The Afterlife of Anne Boleyn pp 131-151 | Cite as
Anne Boleyn on the Nineteenth-Century Stage
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Abstract
The Victorian theatre was the mass entertainment of its day, and Anne Boleyn’s story was a popular subject, appearing in forms from the melodrama to the burlesque. The Anne of many of these plays is virtuous and faultless, the perfect heroine of Victorian melodrama. The nineteenth century also saw a return to an emphasis on religion, with Henry Hart Milman’s Anne Boleyn: A Dramatic Poem presenting Anne as a saintly Protestant martyr. However, others, such as George Boker’s Anne Boleyn: A Tragedy, represent a far more active and intelligent, if flawed, Anne. Anna Dickinson’s play A Crown of Thorns would also be the first text to posit that Cromwell was always hostile to Anne due to his loyalty to Cardinal Wolsey, anticipating Hilary Mantel’s Wolf Hall.
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