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Primitive Interaction Design Examples

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Primitive Interaction Design

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Abstract

In this chapter we present two examples of primitive interaction design in action. The first illustrates several of the principles that we have discussed earlier in the book: the use of myth as inspiration, unconscious (embodied) interaction, and designing for specific emotions. In the second, morphogenetic prototyping is introduced as a practical primitive design method for actively exploring interaction possibilities. In the application of this method, a particular kind of conceptual space is created, one in which the designer can easily draw parallels between, for example, architecture, biology and everyday life. This can be used to generate a field of interaction objects and gestures. By mapping the gestures to meanings and functions within the scope of, in this example, architecture and biology, a set of actions for a designed virtual space is created.

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Notes

  1. 1.

    The Exploratorium was created by members of the Interactive Institute Tools studio, including Sandra Olsson, Eva Lindh Waterworth, Kalle Jalkanen and Markus Häggqvist, assisted by other partners in the EMMA project, funded by the EU.

  2. 2.

    The AgileX project was funded by the University of South Australia’s Research Themes Investment Scheme. The AgileX project team (listed in random order): Tim McGinley, Brett Abroe, Linus Tan, Dianela Mitteberger, Tiziano Derme, Manuel Muehlbauer, Prof Simon Biggs, James Wilson, Daish Malani, Dr Kei Hoshi, Shane Haddy, Thomas Kuys, Gwilyn Saunders, Kelly Carpenter, Timothy Tuppence, Clare Timpani, Conor Mannering, William Mount, Andrew Lymn-Penning, Roxane Adams, Mark Langman, Fraser Murison.

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Correspondence to Kei Hoshi .

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Hoshi, K., Waterworth, J. (2020). Primitive Interaction Design Examples. In: Primitive Interaction Design. Human–Computer Interaction Series. Springer, Cham. https://doi.org/10.1007/978-3-030-42954-6_8

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  • DOI: https://doi.org/10.1007/978-3-030-42954-6_8

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  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-42953-9

  • Online ISBN: 978-3-030-42954-6

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