Abstract
This chapter deals with the radiation of vibrating structures in air, with application to stringed and percussive instruments. Basic notions are first presented with the help of an introductory example of a beam coupled to an air column. The important concept of critical frequency is then introduced through the example of an infinite thin plate radiating in air. The radiation models of finite plates and their results can be applied to real musical instruments. Recent methods are then presented for calculating the radiation of unbaffled plates, structural volumes, and nonplanar sources. Finally, the questions relative to the appropriate choice of material, and to the compromise between radiation efficiency and tone duration, are illustrated on several stringed instruments.
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Notes
- 1.
In reality, the modes of the coupled system are complex, and we could think of applying the rigorous theory of complex modes presented in Chap. 5. However, since the air coupling can be most often considered as weak in musical acoustics, the method of projection on the in vacuo modes is preferred here, which corresponds to current practice.
- 2.
Notice that this property is no longer valid if there is another structural damping inside the beam.
- 3.
Such an effect can be taken into account as a length correction in tubes.
- 4.
In what follows, the symbols “\(\tilde{\ }\)” will be omitted for clarity.
- 5.
- 6.
Recall that H(t) is the Heaviside function.
- 7.
Here, an interesting link can be made with the linear array of monopoles shown in Fig. 12.7 It was shown in the previous chapter that, as the number N of monopoles tend to infinity, then the direction of radiation tends to \(\varTheta \,=\, 0\), which is equivalent to \(kd\cos \theta \, =\,\varphi\). This can only occur under the condition \(\left \vert \varphi \right \vert \, <\, kd\). In the present example of the plate, the definition of the angle \(\theta\) is modified, so that we must here convert the \(\cos \theta\) of the monopole array in \(\sin \theta\), which yields
$$\displaystyle{ \sin \theta = \frac{\varphi } {kd}. }$$For the plate, the phase shift \(\varphi\) between two consecutive “monopoles” is given here by \(k_{B}d\, =\,\varphi\). As d tends to zero, we find Eq. (13.56) again. This shows that the linear array of monopoles is of the supersonic type. We can further add that if a condition such as \(\left \vert \varphi \right \vert \, >\, kd\) would have been obtained as N tends to infinity, then no radiation would have exist in the far field, because \(\varTheta\) could not be zero. This remark will be useful in Chap. 14 to understand why there is no critical frequency in wind instruments.
- 8.
In this expression, it is assumed that the Poisson’s coefficients are identical in both directions.
- 9.
These values correspond to the maxima of the functions \(\left \vert \frac{(-1)^{m}e^{+jk_{x}L_{x}}-1} {(k_{x}L_{x})^{2}-m^{2}\pi ^{2}} \right \vert \) and \(\left \vert \frac{(-1)^{n}e^{+jk_{y}L_{y}}-1} {(k_{y}L_{y})^{2}-n^{2}\pi ^{2}} \right \vert \). Except for the lowest values of m and n, these maxima are close to m π and n π.
- 10.
The issue of the material choice for wind instruments is a very intricate and controversy matter. Two different materials handled by the same tool do not produce the same geometry, and the nature of the material intervenes also by its porosity, the state of its surface, its heat capacity, etc.
- 11.
By analogy with the electric filters, this cutoff frequency can be defined as the value for which the pressure is reduced by a factor of −3 dB compared to its low-frequency asymptotic value (see Fig. 13.38).
- 12.
Similar results were obtained by Suzuki and Tichy [37], using the theory of spherical harmonics for expanding the pressure (see Chap. 12). These authors report that, due the diffraction effects, an attenuation of the order of −5 dB between ka = 0. 4 and ka = 4 is obtained for the convex caps, whereas an amplification of 4 dB is obtained for the concave case.
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Chaigne, A. (2016). Radiation of Vibrating Structures. In: Acoustics of Musical Instruments. Modern Acoustics and Signal Processing. Springer, New York, NY. https://doi.org/10.1007/978-1-4939-3679-3_13
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