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Robinsonaden in the Feminine? Coetzee’s Foe and Muriel Spark’s Robinson

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Abstract

This chapter discusses to what extent J.M. Coetzee’s Foe and Muriel Spark’s Robinson are indebted to Robinson Crusoe and whether or not their women castaways manage to challenge the seminal male-oriented Robinsonade and convert it into another type of narrative. As well as examining in what ways female characters in both novels occupy spaces like the island and appropriate adventure and the writing of the story, it is emphasised that Portuguese imperial History (also to be found in Robinson Crusoe and in other island stories and hardly pointed out by critics) becomes crucial to the interpretation of both texts. It is concluded that not only the long History of European imperialism but also the Robinsonade are Friday’s—and ultimately Susan Barton’s and January Marlow’s—foes.

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Notes

  1. 1.

    Professor Pinto Coelho’s participation at the ‘Reading Coetzee’s Women’ conference held at Monash University’s Prato Centre in September 2016 was sponsored by the Instituto de História Contemporânea (Institute of Contemporary History) of the Universidade Nova de Lisboa.

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Coelho, T.P. (2019). Robinsonaden in the Feminine? Coetzee’s Foe and Muriel Spark’s Robinson. In: Kossew, S., Harvey, M. (eds) Reading Coetzee's Women. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-19777-3_8

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