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Queering the Spectrum from Radio to Local TV

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Book cover Radio, Race, and Audible Difference in Post-1945 America
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Abstract

Gay and lesbian voices existed on a small sliver of the American airwaves in the 1970s during the same time CB radio reached its peak popularity among white Americans. In the same Los Angeles area ranked by the Federal Communications Commissions as having the highest numbers of CB radio users, and in the same time period, listeners identifying as gay or lesbian could hear similarly identified presenters speaking to them about their community. Unlike straight, mostly white voices on CB radio, however, queer voices on a small-scale volunteer-run public radio network enjoyed no representation in popular culture or in advertising. If you wanted to hear openly gay or lesbian people on the radio in 1970s America, you would have had a hard time finding them outside a show such as “IMRU.” However, if you knew how to listen and what to listen for, the audibility of queerness and of queer voices had existed for decades. In a manner similar to how black men sought out and heard each other as they tuned their CB radios to listen across long distances, gay men throughout the twentieth century tuned into a communication system “off the spectrum,” a terrestrial embodied “technology” of intonation and shared vocabulary comprising a type of insider language resonant with the connection their heterosexual contemporaries later found through CB radio. The chapter concludes with a discussion of other forms of electronic media that have offered access to public communications to marginalized communities such as public access cable television and, more recently, online social media.

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Notes

  1. 1.

    “IMRU”’s archives are housed in the ONE National Gay and Lesbian Archives, in Los Angeles, California. The Online Archive of California provides information about the collection’s scope and access. For a history of Pacifica Radio, see Matthew Lasar Pacifica Radio: The Rise of an Alternative Network (Philadelphia: Temple University Press, 2000).

  2. 2.

    These vocal traits and the use of insider language certainly existed out of necessity in the countries where the medical, religious and legal establishments had enshrined, and subsequently criminalized, the individual identity category of “homosexual” at the close of the nineteenth century: the United Kingdom and its colonies, the United States and parts of western Europe. It is beyond the scope of this book to trace similar vocal or linguistic histories beyond those areas. In the United Kingdom, the gay slang known as “polari” provided gay men with a secret language through which to identify each other and communicate safely, especially useful in the post-1945 decades of expanding gay urban communities but continued criminalization of homosexuality. For a recent depiction of polari, see https://youtu.be/Y8yEH8TZUsk.

  3. 3.

    Some linguists and other scholars were likely aware of gay men’s insider language and its purpose, though not necessarily sympathetic to its necessity as a tool of self-defense and connection, or likely to publish research on the issue. Pioneering academic lesbian-feminist linguist Julia Penelope (formerly Julia Penelope Stanley) published an academic study of gay vocabulary , “Homosexual Slang,” in American Speech Vol. 45, No. 1–2 (Spring–Summer 1970): 45–59. Stanley concluded that “homosexual slang is a conscious acquisition on the part of the speaker; it acts as a signal of membership within the group and as a method of unifying the members” (p. 55). Stanley’s glossary at the end of the article offers a great resource from her 1960s research for scholars interested in studying the evolution of gay slang over time.

  4. 4.

    On feminine voices and gender in radio, see Christine Ehrick’s book Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–1950 (Cambridge: Cambridge University Press, 2015) and her essay “Vocal Gender and the Gendered Soundscape: At the Intersection of Gender Studies and Sound Studies,” Sounding Out! The Sound Studies Blog, February 2, 2015.

  5. 5.

    For theoretical work exploring these notions of embodiment and “technology,” see the developing field of “somatechnics”; for example, the journal Somatechnics published three times per year by Edinburgh University Press.

  6. 6.

    See Cage’s performance on “I’ve Got a Secret” at this YouTube link: http://www.youtube.com/watch?v=SSulycqZH-U.

  7. 7.

    Craig Loftin, “Unacceptable Mannerisms: Gender Anxieties, Homosexual Activism, and Swish in the United States, 1945–1965,” Journal of Social History 40:3, 2007, 577–596. See also David K. Johnson, The Lavender Scare: The Cold War Persecution of Gays and Lesbians in the Federal Government (University of Chicago Press, 2006); Allison McCracken, Real Men Don’t Sing: Crooning in American Culture (Durham: Duke University Press, 2015), especially chapter 5.

  8. 8.

    Paul J. Moses, The Voice of Neurosis (Psychological Corp., 1954), 29.

  9. 9.

    Moses, Voice, 2–4.

  10. 10.

    Information on Chicago public access cable shows can be found in this article from the Chicago Tribune https://www.chicagotribune.com/news/ct-xpm-1987-06-19-8702150767-story.html. During its early years, public access cable inspired genuine hope that America’s media landscape would become more democratic and diverse. See, for example, Barry T. Janes, “History and Structure of Public Access Television,” Journal of Film and Video Vol. 39, No. 3 (Summer 1987): 14–23. Media scholar Douglas Kellner was an early enthusiast of public access cable’s progressive and anti-hegemonic possibilities, and hosted a public access show in Austin, Texas. See his article “Public Access Television: ‘Alternative Views,’” Humanity and Society, Vol. 9, No. 1 (February 1985): 100–107. An excellent scholarly collection of articles on cable television is Sarah Banet-Weiser, Cynthia Chris and Anthony Freitas, eds., Cable Visions: Television Beyond Broadcasting (New York: New York University Press, 2007).

  11. 11.

    André Brock, Distributed Blackness: African American Cybercultures (New York: New York University Press, 2020); Lori Kido Lopez, Asian American Media Activism: Fighting for Cultural Citizenship (New York: New York University Press, 2016); Alexander Cho, “Default Publicness: Queer Youth of Color, Social Media, and Being Outed by the Machine,” New Media and Society Vol. 20, Issue 9: 3183–3200, September 1, 2018; Dolores Inés Casillas, Sounds of Belonging: U.S. Spanish-Language Radio and Public Advocacy (New York: New York University Press, 2014).

  12. 12.

    The twentieth- and twenty-first-century fortunes of sonic narrative, especially on radio, and its relation to literature, are examined brilliantly in Jeff Porter, Lost Sound: The Forgotten Art of Radio Storytelling (Chapel Hill: University of North Carolina Press, 2016).

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Blake, A.M. (2019). Queering the Spectrum from Radio to Local TV. In: Radio, Race, and Audible Difference in Post-1945 America. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-030-31841-3_4

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  • DOI: https://doi.org/10.1007/978-3-030-31841-3_4

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  • Publisher Name: Palgrave Pivot, Cham

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