Abstract
In the conclusions I collect and summarise some of the findings of the book, and put them in a wider historical perspective. I compare two important books with my own results, one published during the pre-crisis boom years, Screening Europe: Image and Identity in Contemporary European Cinema (1992), and one published in 2019, Thomas Elsaesser’s European Cinema and Continental Philosophy. The differences and similarities between these two comprehensive volumes help me point out the novelties of my own work, and serve as a background for my provisional ideas about the direction European quality cinema may be going.
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Works Cited
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Elsaesser, Thomas. 2019. European Cinema and Continental Philosophy: Film As Thought Experiment. Bloomsbury Academic.
Petrie, Duncan, ed. 1992. Screening Europe: Image and Identity in Contemporary European Cinema. British Film Institute.
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Kalmár, G. (2020). Conclusions. In: Post-Crisis European Cinema. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-45035-9_8
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DOI: https://doi.org/10.1007/978-3-030-45035-9_8
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