Abstract
In this chapter, we discuss music programmes where the primary mission is to use music as a vehicle for fostering social change. We discuss the contexts for such programmes, as well as the characteristics and processes of facilitation and learning that can foster manifold learning and in turn influence musical possible selves. We consider a range of vulnerable groups, including children with profound and multiple learning disabilities, young people and adults in the criminal justice system, refugee communities and underserved communities where Sistema-inspired programmes have emerged.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Arts Council England. (2012). In Harmony commissioned grant guidance for applicants. Retrieved from http://www.artscouncil.org.uk/media/uploads/pdf/In_Harmony_commissioned_grant_guidance_final.pdf
Baker, G. (2014). El Sistema: Orchestrating Venezuela’s youth. Oxford University Press.
Baker, G., & Frega, A. L. (2018). ‘Producing musicians like sausages’: New perspectives on the history and historiography of Venezuela’s El Sistema. Music Education Research, 20(4), 502–516.
Barrett, M., & Baker, J. (2012). Developing learning identities in and through music: A case study of the outcomes of a music programme in an Australian juvenile detention centre. International Journal of Music Education, 30(3), 244–259.
Bergman, A., Lindgren, M., & Saether, E. (2016). Struggling for integration: Universalist and separatist discourses within El Sistema Sweden. Music Education Research, 18(4), 364–375.
Borchert, G. (2012). Sistema Scotland: A critical inquiry into the implementation of the El Sistema model in Raploch. Unpublished M Mus thesis, University of Glasgow. Retrieved from http://theses.gla.ac.uk/4044/
Boucher, M., & Creech, A. (in press). The role of formative and summative assessment in music learning and participation. In A. Creech, D. Hodges, & S. Hallam (Eds.), Routledge international handbook of music psychology in education and the community (Chap. 24). Routledge.
Bull, A. (2016). El Sistema as a bourgeois social project: Class, gender, and Victorian values. Action, Criticism, and Theory for Music Education, 15(1), 120–153. Retrieved from http://act.maydaygroup.org/articles/Bull15_1.pdf
Burns, S. (2019). In Harmony Liverpool: 2009–2019—Reflections on ten years of learning. Liverpool Philharmonic with in Harmony UK. Retrieved from https://www.liverpoolphil.com/media/232814/10-years-of-learning-in-harmony-liverpool-january-2019.pdf
Burton, J., Horowitz, R., & Abeles, H. (1999). Learning in and through the arts: Curriculum implications. In E. B. Fiske (Ed.), Champions of change (pp. 50–61). Washington, DC: President’s Committee on the Arts and the Humanities.
Cohen, M., & Duncan, S. P. (2015). Behind different walls—Restorative justice, transformative justice, and their relationship to music education. In C. Benedict, P. Schmidt, G. Spruce, & P. Woodford (Eds.), The Oxford handbook of social justice in music education (pp. 554–566). Oxford: Oxford University Press.
Creech, A., Fairbanks, S., Gonzalez-Moreno, P., Lorenzino, L., Sandoval, E., & Waitman, G. (2016). El Sistema and Sistema-inspired programmes: A literature review of research, evaluation, and critical debates. Sistema Global. Retrieved from http://www.artshealthresources.org.uk/docs/el-sistema-and-sistema-inspired-programmes-a-literature-review-of-research-evaluation-and-critical-debates/
Digard, L., Grafin von Sponeck, A., & Liebling, A. (2007). All together now: The therapeutic potential of a prison-based music programme. The Prison Service Journal, 170, 3–14.
Freer, P. K. (2009). ‘I’ll sing with my buddies’—Fostering the possible selves of male choral singers. International Journal of Music Education, 27(4), 341–355. https://doi.org/10.1177/0255761409345918
Hallam, S. (2015). The power of music. London: UCL Institute of Education for the Music Education Council.
