Abstract
This chapter focuses on the mix of political criticism and spectacular, mythical landscapes in the Swedish Arctic crime series Midnatssol (Midnight Sun, 2016–). Arctic noir not only adapts the double premises that characterize Nordic noir and Scandinavian crime fiction in general, the combination of a public-interest narrative thread, often political, with a crime investigation. It also demonstrates a triple premise including (a) the crime plot and its setting, (b) the political, critical, societal “plot,” and (c) the cinematic landscape. I analyze the landscapes in the series and link them to the idea of the Arctic sublime in art and cultural history. The article asks whether the distinct premises and gazes in Arctic noir support and reinforce each other or, perhaps instead, compete and conflict with each other.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Agger, Gunhild. 2016. “Nordic Noir—Location Identity and Emotion.” In Emotions in Contemporary TV Series, edited by A. Garcia, 134–152. Basingstoke: Palgrave Macmillan.
Agger, Gunhild, and Anne Marit Waade. 2010. “Media and Crime: Fiction and Journalism.” Special issue, Northern Lights: Film and Media Studies 9 (1): 2–7.
Agger, Gunhild, and Kim Toft Hansen. 2015. Is og kulde I de nordiske krimier [Online article]. Litteratursiden, January 15. http://www.litteratursiden.dk/artikler/og-kulde-i-den-nordiske-krimi.
Bergman, Kerstin. 2014. Swedish Crime Fiction: The Making of Nordic Noir. Milano and Udine: Mimesis.
Bordwell, David. 1997. Narration in the Fiction Film. London: Routledge (First edition 1985).
Bruhn, Jørgen, Anne Gjelsvik, and Erik F. Hanssen. 2013. Adaptation Studies: New Challenges, New Directions. London: Bloomsbury Publishing.
Cosgrove, David. 1998. Social Formation and Symbolic Landscapes. Madison: University of Wisconsin Press.
Grant, Shelagh D. 1998. “Arctic Wilderness—And Other Mythologies.” Journals of Canadian Studies 32 (2) (Summer): 27–42.
Hansen, Kim Toft, and Anne Marit Waade. 2017. Locating Nordic Noir: From Beck to the Bridge. Basingstoke: Palgrave Macmillan.
Hansson, Heidi, and Anka Ryall. 2017. Arctic Modernities: The Environmental, the Exotic and the Everyday. Newcastle upon Tyne: Cambridge Scholars Publishing.
Huggan, Graham. 2016. “From Arctic Dreams to Nightmares (and Back Again): Apocalyptic Thought and Planetary Consciousness in Three Contemporary American Environmentalist Texts.” ISLE: Interdisciplinary Studies in Literature and Environment 23.1 (Winter): 71–91. https://doi.org/10.1093/isle/isw014.
Jensen, Pia Majbritt. 2016. “Global Impact of Danish Drama Series: A Peripheral, Non-commercial Creative Counter-flow.” Kosmorama 263. http://www.kosmorama.org/ServiceMenu/05-English/Articles/Global-Impact-of-Danish-Drama-Series.aspx. Accessed February 17, 2017.
Jensen, Pia Majbritt, and Anne Marit Waade. 2013. “Nordic Noir Challenging the ‘Language of Advantage’: Setting, Light and Language as Production Values in Danish Television Series.” Journal of Popular Television 1 (2): 259–265.
Lefebvre, Martin. 2006. “Between Setting and Landscape in the Cinema.” In Landscape and Film, edited by Martin Lefebvre, 19–60. London: Routledge.
Loftsdóttir, Krístin, Katla Kjartansdóttir, and Katrin Anna Lund. 2017. “Trapped in Clichés: Masculinity, Films, and Tourism in Iceland.” Gender, Place, & Culture: A Journal of Feminist Geography 24 (9): 1225–1242.
Mitchell, William John Thomas. 1994. “Imperial Landscape.” In Landscape and Power, edited by Mitchell. W. J. T. Chicago: University of Chicago Press.
Morgan, Benjamin. 2016. “After the Arctic Sublime.” New Literary History 47 (1) (Winter): 1–26. https://doi.org/10.1353/nlh.2016.0000.
Nestingen, Andrew. 2008. Crime and Fantasy in Scandinavia: Fiction, Film, and Social Change. Seattle and London: University of Washington Press and Copenhagen: Museum Tusculanum Press.
Nilsson, Louise. 2016. “Mediating the North in Crime Fiction: Merging the Vernacular Place with a Cosmopolitan Imaginary.” Journal of World Literature 1: 538–554. https://doi.org/10.1163/24056480-00104007.
Peacock, Stephen. 2014. Swedish Crime Fiction: Novels, Television, Film. Manchester: Manchester University Press.
Potter, Russell A. 2007. Arctic Spectacles: The Frozen North in Visual Culture, 1818–1875. Seattle: University of Washington Press.
Redvall, Eva N. 2013. Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. Basingstoke and New York: Palgrave Macmillan.
Roberts, Les. 2016. “Landscapes in the Frame: Exploring the Hinterlands of the British Procedural Drama.” New Review of Film and Television Studies 14 (3): 364–385.
Saunders, Robert A. 2017. “Small Screen IR: A Tentative Typology of Geopolitical Television.” Geopolitics. Available at: https://www.tandfonline.com/doi/full/10.1080/14650045.2017.1389719.
Shadian, Jessica M. 2013. “The Arctic Gaze: Redefining the Boundaries of the Nordic Region.” In Science, Geopolitics and Culture in the Polar Region: Norden Beyond Borders, edited by Sverker Sörlin, 259–289. London: Routledge.
Stougaard-Nielsen, Jakob. 2017. Scandinavian Crime Fiction. London: Bloomsbury Academic.
StudioCanal. 2016. Press Kit. StudioCanal TV, Canal+ Group.
Syvertsen, Trine, Gunn Enli, Ole Mjøs, and Hallvard Moe. 2014. The Media Welfare State: Nordic Media in the Digital Era. Ann Arbor: The University of Michigan Press.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Waade, A.M. (2020). Arctic Noir on Screen: Midnight Sun (2016–) as a Mix of Geopolitical Criticism and Spectacular, Mythical Landscapes. In: Badley, L., Nestingen, A., Seppälä, J. (eds) Nordic Noir, Adaptation, Appropriation. Palgrave Studies in Adaptation and Visual Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-38658-0_3
Download citation
DOI: https://doi.org/10.1007/978-3-030-38658-0_3
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-38657-3
Online ISBN: 978-3-030-38658-0
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)