culture and the Spectacle of Epidemic Disease in Rabat and Casablanca’. In Lukas Engelmann, John Henderson and Christos Lynteris (eds), Plague and the City, pp. 159–172 (London and New York: Routledge, 2019).

  14. 14.

    A substantial archive of late nineteenth- and early twentieth-century photographs of village life in Madagascar was compiled by foreign missionaries and French colonial administrators interested in Malagasy culture, particularly Raymond Decary. They generally depict regional differences in dress, hairstyles, bodily adornment, buildings, and other elements of material culture, but they do not construct Malagasy life in political terms. On early missionary photography in Africa, see Christraud M. Geary, ‘Missionary Photography: Private and Public Readings’, African Arts 24, no. 4 (1991): 48–100; for a study of the photography of missionary Reverend William Ellis in Madagascar, and the context of religious rivalry between the French and British at the time, see Simon Peers, The Working of Miracles. William Ellis—Photography in Madagascar 1853–1865 (London: The British Council Visual Arts Publications, 1995). On the ethnographic photography of colonial administrator, Raymond Decary, who served for twenty-seven years in Madagascar beginning in 1916, see Martine Balard and Edmond Maestri, ‘Raymond Decary (1891–1973) ou Madagascar mis en collections’, Outre-mers 88, no. 332–333, (second semester 2001): 207–229.

  15. 15.

    Suzanne C. Chanteau, Pascal Boiser, Elisabeth Carniel, Jean Bernard Duchemin, Jean Marc Duplantier, Steve M. Goodman, Pascal Hanschumacher, Isabelle Jeanne, Stephane Laventure, Philippe Mauclère, René Miglianai, Dieudonné Rabeson, Lila Rahalison, Noelson Rasolofonirina, Lala Rasifasoamanana, Bruno Rasoamanana, Maherisoa Ratsitorahina, Jocelyn Ratovonjato, Marie Laure Rosso, Jean Roux, and Adama Tall, Atlas de la peste à Madagascar (Paris: Institut de Recherche pour le Développement, Institut Pasteur, Agence Universitaire de la Francophonie, 2006).

  16. 16.

    Brygoo, E.-R. ‘Epidemiologie de la peste à Madagascar’, Archives de l’Institut Pasteur de Madagascar 35 (1966): 1–219.

  17. 17.

    Esoavelomandroso, ‘Résistance à la médecine en situation coloniale’, p. 177.

  18. 18.

    Genese Marie Sodikoff, ‘Zoonotic Semiotics: Plague Narratives and Vanishing Signs in Madagascar’, Medical Anthropology Quarterly 33, no. 1 (2019): 42–59; B. Ramasindrazana, V. Andrianaivoarimanana, J.M. Rakotodramanga, D.N. Birsell, M. Ratsitorahina, and M. Rajerison, ‘Penumonic Plague Transmission, Moramanga, Madagascar, 2015’, Emerging Infectious Diseases 23 (2017): 521–524.

  19. 19.

    Richard Vokes discusses how AIDS patients in Uganda in the 1990s created photo albums of themselves in their last days as a means of conveying agency and affecting their social worlds: Richard Vokes, ‘On Ancestral Self-Fashioning: Photography in the Time of AIDS’, Visual Anthropology 21, no. 4 (2008): 345–363.

  20. 20.

    Maurice Bloch, Placing the Dead: Tombs, Ancestral Villages, and Kinship Organization in Madagascar (Long Grove, IL: Waveland Press Inc., 1993); David Graeber, ‘Dancing with Corpses Reconsidered: An Interpretation of Famadihana (in Arivonimamo, Madagascar)’, American Ethnologist 22 (1995): 258–278; Pier Larson, ‘Austronesian Mortuary Ritual in History: Transformations of Secondary Burial (Famadihana) in Highland Madagascar’, Ethnohistory 48, no. 1–2 (2001): 123–155.

  21. 21.

    Christos Lynteris and Nicholas H.A. Evans 2018. ‘Introduction: The Challenge of the Epidemic Corpse’. In Christos Lynteris and Nicholas H.A. Evans (eds), Histories of Post-Mortem Contagion: Infectious Corpses and Contested Burials, pp. 1–25. (London: Palgrave Macmillan, 2018).

  22. 22.

    Today, scientists at the Pasteur Institute of Madagascar are preparing to begin an experiment that will test whether and how long plague bacteria can survive underground in rat corpses in order to understand the pathogen’s dormant risk in the environment (Dr Minoarisoa Rajerison, Head of the Plague Unit, Institute Pasteur de Madagascar, personal communication, August 2019).

  23. 23.

    In her semeiotic analysis of Malagasy tombs, graves, landscapes, and ruins, Zoë Crossland discusses the concept of ‘presence’ in the work of archaeology, entailing the interpretation and interplay of material signs at different temporal registers. Zoë Crossland, Ancestral Encounters in Highland Madagascar: Material Signs and Traces of the Dead (Cambridge: Cambridge University Press, 2014), p. 179.

  24. 24.

    Elizabeth Edwards, ‘Anthropology and Photography: A Long History of Knowledge and Affect’, Photographies 8, no. 3 (2015): 235–252.

  25. 25.

    Georges Bataille, ‘Concerning the Accounts Given by the Residents of Hiroshima’. In Cathy Caruth (ed.) Trauma: Explorations in Memory, pp. 221–235 (Baltimore: The Johns Hopkins University Press, 1995), p. 229.

  26. 26.

    Zoë Crossland, Ancestral Encounters in Highland Madagascar, 179.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Genese Marie Sodikoff .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Sodikoff, G.M., Rasolonomenjanahary, Z.R.D. (2021). Ethnographic Images of the Plague: Outbreak and the Landscape of Memory in Madagascar. In: Lynteris, C. (eds) Plague Image and Imagination from Medieval to Modern Times. Medicine and Biomedical Sciences in Modern History. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-72304-0_10

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-72304-0_10

  • Published:

  • Publisher Name: Palgrave Macmillan, Cham

  • Print ISBN: 978-3-030-72303-3

  • Online ISBN: 978-3-030-72304-0

  • eBook Packages: HistoryHistory (R0)

Publish with us

Policies and ethics