Abstract
This chapter explores how algorithms produce aesthetic forms and dystopian configurations across Palestinian cyber and digital spaces. Through surveillance and erasure, algorithms operate as infrastructures of (in)visibility across social media and digital maps. While serving the Israeli system of control by making Palestinian users and contents hyper-visible to surveillance, algorithms ultimately purport to delete Palestine from cyber and digital spaces. Acting at the threshold of the (in)visible, algorithms do not only enact surveillance, but they also inform the creation of an aesthetics of disappearance. In this light, this chapter problematizes the normative assumption equating invisibility—in the form of masking or disconnection—to freedom and emancipation by introducing the concept of aesthetics by algorithms as new canon and form of ordering of the colonial space.
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Cristiano, F., Distretti, E. (2021). Toward an Aesthetics by Algorithms—Palestinian Cyber and Digital Spaces at the Threshold of (In)visibility. In: Della Ratta, D., Lovink, G., Numerico, T., Sarram, P. (eds) The Aesthetics and Politics of the Online Self. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-65497-9_10
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