Abstract
This paper focuses on a very controversial symbol to be observed pretty often in Achaemenid art, the winged disk surmounted by a human bust also called “winged Genius”. Despite its origins to be individuated in ancient Egyptian solar prototypes, this element was adapted in Achaemenid art through Urartu and Assyria. In this author’s opinion, the solar disk with human bust probably pointed at a representation of the main deity of the Zoroastrian pantheon Ahura Mazda. Its later adaptations can be observed in post-Achaemenid art such as in the coinage of the kings of Persis. It was possibly transformed in a successive phase in the spread wings motif to be found sometimes on Sasanian crowns as a pedestal exalting astronomical symbols.
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Notes
- 1.
See: Catalogue London, 2005: cat. 203; Dusinberre (2005: 91, Fig. 6).
- 2.
- 3.
See: Shenkar (2014). It is worth remembering that at Naqsh-i Rustam there are also four Achaemenid tombs. Several Sasanians rock reliefs were carved just under those tombs that could have also inspired more than one generation of Persian artists. No divine busts but just royal busts sometimes appear above spread wings usually in the shape of vegetal elements: Harper (2006: 77–81).
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Compareti, M. (2020). Contributions for the Identification of the Human Bust on a Winged Disc in Iranian Arts. In: Niknami, KA., Hozhabri, A. (eds) Archaeology of Iran in the Historical Period. University of Tehran Science and Humanities Series. Springer, Cham. https://doi.org/10.1007/978-3-030-41776-5_13
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