Abstract
Banco provides analysis of visual representations of the Manhattan Project, of atomic scientists, and of nuclear knowledge in a series of comic books and graphic narratives. Focusing on factual, historical depictions of Manhattan Project physicists such as J. Robert Oppenheimer and on the science of nuclear weapons, this chapter briefly examines early comic books from the 1940s and then provides lengthier analyses of more recent graphic narratives by Jim Ottaviani, Jonathan Fetter-Vorm, and others. This chapter argues that paying close attention to strategies of visual representation can reveal how nuclear narratives are created, disseminated, and understood, as well as how knowledge of nuclear science is conceived and circulated.
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Acknowledgements
My sincere thanks to Susan Gaines of the Fiction Meets Science research group, who organized an outstanding meeting—Narrating Science: The Power of Stories in the twenty-first Century—in Toronto in 2017. The participants at that meeting, including Catherine Bush, David K. Hecht, David A Kirby, and Joanna Radin, were a delight to hear from and talk to. Special thanks to Priscilla Wald, a formative intellectual influence for me, who also turned out to be an ideal conference participant and one of the kindest, most generous academics I have ever met.
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Banco, L.M. (2020). Graphic Bombs: Scientific Knowledge and the Manhattan Project in Comic Books. In: Ahuja, N., et al. The Palgrave Handbook of Twentieth and Twenty-First Century Literature and Science. Palgrave Handbooks of Literature and Science. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-48244-2_33
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