Abstract
This chapter is a brief review of romantic love and its cultural referents in both Chinese and Western contexts, stressing the values of examining the national and collective beliefs surrounding romantic relationships in contemporary Chinese media and cultural discourse.
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Notes
- 1.
Coined by Joseph Nye in the 1980s, the term “soft power” refers to “the ability to get what you want through attraction than coercion” (Nye 2004, x). Unlike hard powers, such as direct military and economic coercion, soft power aims at shaping long-term preferences and attitudes. Nye’s argument about soft power, according to Cao Qing (2011), provides a new ideological guideline for the Chinese Communist Party (CCP) to develop its own foreign and domestic policy. Cao argues, with much detail and evidence from Chinese media, that soft power “constructs fresh political identities underpinned partially by traditional values and envisages the revival of a cultural China that the nation has long aspired to, since European colonial encroachments centuries ago.” Popular media undoubtedly is part of and contributes to the rhetoric of soft power in the CCP’s domestic policy.
- 2.
Ding Ling (1904–1986) changed her focus of writing in Mao’s China. Although her early writing, such as Miss Sophia’s Diary (1927), expressed her views on gender and love, The Sun Shines over Sanggan River, written in 1948, focuses on land reform in a rural village. This novel is considered one of the best socialist-realist fictions and won the Stalin Prize for Literature in 1951. Ding Ling’s writing in Mao’s China followed Mao’s opinion, “literature should serve politics.”
- 3.
Dr. Jin Feng (2013) has insightfully examined the impact of Qiong Yao and her writings on readers’ definition and interpretation of romantic love. Qiong Yao emphasizes the superiority of heterosexual romantic relationship over other “traditional relationships” such as brothers and parents while recognizing these relationships’ influences and interactions with the romance.
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Wen, H. (2020). Introduction: Sampling Love—Romance and Television in Post-socialist China. In: Romance in Post-Socialist Chinese Television. East Asian Popular Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-47729-5_1
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