Abstract
Kubrick’s film The Killing like all heist films is one in which the theme of collaboration is paramount. Johnny Clay (Sterling Hayden) must assemble a gang of men he can trust to do their appointed job at the precisely appointed time and to keep silent about their involvement. This commonplace requirement for strict collaboration and cooperation is taken up in the film and extended, perhaps more unexpectedly, to the world of physical objects. It is not only the world of men and women that can resist collaboration with the would-be criminal mastermind. The Killing is a film that demonstrates just how difficult it can be to persuade the material world to collaborate with one’s plans.
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Allen, G. (2020). The Alien World of Objects: Stanley Kubrick’s The Killing. In: Cronin, B., MagShamhráin, R., Preuschoff, N. (eds) Adaptation Considered as a Collaborative Art. Adaptation in Theatre and Performance. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-25161-1_6
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