Abstract
This chapter explores how maps functioned as expressions of an emergent materialist philosophy in nineteenth-century mountain writing. It identifies three forms of mapping: the paper documents carried as navigational tools, the texts produced about upland experiences, and the body. It focuses on four writers’ accounts of their travels through upland landscapes: Dorothy Wordsworth, Samuel Taylor Coleridge, John Ruskin and Elizabeth Le Blond. These accounts are distinctive in that they highlight how embodied reactions to the landscape can dramatically alter a writer’s imaginative responses. My central claim is that the mountain literatures these authors produced—in a period when the very definition and import of materialism was being significantly re-evaluated—generated a form of anticipatory cartography that understood the reading of an upland landscape as a fundamentally material experience.
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Acknowledgements
Research for this chapter was carried out with support from the Leverhulme Trust–funded project Geospatial Innovation in the Digital Humanities: A Deep Map of the English Lake District (RPG-2015-230).
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Taylor, J.E. (2019). Mountain Matter(s): Anticipatory Cartographies in Nineteenth-Century Mountain Literature. In: Carruthers, J., Dakkak, N., Spence, R. (eds) Anticipatory Materialisms in Literature and Philosophy, 1790–1930 . Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-29817-3_2
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