Abstract
The documentary film has seen many experimental approaches taken to its form, presentation, and technology since its inception as a social change method of persuasion. This chapter examines the seven modes of the documentary as identified by Bill Nichols along with Michael Renov’s four functions of documentary. These frequently examined theories, among others, are examined from a perspective of success in empowering the activist intentions of the social issue documentary. The methods and approaches that have proven to best serve the social change agenda of the documentary film are identified.
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Notes
- 1.
Michael Renov’s four functions of documentary practice are considered the primary purposes of documentary film, but in Chap. 4, we will examine a fifth function provided by Chilean anthropologist, documentary filmmaker, and media scholar, Juan Francisco Salazar: the Anticipatory Mode, specific to ecocinema documentary theory and practice.
- 2.
The interactive mode was added by Nichols in his Introduction to Documentary (Third Edition) published in 2017.
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Filmography
An Inconvenient Truth, Director, Davis Guggenheim. Lawrence Bender Productions, 2006.
If You Love This Planet, Director, Terre Nash. National Film Board of Canada, 1982.
Komsomol (aka Songs of Heroes), Director, Joris Ivens. Mezhrabpomfilm, 1932.
Kon Tiki, Director, Thor Heyerdahl. Artfilm, 1950.
Man with a Movie Camera, Director, Dziga Vertov. Moscow: VUFKU, 1929.
March of the Penguins, Director, Luc Jacquet. National Geographic Films (as National Geographic Feature Films), Bonne Pioche, Wild Bunch, Alliance de Production Cinematographique (APC), Buena Vista International Film Production France, Canal+, L’Institut Polare Français Paul-Émile Victor, 2005.
Misère au Borinage, Directors, Joris Ivens and Henri Storck. Social Films, 1933.
Nanook of the North, Director, Robert Flaherty. Les Frères Revillon, 1922.
New Earth, Director, Joris Ivens. Capi-Holland, 1933.
The 400 Million, Director, Joris Ivens. History Today, Inc. 1939.
The Newfoundland Project (aka The Fogo Film Project), Director, Colin Low. Montreal: National Film Board of Canada, 1967–1968.
The Spanish Earth, Director, Joris Ivens. Contemporary Historians, Inc., 1937.
The Thin Blue Line, Director, Errol Morris. Third Floor Productions, 1988.
The Things I Cannot Change, Director, Tanya Ballantyne. Montreal: National Film Board of Canada, 1967.
VTR St-Jacques, Director, Bonnie Sheer Klein. Montreal: National Film Board of Canada, 1967. Accessed September 7, 2016. https://www.nfb.ca/film/vtr_st_jacques.
Working Mothers, Director, Kathleen Shannon. Montreal: National Film Board of Canada, 1974–1975.
Yosemite: The Fate of Heaven, Director, Jon Else. No Production Company, 1989.
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Terry, M. (2020). Methods and Approaches to Documentary Influence. In: The Geo-Doc. Palgrave Studies in Media and Environmental Communication. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-32508-4_3
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