Abel, Elizabeth. 1983. Narrative Structure(s) and Female Development: The Case of Mrs. Dalloway. In The Voyage In: Fictions of Female Development, ed. Elizabeth Abel, Marianne Hirsch, and Elizabeth Langland, 161–185. Hanover: University Press of New England.
———. 1996. Virginia Woolf and the Fictions of Psychoanalysis. Chicago: University of Chicago Press.
Abraham, Julie. 1996. Are Girls Necessary: Lesbian Writing and Modern Histories. New York: Routledge.
Barber, Stephen M., and David L. Clark (eds.). 2002. Introduction: Queer Moments: The Performative Temporalities of Eve Kosofsky Sedgwick. In Regarding Sedgwick: Essays on Queer Culture and Critical Theory, 1–56. New York: Routledge.
Bennett, Arnold. 1975. Article in Evening Standard. In Virginia Woolf: The Critical Heritage, ed. Robin Majumdar and Allen McLaurin, 189–190. London: Routledge.
Boone, Joseph Allen. 1998. Libidinal Currents: Sexuality and the Shaping of Modernism. Chicago: The University of Chicago Press.
Chatman, Seymour. 2005. Mrs. Dalloway Progeny: The Hours as Second-Degree Narrative. In A Companion to Narrative Theory, ed. James Phelan and Peter J. Rabinowitz, 269–282. Malden: Blackwell.
Clayton, Jay. 1987. Romantic Vision and the Novel. Cambridge: Cambridge University Press.
Cunningham, Michael. 1998. The Hours. New York: Farrar.
Dowling, David. 1991. Mrs. Dalloway: Mapping Streams of Consciousness. Boston: Twayne.
Dubrow, Heather. 2006. The Interplay of Narrative and Lyric: Competition, Cooperation, and the Case of the Anticipatory Amalgam. Narrative 14 (3): 254–271.
DuPlessis, Rachel Blau. 1998. Feminist Narrative in Virginia Woolf. Novel: A Forum on Fiction 21 (2–3): 323–330.
Freeman, Elizabeth (ed.). 2007. Queer Temporality. Special Issue, GLQ: A Journal of Gay and Lesbian Studies 13 (2–3).
Friedman, Susan Stanford. 1989. Lyric Subversion of Narrative in Women’s Writing: Virginia Woolf and the Tyranny of Plot. In Reading Narrative, ed. James Phelan, 162–185. Columbus: Ohio State University Press.
Froula, Christine. 2002. Mrs. Dalloway’s Postwar Elegy: Women, War, and the Art of Mourning. Modernism/Modernity 9 (1): 125–163.
Grosz, Elizabeth (ed.). 1999. Becomings: Explorations in Time, Memory and Futures. Ithaca: Cornell University Press.
Halberstam, J. 2005. In a Queer Time and Place: Transgender Bodies, Subcultural Lives. New York: New York University Press.
Henke, Suzette A. 1981. Mrs. Dalloway: The Communion of Saints. In New Feminist Essays on Virginia Woolf, ed. Jane Marcus, 125–147. Lincoln: University of Nebraska Press.
Hungerford, Edward A. 1957. My Tunneling Process: The Method of Mrs. Dalloway. Modern Fiction Studies 3: 164–167.
Iannone, Carol. 2003. Woolf, Women, and ‘The Hours’. Commentary 115 (4): 50–53.
Jagose, Annamarie. 2002. Inconsequence: Lesbian Representation and the Logic of Sexual Sequence. Ithaca: Cornell University Press.
Matson, Patricia. 1996. The Terror and the Ecstasy: The Textual Politics of Virginia Woolf’s Mrs. Dalloway. In Ambiguous Discourse: Feminist Narratology and British Women Writers, ed. Kathy Mezei, 162–186. Chapel Hill: The University of North Carolina Press.
Morgan, Monique. 2008. Narrative Means to Lyric Ends in Wordsworth’s Prelude. Narrative 16 (3): 298–330.
Pearce, Richard. 1991. The Politics of Narration: James Joyce, William Faulkner, and Virginia Woolf. New Brunswick: Rutgers University Press.
Phelan, James. 2004a. Rhetorical Ethics and Lyric Narrative: Robert Frost’s ‘Home Burial’. Poetics Today 25: 627–652.
———. 2004b. Toward a Rhetoric and Ethics of Lyric Narrative: The Case of ‘A Clean, Well-Lighted Place’. Frame 17: 27–43.
Povalyaeva, Natalia. 2004. The Issue of Self-Identification in Woolf’s Mrs. Dalloway and Cunningham’s The Hours. In Woolf Across Cultures, ed. Natalya Reinhold, 269–276. New York: Pace University Press.
Randall, Bryony. 2007. Modernism, Daily Time, and Everyday Life. Cambridge: Cambridge University Press.
Raphael, Linda S. 2001. Narrative Skepticism, Moral Agency and Representations of Consciousness in Fiction. Madison: Fairleigh Dickinson University Press.
Sedgwick, Eve Kosofsky. 1993. Tendencies. Durham: Duke University Press.
Showalter, Elaine. 1994. Mrs. Dalloway. In Virginia Woolf: Introductions to the Major Works, ed. Julia Briggs, 125–156. London: Virago.
Spengler, Birgit. 2004. Michael Cunningham Rewriting Virginia Woolf: Pragmatist vs. Modernist Aesthetics. Woolf Studies Annual 10: 51–79.
Stockton, Kathryn Bond. 2004. Growing Sideways, or Versions of the Queer Child: The Ghost, the Homosexual, the Freudian, the Innocent, and the Interval of Animal. In Curiouser: On the Queerness of Children, ed. Steven Bruhm and Natasha Hurley, 277–316. Minneapolis: University of Minnesota Press.
The Hours. 2002. Dir. Stephen Daldry. Perf. Nicole Kidman, Julianne Moore, and Meryl Streep. Paramount, Film.
Transue, Pamela J. 1986. Virginia Woolf and the Politics of Style. Albany: State University of New York Press.
Winning, Joanne. 2000. The Pilgrimage of Dorothy Richardson. Madison: University of Wisconsin Press.
Woolf, Virginia. 1925. Mrs. Dalloway. San Diego: Harcourt. Reprint 1981.