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Poetry Slams and Brasília’s Legacy of Verse Competitions

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The Art of Brasília

Part of the book series: New Directions in Latino American Cultures ((NDLAC))

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Abstract

This chapter posits that, since 2015, Brasília’s minority poets have asserted their creative right to the city via poetry slams. These iterant competitions affirm the rights of female, LGBTQ+ , black, and low-income residents to exist in all corners of the capital. Two other types of verse competitions, repente duels and freestyle battles, preceded poetry slams in Brasília. In all three, participants perform original verses, and the best verses, according to the audience judges, win. More generally, however, in these competitions, members of an underrepresented group collectively compete for the group’s public recognition. Since these performances use competition structures that allow the audience to vote, they transcend the hegemonic gatekeepers of artistic merit and empower local residents to judge art’s worth. Analyses of poetry slams, Meimei Bastos’s 2015 performance of her poem “Eixo,” repente duels, and freestyle battles consider poetry slams within the context of Brasília’s strong tradition of verse competitions.

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Beal, S. (2020). Poetry Slams and Brasília’s Legacy of Verse Competitions. In: The Art of Brasília. New Directions in Latino American Cultures. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-37137-1_6

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