Abstract
The stage itself is a vital resonant body for the orchestra, in particular for instruments like cello and double bass which make a direct contact via their endpin. The analytical mathematics for the stage vibration would be prohibitively complex, so we are left relying on the trials and errors of previous experiences. In this way the development of the stage is much like the original development of the musical instruments themselves.
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Toyota, Y., Komoda, M., Beckmann, D., Quiquerez, M., Bergal, E. (2020). Stage Structure. In: Concert Halls by Nagata Acoustics . Springer, Cham. https://doi.org/10.1007/978-3-030-42450-3_47
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DOI: https://doi.org/10.1007/978-3-030-42450-3_47
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