Abstract
A relatively new sub-genre of the documentary—ecocinema—is becoming a popular form among theorists and practitioners alike. With global environmental issues like climate change constantly demanding our attention, the environmental documentary, now more commonly referred to as the eco-doc, has achieved significance in the world of activist documentary filmmaking. In addition to the production of several documentary feature films and television programmes in this category worldwide, new semiotic storytelling methods are being employed to strengthen the audience’s connection to the world they see on screen with the same world they live in off screen as a means of encouraging them to adopt behavioural change and to take action.
This is a preview of subscription content, access via your institution.
Buying options

Notes
- 1.
Heidegger, Martin. “The Origin of the Work of Art.” Off the Beaten Track, Julian Young and Kenneth Haynes, editors and translators. Cambridge: Cambridge University Press, 2002.
- 2.
Cavell, Stanley. The Worlds Viewed: Reflections on the Ontology of Film (Enlarged Edition). Cambridge, MA: Harvard University Press, 1979.
- 3.
Box Office Mojo. Accessed January 1, 2018. http://www.boxofficemojo.com/genres/chart/?id=documentary.htm.
Bibliography
Ahn, Claire. Visual Rhetoric in Environmental Documentaries. Vancouver: University of British Columbia, 2018. Print.
Cairns, Graham. The Architecture of the Screen: Essays in Cinematographic Space. Bristol: Intellect, Ltd., 2013. Print.
Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film (Enlarged Edition). Cambridge, MA: Harvard University Press, 1979. Print.
Chen, Mei-Fang. “Impact of Fear Appeals on Pro-environmental Behavior and Crucial Determinants.” International Journal of Advertising 35, no. 1 (2015). Web. Accessed July 31, 2019. https://doi.org/10.1080/02650487.2015.1101908.
Deleuze, Gilles. Cinema 1: The Movement-Image. Minneapolis: The University of Minnesota Press, 1986a. Print.
———. Cinema 2: The Time-Image. Minneapolis: The University of Minnesota Press, 1986b. Print.
Guattari, Felix. Chaosmosis: An Ethico-aesthetic Paradigm. Translated by Paul Bains and Julian Pefanis. Bloomington and Indianapolis: Indiana University Press, 1995. Print.
———. The Three Ecologies. Translated by Ian Pindar and Paul Sutton. London and New York: The Athlone Press, 2000. Print.
Heidegger, Martin. “The Origin of the Work of Art.” In Off the Beaten Track, ed. and trans. Julian Young and Kenneth Haynes. Cambridge: Cambridge University Press, 2002. Print.
Ivakhiv, Adrian J. “An Ecophilosophy of the Moving Image: Cinema as Anthrobiogeormorphic Machine.” In Ecocinema Theory and Practice, ed. Stephen Rust et al. New York and London: Routledge, 2013a. Print.
———. Ecologies of the Moving Image: Cinema, Affect, Nature. Waterloo: Wilfrid Laurier University Press, 2013b. Print.
MacDonald, Scott. “Toward an Eco-Cinema.” Interdisciplinary Studies in Literature and Environment 11, no. 2 (Summer, 2004). Print.
———. “The Ecocinema Experience.” In Ecocinema Theory and Practice, ed. Stephen Rust, Salma Monani, and Sean Cubitt. London: Routledge, 2013. Print.
Moore, Jason W. Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism. Oakland, CA: PM Press, 2016. Print.
O’Flynn, Siobhan. “Designed Experiences in Interactive Documentaries.” In Contemporary Documentary, ed. Daniel Marcus and Selmin Kara. New York: Routledge, 2016. Print.
Renov, Michael, ed. “Towards a Poetics of Documentary.” In Theorizing Documentary. Los Angeles: The American Film Institute, 1993. Print.
Rust, Stephen, Salma Monani, and Sean Cubitt, eds. Ecocinema Theory and Practice. New York and London: Routledge, 2013. Print.
