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Practicing Languages: Designing Tools and Techniques for Self-representation and Self-reflection

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Universities as Drivers of Social Innovation

Part of the book series: Research for Development ((REDE))

Abstract

This chapter examines the first practical research of the audiovisual laboratory of campUS Social TV. It focuses on experimental tools, methods and processes, often derived from the cultures and practices of animation because of their playfulness and for the lateral approach to the production of moving images. Aspects discussed here include: the laboratory as a meeting place between different stories and abilities, between young people who are at risk of dropping out of school and young people with disabilities; the regularity of the meetings, to create a weekly rhythm; urban exploration activities, to break out of the routine of self-imposed geographical isolation and create opportunities which extend participants’ knowledge of their own city; informed use of the tools available, with the idea that even with extremely simple tools it is possible to produce excellent work, without the necessity for expensive equipment. The chapter ends with a collection of feedback from the participants and reflections on how to move forward.

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Notes

  1. 1.

    Fondazione Aquilone is a Milanese association working on social cohesion. Abelia is one of the Fondazione’s sites, operating in the north part of Milan. http://www.fondazioneaquilone.org.

  2. 2.

    Interview with Beppe, educator of CAG Abelia, led by Fabio Sisto & Elisa Bertolotti, 24.09.2015, translated from Italian by the authors.

  3. 3.

    Bar Jodok is one of Olinda’s places, based in the former mental asylum of Milan. Olinda works with young people with mental disadvantages through job inclusion and cultural activities. For more than ten years, Olinda has welcomed teenagers to a free one-year theatre workshop, led by some of the most important contemporary theatre figures in Italy.

  4. 4.

    The diversity of processes, techniques and aims in animation workshops is vast. Just to mention a few examples, animation workshops are used with children in schools (http://ottomanilaboratori.blogspot.com); for therapy (http://www.animationtherapy.info/); and as part of an animated documentary projects; for social inclusion (see the animated workshops with refugees in Palermo, Italy, led by Jayne Pilling, presented at the Conference of the Society of Animated Studies 2019, in Lisbon).

  5. 5.

    Energisers are small exercises used in different kinds of workshops, from theatre to Design Jams. They always involve the use of the body, the space and some kind of interaction with other participants. Energisers are employed as a warm-up strategy, to get to know each other, to change perspective, and to get started.

  6. 6.

    Interview with Beppe, educator of CAG Abelia, led by Fabio Sisto & Elisa Bertolotti, 24.09.2015, translated from Italian by the authors.

  7. 7.

    Interview with Beppe, educator of CAG Abelia, led by Fabio Sisto & Elisa Bertolotti, 24.09.2015, translated from Italian by the authors.

  8. 8.

    Interview with Beppe, educator of CAG Abelia, led by Fabio Sisto & Elisa Bertolotti, 24.09.2015, translated from Italian by the authors.

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Correspondence to Elisa Bertolotti .

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Bertolotti, E. (2020). Practicing Languages: Designing Tools and Techniques for Self-representation and Self-reflection. In: Fassi, D., Landoni, P., Piredda, F., Salvadeo, P. (eds) Universities as Drivers of Social Innovation. Research for Development. Springer, Cham. https://doi.org/10.1007/978-3-030-31117-9_14

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  • DOI: https://doi.org/10.1007/978-3-030-31117-9_14

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  • Publisher Name: Springer, Cham

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