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The “Spiritual Oriental Philosophy” of Izutsu Toshihiko: Toward a “Structuralist Phenomenology”

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Tetsugaku Companion to Phenomenology and Japanese Philosophy

Part of the book series: Tetsugaku Companions to Japanese Philosophy ((TCJP,volume 3))

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Abstract

In his work, Izutsu Toshihiko attempted to set the groundwork for a unified “Oriental Philosophy” that could contribute to global thought in the same way that Western Philosophy has. To this end, Izutsu sought out a method that could offer a non-arbitrary way to unify the various traditions of the Orient. Specifically, in addition to some hints he took from structural linguistics, Izutsu focused on one element that is common throughout the various traditions of the East: the experience of the manifestation of “The One” in ascetic-training. This is referred to by Izutsu as the “Spiritual Orient”.

In this contribution, we shall attempt to clarify the meaning of this concept of “Spiritual Orient”, while also showing how it can serve as a new direction for phenomenological inquiry. We start by looking at the popular demand for a “Japanese Philosophy” that lurked in the background of Izutus’s own “Oriental Philosophy”. In the second section, we contrast this popular notion with Izutsu’s conception of “Oriental Philosophy” as the “Spiritual Orient”. Here, we interpret the meaning of the word “Spiritual” in the “Spiritual Orient” to mean a “double phenomenological reduction.” While doing so, we also emphasize the need for a “radicalized transcendental reduction” from the perspective of transcendental phenomenology. In the third section, we use Izutsu’s triadic diagram to better understand this reduction. In the final section, we shall analyze the phenomenality of the “Spiritual Orient” by using the example of the mandala. As a result of these considerations, we will be able to understand Izutsu’s “Spiritual Oriental Philosophy” as a new “Structuralist Phenomenology.”

Trans. Note: In this paper, the term Oriental is utilized as the translation for Izutsu’s key concept of tōyō (東洋). The decision to use the word “Orient” as opposed to the alternative translation of “East” stems from both a need to retain the stronger nuances coming from the word, as well as to match with the phrasing found in the work Henry Corbin, who shall be mentioned later on. The political implications of Izutsu’s thought and its connections to the “Orient” will be spelled out in detail later on in this contribution.

Use of the words “Orient” and “Oriental” has been extended to all instantiations of the word tōyō (東洋) not only for Izutsu’s specific use of the word as a philosophical concept. This is done both to avoid confusion as well as to avoid somehow depriving Izutsu’s usage of the word its inherent connection to the various traditions of the “East/Orient” (which, again, shall be discussed at greater length over the course of this contribution).

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Notes

  1. 1.

    Izutsu (1983).

  2. 2.

    Izutsu (1983), “Post-Script.” Now, for a full overview of Izutsu’s philosophy, refer to Nagai (2013).

  3. 3.

    Izutsu (1993).

  4. 4.

    Cf., Nitta (1998).

  5. 5.

    Cf. Okakura Tenshin (1862–1913): 1903, 1904.

  6. 6.

    Izutsu 1983: 144.

  7. 7.

    Henceforth, I shall use the symbol = to demonstrate the corresponding relationship between deep consciousness and the apparent being (essence) which confronts it (corresponds to it).

  8. 8.

    Henceforth, I shall use the symbol = to demonstrate the relationship between empirical ascetic-training and the radicalized transcendental reduction which uses it as a model.

  9. 9.

    “Ten Bulls (十牛図),” housed in Shōkoku-ji Temple, Kyoto (相国寺, 京都).

  10. 10.

    Cf. Corbin (1958/1993).

  11. 11.

    Trans. Note: Here, I have left the word soku 即 in alphabet form. The word is often used to denote an immediate unity between two separate phenomena, while still allowing for a distinction or separation to be made between the two. Depending on the context, authors have otherwise used “qua,” “sieve,” or “immediately” to express the function of this word. However, seeing as to how the use of any of these words would still require a qualifying statement as to the nuances of soku, it seems to me most prudent to leave the word as is and hopefully allow for the nuances included in the word soku to permeate into the English language.

  12. 12.

    Jp: Hannya Shingyō『般若心経』

  13. 13.

    Jp:『華厳経』

  14. 14.

    Here, we are using the word mikkyō in a broad sense, so as to cover Buddhism, Islamic Mysticism, and Jewish Mysticism.

  15. 15.

    Pratītyasamutpāda, 縁起

  16. 16.

    In his article, “Rijimuge, Jijimuge,” Izutsu points to the structural similarities between Plotinus and the Kegon School. Izutsu (1992).

  17. 17.

    Izutsu 1983: 251–254.

  18. 18.

    The word “Archetypal Image” is a phrase coined by Izutsu and was inspired by the Jungian phrase “Archetype.” It refers to that which acts as an image of “articulation II” in the immanence of The One which stands before the phenomenality of the world (articulation I).

  19. 19.

    Corbin 1981: 27, Schaya 1988: 28, Izutsu 1983: 284.

  20. 20.

    Jp: Taizō Mandala, 胎蔵マンダラ

  21. 21.

    Note that we will not be dealing with “essence affirming model I” in this paper.

  22. 22.

    This is demonstrated by the ninth picture of the “Ten Bulls” (Diagram 14.3). Cf. Izutsu 1983: 180.

  23. 23.

    Corbin, ibid.

  24. 24.

    Izutsu 1983: 214.

  25. 25.

    Read in Japanese as “Keika.”

  26. 26.

    “Mandala of the Two Realms (両部マンダラ)” Housed in Tō-ji Temple, Kyōto (東寺, 京都)

  27. 27.

    Kongōkai Mandala, 金剛界マンダラ

  28. 28.

    This concurrent relationship between the path of descent of The One (self-manifestation) and the path of ascent of the practitioner of ascetic-training may seem structurally similar to the self-returning of absolute spirit through history in Hegel’s Phenomenology of Spirit. However, a decisive difference between the two is that the mandala, as is the case in other Oriental traditions, does not mediate time or history, as Hegel’s absolute spirit does. This is because the mandala as a whole is the space of the interior of The One, which is a unique phenomenal level which precedes the phenomenal world that appears in time.

  29. 29.

    [Translated from Japanese by Richard Stone]

    [The Japanese original version of this article was published in NAGAI Shin永井晋. 2018. ‘Spiritual’ Oriental Philosophy〈精神的〉東洋哲学. Tokyo 東京: Chisenshokan 知泉書館, 139–165.]

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[Translated from Japanese by Richard Stone]

[The Japanese original version of this article was published in NAGAI Shin永井晋. 2018. ‘Spiritual’ Oriental Philosophy〈精神的〉東洋哲学. Tokyo 東京: Chisenshokan 知泉書館, 139–165.]

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Nagai, S. (2019). The “Spiritual Oriental Philosophy” of Izutsu Toshihiko: Toward a “Structuralist Phenomenology”. In: TAGUCHI, S., ALTOBRANDO, A. (eds) Tetsugaku Companion to Phenomenology and Japanese Philosophy. Tetsugaku Companions to Japanese Philosophy, vol 3. Springer, Cham. https://doi.org/10.1007/978-3-030-21942-0_14

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