Abstract
While the Indian and Pakistani governments engage in monumental and ceremonial commemoration of their independence from the British, neither government officially memorializes the traumatic experiences and human loss of the division of British India into the two new nations in 1947. This chapter investigates the absence of Partition memorials and how global South Asian communities are producing virtual memory initiatives modeled on Holocaust commemoration to confront their fear of erasure. It juxtaposes the development of new digital oral history projects by South Asian diaspora communities and formal recognition (and the absence thereof) at physical sites of Partition memory in both India and Pakistan. The absence of formal commemoration of Partition remains conspicuous. Since memorials are both “sites of memory” and “sites of mourning,” the lay public has intervened (Nora 1989; Winter, 1995). Digital media allow them to circumvent the involvement or support of the state. In the absence of official commemoration, transnational communities are asserting ownership over these experiences and developing initiatives to ensure their remembrance.
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Notes
- 1.
The horror and brutality of these train attacks have become an iconic reference point in cinema and literary works grappling with Partition, one of the best known being Khushwant Singh’s novel 1956 Train to Pakistan.
- 2.
Jammu-Kashmir is the primary exception to this rule of postcolonial military conflict between India and Pakistan. For insight into the way the experience of violence permeates life in the disputed territory, see Robinson (2013).
- 3.
The name Teen Murti literally means ‘three statues’ and refers to three bronze soldiers standing sentinel around a monumental stone pillar, honouring the contributions and sacrifices of Indian Army soldiers during World War I on behalf of the Allies.
- 4.
Author visit to Teen Murti, Gandhi Smriti, and Sabarmati Ashram, 2012 and 2013.
- 5.
- 6.
Author visit to Purana Qila and Humayan’s Tomb 2013.
- 7.
Author visit to Lahore Museum 2014.
- 8.
Interview by author at the Lahore office of Citizens Archive Pakistan October 13, 2014.
- 9.
Conversation with Furrukh Khan, professor of Postcolonial Studies at Lahore University of Management Sciences, September 9, 2014.
- 10.
A similar project by CAP on the 1971 war, in which East Pakistan seceded and became independent Bangladesh, acknowledges political and personal cleavages reminiscent of 1947.
- 11.
Visit to Lahore office of Citizens Archive Pakistan October 13, 2014 (Perlman 2011).
- 12.
Parts of the museum technically opened in October 2016, but the grand opening of all of its galleries was not until August 2017.
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Utne, K.J. (2021). The Commemorative Continuum of Partition Violence. In: Otele, O., Gandolfo, L., Galai, Y. (eds) Post-Conflict Memorialization. Memory Politics and Transitional Justice. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-54887-2_8
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