Salazar, Juan Francisco. “Anticipatory Modes of Futuring Planetary Change in Documentary Film.” In A Companion to Contemporary Documentary Film, ed. Alexandra Juhasz and Alisa Lebow. Oxford: Wiley, 2015. Print.
Schwarze, Steve. “Environmental Melodrama.” Quarterly Journal of Speech 92, no. 3 (August, 2006). Print.
Seymour, Nicole. “Irony and Contemporary Ecocinema: Theorizing a New Affective Paradigm.” In Moving Environments: Affect, Emotion, Ecology, and Film, ed. Alexa Weik von Mossner. Waterloo: Wilfrid Laurier University Press, 2014. Print.
Shembel, Daria. “DJ Spooky and Dziga Vertov: Experimental Cinema Meets Digital Art in Exploring the Polar Regions.” In Films on Ice, ed. Scott MacKenzie and Anna Westerstahl Stenport. Edinburgh: Edinburgh University Press, 2016. Print.
Szerszynski, Bronislaw. “The Post-ecologist Condition: Irony as Symptom and Cure.” Environmental Politics 16, no. 2: The Politics of Unsustainability: Eco-Politics in the Post-Ecologist Era, 2007. Print.
Weik von Mossner, Alexa. “Ecocritical Film Studies and the Effects of Affect, Emotion, and Cognition.” In Moving Environments: Affect, Emotion, Ecology, and Film. Waterloo: Wilfrid Laurier University Press, 2014. Print.
Willoquet-Maricondi, Paula. Framing the World: Explorations in Ecocriticism and Film. Charlottesville and London: University of Virginia Press, 2010. Print.
Filmography
A Sixth Part of the World, Director, Dziga Vertov. Moscow: Sovkino, 1926.
Berlin: Symphony of a Metropolis, Director Walter Ruttman. Berlin: Deutsche Vereins-Film, Les Productions Fox Europa, 1927.
Chasing Coral, Director, Jeff Orlowski. Exposure Labs, 2017.
Chasing Ice, Director, Jeff Orlowski. Exposure and Diamond Docs, 2012.
Gasland, Director Josh Fox, International WOW Company, 2010.
Life After People, Director, David de Vries. Flight 33 Productions, 2008.
March of the Penguins, Director, Luc Jacquet. National Geographic Films (as National Geographic Feature Films), Bonne Pioche, Wild Bunch (in Association with), Alliance de Production Cinematographique (APC) (Co-production), Buena Vista International Film Production France (with the Participation of), Canal+ (with the Participation of), L’Institut Polare Français Paul-Émile Victor (in Association with), 2005.
Nanook of the North, Director, Robert Flaherty. Les Frères Revillon, 1922.
Racing Extinction, Director, Louie Psihoyos. Oceanic Preservation Society, 2015.
Romance of the Far Fur Country, Director, H.M. Wyckoff. London: The Hudson’s Bay Company, 1920.
South, Director, Frank Hurley (Uncredited). Australia: Ralph Minden Film, 1919.
Terra Nova: Sinfonia Antarctica, Director, Bob McGrath. Conceived and Composed by DJ Spooky/Paul D. Miller. No Production Company, 2008.
The Antarctica Challenge: A Global Warning, Director, Mark Terry. Toronto: Polar Cap Productions, Inc., 2009.
The Island President, Director, Jon Shenk. ITVS, 2012.
The Plough that Broke the Plains, Director, Pare Lorentz. Resettlement Administration, 1936.
The Polar Explorer, Director, Mark Terry. Toronto: Polar Cap Productions II, Inc., 2010.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Terry, M. (2020). Ecocinema and Semiotic Storytelling. In: The Geo-Doc. Palgrave Studies in Media and Environmental Communication. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-32508-4_4
Download citation
DOI: https://doi.org/10.1007/978-3-030-32508-4_4
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-32507-7
Online ISBN: 978-3-030-32508-4
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)