Skip to main content

Escaping the Robot’s Loop? Power and Purpose, Myth and History in Westworld’s Manufactured Frontier

  • Chapter
  • First Online:
Reading Westworld

Abstract

Contextualising Westworld in the long history of robots in American culture, this paper explores how the show’s focus on narrative loops reflects a larger interest in the power of history to raise the consciousness of disempowered peoples. As a twenty-first-century TV show about robots, Westworld is burdened by the plots and tropes that have dominated over two centuries of stories about robots and automata, including the 1973 film of the same name. Like its robotic “hosts,” however, the show is trying to break out of the conventional narrative loop of mechanical rebellion that has become engrained in popular culture. It does so, the paper argues, by substituting a cathartic and supportive narrative of resistance that focuses, contrary to almost all other robot stories, on the bodies and minds of white women and men and women of colour. The show, the paper suggests, is about the consciousness-raising power of history.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Works Cited

  • Advertisement. (1788, March 31). To-Morrow Evening. The Independent Gazetteer, 3. Available at: https://www.readex.com/content/americas-historical-newspapers. Accessed 10 April 2012.

  • Advertisement. (1794, February 17). New Theatre. The Baltimore Daily Intelligencer, 3. Available at: https://www.readex.com/content/americas-historical-newspapers. Accessed 10 April 2012.

  • Anonymous. (1801, February 21). Falconi. Federal Gazette, 3. Available at: https://www.readex.com/content/americas-historical-newspapers. Accessed 10 April 2012.

  • Anonymous. (1854, August 16). Automatic Labor. New York Daily Times, 4. Available at: https://www.proquest.com/products-services/pq-hist-news.html. Accessed 15 May 2009.

  • Anonymous. (1923, January 1). R.U.R. A Dramatic Indictment of Civilization. Current Opinion, 61–62.

    Google Scholar 

  • Bady, A. (2016). “Westworld,” Race, and the Western. The New Yorker. Available at: https://www.newyorker.com/culture/culture-desk/how-westworld-failed-the-western. Accessed 15 May 2018.

  • Baudrillard, J. (1994). Simulacra and Simulation (Sheila Glaser, Trans.). Ann Arbor, MI: University of Michigan Press. (Original work published in 1981)

    Google Scholar 

  • Čapek, The Brothers. (1961). R.U.R. and the Insect Play. London: Oxford University Press.

    Google Scholar 

  • Dain, B. (2002). The Hideous Monster of the Mind: American Race Theory in the Early Republic. Cambridge, MA: Harvard University Press.

    Book  Google Scholar 

  • Dinerstein, J. (2003). Swinging the Machine: Modernity, Technology, and African American Culture Between the World Wars. Amherst: University of Massachusetts Press.

    Google Scholar 

  • Flanders, R. (1931). Taming Our Machines: The Attainment of Human Values in a Mechanized Society. New York: Richard R. Smith.

    Google Scholar 

  • Ford, H. (1939, 5 March). Machines as Ministers to Men. New York Times, AS7. Available at: https://www.proquest.com/products-services/pq-hist-news.html. Accessed 9 October 2015.

  • Georges Louis Le Clerc, Comte de Buffon. (1792). A Natural History, General and Particular (Vol. 7). London: J.S. Barr.

    Google Scholar 

  • Gleason, W. (1999). The Leisure Ethic: Work and Play in American Literature, 1840–1940. Stanford: Stanford University Press.

    Google Scholar 

  • Graebner, W. (1991). Age of Doubt: American Thought and Culture in the 1940s. Woodbridge, CT: Twayne Publishers.

    Google Scholar 

  • Higbie, T. (2013). Why Do Robots Rebel? The Labor History of a Cultural Icon. Labor: Studies in Working-Class History, 10(1), 99–121.

    Article  Google Scholar 

  • Hoganson, K. (1998). Fighting for American Manhood: How Gender Politics Provoked the Spanish-American and Philippine-American Wars. New Haven: Yale University Press.

    Google Scholar 

  • Hunnicutt, B. (1988). Work Without End: Abandoning Shorter Hours for the Right to Work. Philadelphia: Temple University Press.

    Google Scholar 

  • Kang, M. (2010). Sublime Dreams of Living Machines: The Automaton in the European Imagination. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Kasson, J. (1976). Civilizing the Machine: Technology and Republican Values in American, 1776–1900. New York: Grossman Publishers.

    Google Scholar 

  • Marx, L. (1964). The Machine in the Garden: Technology and the Pastoral Ideal in America. New York: Oxford University Press.

    Google Scholar 

  • Mayr, O. (1986). Authority, Liberty, and Automatic Machinery in Early Modern Europe. Baltimore: Johns Hopkins University Press.

    Google Scholar 

  • Nye, D. (1994). American Technological Sublime. New Bakersfield: MIT Press.

    Google Scholar 

  • Seward, W. (1954). The Reaper: Argument of William H. Seward in the Circuit Court of the United States. Auburn: William L. Finn.

    Google Scholar 

  • Slotkin, R. (1973). Regeneration Through Violence: The Mythology of the American Frontier, 1600–1860. Norman, OK: University of Oklahoma Press.

    Google Scholar 

  • Slotkin, R. (1992). Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America. New York: Harper Perennial.

    Google Scholar 

  • Smith, H. (1950). Virgin Land: The American West as Symbol and Myth. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Steiner, M. (1998). Frontierland as Tomorrowland: Walt Disney and the Architectural Packaging of the Mythic West. Montana: The Magazine of Western History, 48(1), 2–17.

    Google Scholar 

  • Taylor, F. W. (1911). Shop Management. New York: Harper & Brothers.

    Google Scholar 

  • Trachtenberg, A. (1982). The Incorporation of America: Culture and Society in the Gilded Age. New York: Hill and Wang.

    Google Scholar 

  • Turner, F. J. (1893). The Significance of the Frontier in American History. Available at: https://www.historians.org/about-aha-and-membership/aha-history-and-archives/historical-archives/the-significance-of-the-frontier-in-american-history. Accessed 10 May 2018.

  • Voskuhl, A. (2013). Androids in the Enlightenment: Mechanics, Artisans, and Cultures of the Self. Chicago: University of Chicago Press.

    Book  Google Scholar 

  • Westworld. (2016, October). Home Box Office. First Shown.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Dustin Abnet .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Abnet, D. (2019). Escaping the Robot’s Loop? Power and Purpose, Myth and History in Westworld’s Manufactured Frontier. In: Goody, A., Mackay, A. (eds) Reading Westworld. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-14515-6_12

Download citation

Publish with us

Policies and ethics