Abstract
This chapter engages contemporary theories of biopower to track the literary participation in the politicization of life as a primary object of state management. Foucault outlines a shift in the late nineteenth and early twentieth centuries to an “anatamo-politics of the human body” and a “biopolitics of the population” that brought life and death in relation to state control to the fore. The fiction of this period shows the uptake of the regulatory concept of life as a delimiting discourse. But plots in which suicide functions as both a sustaining fantasy and a narrative strategy offer an equally powerful narrative refusal of the medical and state mandates for the extension of life. This essay considers how Edith Wharton’s Ethan Frome (1911) and Lynda Barry’s Cruddy (1999), which, spanning the length of the twentieth century, act as genealogical nodes through which we might view the twenty-first century’s inheritance of biopolitics. Both depict self-annihilation as a challenge to the slow violence of the present, imagining suicide not as the result of individual mental decline or depressive pathology, but as giving voice to the pressing question of how one can wrest a mode of living from the negations of contemporary life.
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Seitler, D. (2020). I’m Dying to!: Biopolitics, Suicide Plots, and the Ecstasy of Withdrawal. In: Ahuja, N., et al. The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Palgrave Handbooks of Literature and Science. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-48244-2_8
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