Abstract
A body of research on soap operas and audiences of women set stage for feminist scholarship on television in the backdrop of the second-wave feminist movement in the 1970s. Since then, this scholarship has continued to grow with diverse studies of soap operas and audiences of women across the world. This chapter in Soap Operas, Gender and the Sri Lankan Diaspora situates a home-grown Sri Lankan soap opera genre known as ‘mega-teledramas’ and their female audiences across global cultural flows of migration and mobility. The production, reception and circulation of mega teledramas are examined, conducting ethnographic fieldwork in Colombo, Sri Lanka, and Melbourne, Australia, with audiences of women in national and diasporic contexts. This chapter traverses the intersections of gender, media and migration by particularly examining how gendered nationalist meanings act as cultural capital for the construction of female characters in soap operas and their audience interpretations.
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Notes
- 1.
The civil war lasted between 1983 and 2009 in Sri Lanka. Ethnocentric tensions between majority Sinhalese and minority Tamils transformed into violent civic acts through ethnic riots against the Tamils and retaliations against government military. The Tamil liberation fighters Liberation Tigers of Tamil Eelam (LTTE) demanded a separate state along the north-east part of the island, while the government forces fought to sustain a unitary state. In 2009, a government military offensive crushed the rebels, killing their leader, marking the end of the conflict. The 21 million population in Sri Lanka contains 75 per cent Sinhalese, 11 per cent Tamil and 9 per cent Muslim composition.
- 2.
Transliterations of Sinhalese soap opera titles.
- 3.
- 4.
BBC News. 2015. Organisers of Iglesias Sri Lanka gig ‘should be whipped’. BBC. https://www.bbc.com/news/world-asia-35186892. Accessed 22 October 2019.
- 5.
Ruwanpathirana, Thyagi. 2017. Three years since Aluthgama: hopes for co-existence remain more elusive than ever. Groundviews. https://groundviews.org/2017/06/15/three-years-since-aluthgama-hopes-for-co-existence-remain-more-elusive-than-ever/. Accessed 22 October 2019.
- 6.
See Schonthal and Walton (2016).
- 7.
Jeyaraj, DBS. 2018. ‘Wanda pethi’, ‘Digakalliya’ and the violence in Amapara. Daily FT. http://www.ft.lk/columns/Wanda-Pethi-Digakalliya-and-the-violence-in-Ampara/4-651431. Accessed 24 October 2020.
- 8.
Sri Lanka was colonised by the Portuguese from 1505 to 1656, the Dutch from 1656 to 1802 and the British from 1815 to 1948.
- 9.
See Brunsdon (1997: 9–11) for a discussion on how the ‘metaphorical significance’ of Crossroads in the 1970s, deemed as low-brow television in British culture, made way to the defence of soap operas in her essay, along with Hobson (1982). Brunsdon discusses why she chose Godard films as an example to point out about the importance of cultural capital in soap operas, mainly responding to critical film appreciations of avant-garde cinema in Screen magazine.
- 10.
Museum Victoria. 2013. History of immigration from Sri Lanka. http://museumvictoria.com.au/origins/history.aspx?pid=58. Accessed 4 April 2015.
- 11.
Cooper, Hayden. 2013. Asylum seeker ‘enhanced screenings’ dangerous: former official’. https://www.abc.net.au/news/2013-06-10/asylum-seeker-enhanced-screenings-dangerous-former-official-says/4744628. Accessed 17 November 2020.
- 12.
See McRobbie (2000: 259–260) for a discussion on interviewing cultural workers and how their attempts for self-promotion are important forms of analysis.
- 13.
See my latter work on digital journalism and feminism in the project Women Talk https://womentalksl.wordpress.com/. (Gamage 2017). Accessed 13 January 2021.
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Gamage, S. (2021). Introduction. In: Soap Operas, Gender and the Sri Lankan Diaspora. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-70632-6_1
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