Abstract
The object of this research focuses on the cinematography of the Andean countries (Ecuador, Bolivia and Peru, excluding Colombia due to the size of its market) and their architectural transformations. Thus, identity and architecture will be related to the cinema, both by their textual and narrative-audiovisual aspects. To perform the analysis, three models will be exhibited: dramatic, postdramatic and audiovisual postdramatic. The results show that in the three countries there are clear postdramatic manifestations in their cinematography, especially in some of their most outstanding films.
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Orosa, M.Á., Romero-Espinosa, S.F., Fernández-Holgado, J.A. (2019). Transformation of Andean Cinema in Latin America: Identity and Prostdrama. In: Rocha, Á., Ferrás, C., Paredes, M. (eds) Information Technology and Systems. ICITS 2019. Advances in Intelligent Systems and Computing, vol 918. Springer, Cham. https://doi.org/10.1007/978-3-030-11890-7_88
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DOI: https://doi.org/10.1007/978-3-030-11890-7_88
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