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Mammoths, Museums, and Molecules: A De-Extinction Icon Emerges

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De-Extinction and the Genomics Revolution
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Abstract

Woolly mammoths are flexible creatures, able to move even in extinction between science and spectacle, the deep past, present, and future, and between the spheres of the living and the dead. This chapter traces how the woolly mammoth has interacted with science and entertainment throughout the modern period. It first places the mammoth in the cultural context of the nineteenth-century museum and then reflects on Lyuba, a mammoth specimen that holds a special fascination for audiences and illustrates the mammoth’s temporal and cultural pliancy. The third section discusses the woolly mammoth’s emergence as a de-extinction icon that holds out promissory hope for nature. The chapter concludes with a discussion of life-on-demand and the meaning of a mammoth in a time out of joint.

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Notes

  1. 1.

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  20. 20.

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  21. 21.

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  28. 28.

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  29. 29.

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  30. 30.

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  31. 31.

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  32. 32.

    Brown, “Hope against Hype: Accountability in Biopasts, Presents and Futures,” 10.

  33. 33.

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  34. 34.

    Campbell, “The Extinct Animal Show: The Paleoimagery Tradition and Computer Generated Imagery in Factual Television Programs,” 199.

  35. 35.

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  36. 36.

    http://www.nextnature.net/philosophy.

  37. 37.

    Fletcher, “Bio-imaginaries: Bringing Back the Woolly Mammoth,” 91.

  38. 38.

    Novak, “De-Extinction,” 5.

  39. 39.

    Brand, “The Dawn of De-extinction: Are You Ready.”

  40. 40.

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  41. 41.

    Fisher, “The Slow Cancellation of the Future,” 5.

  42. 42.

    Mikhail, “The Enlightenment Anthropocene,” 212.

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Fletcher, A.L. (2020). Mammoths, Museums, and Molecules: A De-Extinction Icon Emerges. In: De-Extinction and the Genomics Revolution. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-030-25789-7_4

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  • DOI: https://doi.org/10.1007/978-3-030-25789-7_4

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