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Where Extremes Meet: Hugh MacDiarmid in the Period After World War One

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Minority Language Writers in the Wake of World War One

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Abstract

In 1922 Christopher Murray Grieve adopted the pen name ‘Hugh MacDiarmid’. The writer who had consistently condemned the use of Scots became the best-known Scots poet of the twentieth century. He had been stationed in Greece and France during the First World War and came home determined to rescue the Scots language. Instead of lamenting its past glories and acquiescing in its decline, he resolved to find new ways to use it.

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Notes

  1. 1.

    David Lloyd George’s phrase from a speech given at Wolverhampton on 23 November 1918.

  2. 2.

    MacDiarmid (2008, l. 2650), ‘tak’ it to avizandum’ can be explained as ‘defer decision’, take time to consider one’s judgement.

  3. 3.

    John MacCormick’s Dùn-Àluinn, no, an t-Oighre’na Dhiobarach (Dunaline or the Banished Heir), 1912, Angus Robertson’s An t-Ogha Mór (The Great Grandchild), 1913 and James Macleod’s Cailin Sgiathanach (Skye Girl), 1923.

  4. 4.

    Fionn Mac Colla is the pen name of Thomas Douglas MacDonald (1906–1975); cf. Bold (1984, 566) as regards MacDiarmid’s appreciation.

  5. 5.

    PEN: Poets, Playwrights, Editors, Essayists, Novelists. PEN International is a worldwide association of writers, founded in London in 1921.

  6. 6.

    From: Josef Svatopluk Machar, ‘Golgotha’ (1902), published in translation in Coterie: A Quarterly, Art, Prose and Poetry, 1920–1921, Nos. 6 and 7, 97–99.

  7. 7.

    The abbreviated form ‘Hugh M’Diarmid’ was used in the 1920s; ‘Hugh MacDiarmid’, the pseudonym by which he is now commonly known, in the 1930s.

  8. 8.

    A radio journal, founded by the Scottish novelist Compton Mackenzie.

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Krol, J. (2020). Where Extremes Meet: Hugh MacDiarmid in the Period After World War One. In: Minority Language Writers in the Wake of World War One. Palgrave Studies in Minority Languages and Communities. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-52040-3_4

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