Henley, J. (2015). Musical learning and desistance from crime: The case of ‘Good Vibrations’ Javanese gamelan project with young offenders. Music Education Research, 17(1), 103–120.
Henley, J., Caulfield, L., Wilson, D., & Wilkinson, D. (2012). Good vibrations: Positive change through social music making. Music Education Research, 14(4), 499–520.
Heron, J. (1999). The complete facilitator’s handbook. Kogan Page Ltd.
Hickey, M. (2015). Music education and the invisible youth—A summary of research and practices of music education for youth in detention centres. In C. Benedict, P. Schmidt, G. Spruce, & P. Woodford (Eds.), The Oxford handbook of social justice in music education (pp. 598–613). Oxford: Oxford University Press.
Keys of Change. (n.d.). Can music change the world? We believe it can. Retrieved from https://www.keysofchange.org/education
Laes, T., & Westerlund, H. (2017). Performing disability in music teacher education: Moving beyond inclusion through expanded professionalism. International Journal of Music Education, 36(1), 34–46. https://doi.org/10.1177/0255761417703782
Majno, M. (2012). From the model of El Sistema in Venezuela to current applications: Learning and integration through collective music education. Annals of the New York Academy of Sciences, 1252, 56–64.
Marsh, K. (2015). Music, social justice, and social inclusion: The role of collaborative music activities in supporting young refugees and newly arrived immigrants in Australia. In C. Benedict, P. Schmidt, G. Spruce, & P. Woodford (Eds.), The Oxford handbook of social justice in music education (pp. 173–189). Oxford: Oxford University Press.
Mullen, P., & Deane, K. (2018). Strategic working with children in challenging circumstances. In B.-L. Bartleet & L. Higgins (Eds.), The Oxford handbook of community music (pp. 177–194). Oxford: Oxford University Press.
Osborne, M., McPherson, G., Faulkner, R., Davidson, J., & Barrett, M. (2016). Exploring the academic and psychosocial impact of El Sistema-inspired music programs within two low socio-economic schools. Music Education Research, 18(2), 156–175.
Prison Reform Trust. (2003). Time to learn: Prisoners views on prison education. Retrieved from http://prisonerreformtrust.org.uk/Portals/0/Documents/Time_to_LearnBook.pdf.
Rimmer, M. (2018). Harmony or Discord? Understanding children’s valuations of a sistema-inspired initiative. British Journal of Music Education, 35(1), 43–55.
Roy, M., Devroop, K., & Getz, L. (2015). Improvement in South African students’ outlook due to music involvement. Music Education Research, 17(4), 465–479.
Silberman, L. (2013). Globalizing El Sistema: Exploring the growth and development of El Sistema inspired programs around the world. Unpublished thesis, M Arts (Arts Management), University of Oregon.
Uy, M. (2012). Venezuela’s national music education programme El Sistema: Its interactions with society and its participants’ engagement in praxis. Music & Arts in Action, 4(1), 5–21.
Varvarigou, M. (2018). Group playing by ear from recordings as a vehicle for the social inclusion of disadvantaged youth. Erasmus + KA2 STAMP Project, 1–12. Retrieved from https://stamp-music.org/wp-content/uploads/2018/12/Maria-Varvarigou-%C3%ADr%C3%A1sa.pdf
Veblen, K. (2007). The many ways of community music. International Journal of Community Music, 1(1), 5–21. https://doi.org/10.1386/ijcm.1.1.5_1
Youth Music. (2008). At risk policy. Retrieved from http://www.youthmusic.org.uk/At_risk/At_risk_policy.jsp
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Creech, A., Varvarigou, M., Hallam, S. (2020). Supporting Musical Possible Selves in Programmes With Social Aims. In: Contexts for Music Learning and Participation. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-48262-6_8
Download citation
DOI: https://doi.org/10.1007/978-3-030-48262-6_8
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-48261-9
Online ISBN: 978-3-030-48262-6
eBook Packages: EducationEducation (R0)