Skip to main content

Theatres as Sites of Learning: Theatre for Early Years Audiences

  • Chapter
  • First Online:
Education and Theatres

Part of the book series: Landscapes: the Arts, Aesthetics, and Education ((LAAE,volume 27))

Abstract

This chapter asks what children learn from attending the theatre. The research project that informed the chapter followed a group of nine children aged between three and four, who visited Polka Theatre in South-West London a total of seven times over one year. The children watched theatre made specifically for their age group – often referred to in the UK as ‘Theatre for Early Years Audiences’- a genre which has seen a proliferation in recent years. Focussing on the performance of Grandad, Me and Teddy Too by Sarah Argent, this chapter critically interrogates the dynamic between young children’s participation in theatre as audience members and their learning, as well as situating TEY within the context of wider theatre practice. In doing so, it considers both curriculum-centered learning outcomes and those analysed through the lens of Elizabeth Ellsworth’s theories of learning as relational, sensory and somatic. The chapter argues that, although targeted outreach work may form part of a theatre’s educational work with children, it is essential to consider the performance experience itself as a key site of learning.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 119.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 159.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Nurseries in the UK provide education and care for children under five-years-old, the age at which they begin compulsory education. Nurseries may be private or state-run, separate from or attached to primary schools, and involve a mainly play-based learning environment.

  2. 2.

    In the UK, this title refers to the manager of a school and its staff, who is usually a highly experienced teacher overseeing teaching, learning, feedback to school authorities and the management of school resources.

References

  • Argent, S. (Writer & Director). (2015). Grandad, Me... and Teddy Too. Live performance at Polka Theatre, London.

    Google Scholar 

  • Baldock, P. (2006). The place of narrative in the early years curriculum: How the tale unfolds. London: Routledge.

    Book  Google Scholar 

  • Banes, S., & Lepecki, A. (2007). The senses in performance. New York: Routledge.

    Google Scholar 

  • Bruner, J. (1986). Actual minds, possible worlds. Cambridge, MA: Harvard University Press.

    Book  Google Scholar 

  • Buzzetti, A., Cappagli, B., & Zini, C. (Devisors). (2015). Casa. Live performance at Polka Theatre, London.

    Google Scholar 

  • Clark, A., & Moss, P. (2001). Listening to young children: The mosaic approach. London: National Children’s Bureau.

    Google Scholar 

  • Cookson, S. (Director). (2014). How cold my toes. Live performance at Polka Theatre, London.

    Google Scholar 

  • Desfosses, A. (2009). Little ones and adults, alive and aware: Theatre brings together. In W. Schneider (Ed.), Theatre for early years: Research in performing arts for children from birth to three (pp. 99–104). Oxford: Peter Lang.

    Google Scholar 

  • Ellsworth, E. (2005). Places of learning: Media, architecture, pedagogy. New York: Routledge Falmer.

    Book  Google Scholar 

  • Gardner, L. (2010). Skitterbang Island. Opera review. The Guardian. http://www.theguardian.com/music/2010/jul/27/skitterbang-island-review. Accessed 15 Dec 2015.

  • Reason, M. (2010). The young audience: Exploring and enhancing children’s experiences of theatre. Stoke-on-Trent: Trentham.

    Google Scholar 

  • Welton, M. (2007). Seeing nothing: Now hear this…. In S. Banes & A. Lepecki (Eds.), The senses in performance (pp. 146–155). New York: Routledge.

    Google Scholar 

  • Welton, M. (2011). Feeling theatre. Basingstoke: Palgrave Macmillan.

    Google Scholar 

  • Wiegand, C. (2014). Grandad, Me…and Teddy Too. Review. The Guardian. http://www.theguardian.com/stage/2014/oct/20/grandad-me-and-teddy-too-review-byobear-polka-theatre. Accessed 10 Dec 2015.

  • Winston, J. (1998). Drama, narrative and moral education: Exploring traditional tales in the primary years. London: Falmer Press.

    Google Scholar 

  • Winston, J. (2010). Beauty and education. New York: Routledge.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Emma Miles .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Miles, E., Nicholson, H. (2019). Theatres as Sites of Learning: Theatre for Early Years Audiences. In: Finneran, M., Anderson, M. (eds) Education and Theatres. Landscapes: the Arts, Aesthetics, and Education, vol 27. Springer, Cham. https://doi.org/10.1007/978-3-030-22223-9_18

Download citation

  • DOI: https://doi.org/10.1007/978-3-030-22223-9_18

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-030-22221-5

  • Online ISBN: 978-3-030-22223-9

  • eBook Packages: EducationEducation (R0)

Publish with us

Policies and ethics