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Literature, Simulation, and the Path Towards Deeper Learning

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Frontiers and Advances in Positive Learning in the Age of InformaTiOn (PLATO)
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Abstract

This paper investigates the role of teaching literature for deeper learning. It draws on models of simulation, which have usually been more common in psychology, law, and political science. Teaching literature may be ideally suited for deeper learning since literary texts can be seen as experimental social action. Each text confronts its readers with ethical choices. This property of literature as a medium can in turn be transformed into new models for teaching literature. Ultimately, literary simulations can hence constitute a path towards civic education and social responsibility. Such approaches, in turn, may contribute not only to discussions of the “relevance” of the humanities as such, but also their role for interdisciplinary basic research.

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Notes

  1. 1.

    I am indebted to Oliver Meyer for this term.

  2. 2.

    At the same time, a caveat may be in order here. There is a sense in which the current debate is curiously lopsided. For establishing the relevance of, say, fields within the life sciences, for instance, no one would require life scientists to look into how the field is viewed by scholars of literature. There may thus be a key discrepancy here in arguing that the humanities need to prove their efficacy in the terms of another discipline, or that their value lies only in their transferability. In the face of such discussions, however, this paper takes a pragmatic approach, looking at both what the humanities have to offer and how and in what fields this knowledge may then be applied.

  3. 3.

    The link between literature and simulation has often been made in the context of the opposition, or at least difference, between literature and other, usually digital media (e.g., Lem 1989). At the same time, the idea of literature as a medium of experimental or imagined action has also been taken up by literary authors, most prominently by German writer Wellershoff, who spoke of his fiction as a “literary space of simulation” (Bügner 1993). My aim in this paper is to ask how these approaches to both reading and writing literature might fruitfully be transformed into a different approach to teaching literature.

  4. 4.

    He is one of the expert advisers of the PLATO project.

  5. 5.

    I am indebted to Oliver Meyer for this point.

  6. 6.

    Simulation II is not so much a re-enactment as it is an enactment, because students cannot simply replicate a scene from the text but have to write their own scripts and hence create their own interpretation of the text which in this sense becomes “their” text.

  7. 7.

    I am indebted to Oliver Meyer for this term.

  8. 8.

    As Shavelson also notes, parents’ religious beliefs are transmitted to children such that they impact on how students interpret what they are learning (2018, p. 287).

  9. 9.

    This part of the essay is centrally based on the work of Margarete Imhof, to whom I am greatly indebted.

  10. 10.

    The following ideas are chiefly indebted to Margarete Imhof’s ideas.

  11. 11.

    Both these terms are Margarete Imhof’s.

  12. 12.

    My discussion of the potential outcome of the simulation is crucially based on Margarete Imhof’s assessment.

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Correspondence to Mita Banerjee .

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Banerjee, M. (2019). Literature, Simulation, and the Path Towards Deeper Learning. In: Zlatkin-Troitschanskaia, O. (eds) Frontiers and Advances in Positive Learning in the Age of InformaTiOn (PLATO). Springer, Cham. https://doi.org/10.1007/978-3-030-26578-6_4

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